Prima Donna is a band that has strong ties around and within the music scene. They are, to me, the underground underdogs. What I mean by that is that they keep their street-creds while raising the flag for the indie scene showing just how awesome it is.
And, in this interview, we get to talk with one-fourth of this awesomeness in the form of David S. Field, drummer for Prima Donna. We cover a lot of ground here too. We get a glimpse of the beginnings of Prima Donna as well as collaborations including there inclusion into legendary musician Steven Van Zandt’s illustrious Wicked Cool Records stable of artists as well as the side project David and Prima Donna frontman Kevin Preston have with Green Day frontman Billie Joe Armstrong called The Longshot.
Prima Donna clearly has a full plate throughout 2020, as you will hear in the interview, including a new video for ‘Sing to Death’ (read our single review HERE) as well as a new album and more.
Watch the full episode HERE.
ABOUT PRIMA DONNA
Prima Donna has shared the stage with such notable acts as Andre Williams, Andrew WK, Angry Samoans, Anti-Nowhere League, Ash, Avengers, Backyard Babies, Bellrays, Blondie, Boys, Briefs, Business, Charged GBH, Chelsea, Cock Sparrer, D-Generation, Demented Are Go, Dollyrots, Dragons, Dritte Wahl, Duane Peters Gunfight, Eddie & the Hot Rods, Electric Frankenstein, Electric Prunes, Electric Six, Emily’s Army, Exploited, Fitz & the Tantrums, Foxboro Hot Tubs, Fuzztones, Gears, Girl In A Coma, Glen Matlock, Green Day, Guana Batz, Hangmen, Humpers, Iggy & the Stooges, Joneses, Josie Cotton, Kepi Ghoulie, Lords of Altamont, Lower Class Brats, Mad Sin, Mau-Mau’s, Michael Des Barres, Motorcycle Boy, MU330, Muffs, Nick Curran & the Lowlifes, Nikki Corvette, 999, Phenomenauts, Pointed Sticks, Polecats, Razor Dolls, Rezillos, Rikk Agnew, Rocket from the Crypt, Semi Precious Weapons, Sham 69, Skulls, Sonics, Steel Panther, Stitches, Stranglers, Stza Crack, Subhumans, Sylvain Sylvain & Cheetah Chrome’s Batusis, Texas Terri, Throw Rag, Tornado Rider, Toyah, Turbonegro, TV Smith, 20/20, U.S. Bombs, UK Subs, Undertones, Vibrators, Weirdos, Willie Nile, Zeros.
LINKS:
http://primadonnarocks.com
https://www.youtube.com/user/PrimaDonnaVision
https://twitter.com/primadonnaband
https://www.instagram.com/primadonnaband
https://www.facebook.com/PrimaDonnaOfficial
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Black Bordello Releases Eponymous Album (The Week in #Indie Segment)
Black Bordello have released their eponymous album. A solid fusion of a little of everything from Fusion to vintage show and everything in between but one thing is for sure, this is all Black Bordello. In all of their glory. And this is what I love about #indie music. That unbreaking originality and melding of influences. This is the love of music put to record.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT BLACK BORDELLO
After a few years of gigging in and around London, Peckham’s Black Bordello is an established live force. Following a succession of well-received singles ( Spectre Man, Backache, Leeches ) The London group has released a full-length debut album that melds Vaudeville, Jazz, and Gothic Rock in one complete and overwhelming maelstrom.
Originally the project of Sienna Bordello, much of the album’s material dates back to Black Bordello’s 2017 inception, although it has now been honed to streamlined perfection. However, as the band’s line up has stabilized, a singular sound has emerged that fuses the band’s seemingly disparate influences.
Sienna’s influences come from across the board from “the loaded rebellion” of PJ Harvey and Poly Styrene to the emotional integrity of Bessie Smith and the post-modern vibe collages of Post Normal. The latter of which she was introduced to by her university lecturer the late, great writer Mark Fisher. “I sheepishly told him I couldn’t make music because i didn’t have any of the right ‘stuff’. He told me that was bollocks and showed me some bands who recorded at home without all the fancy gear and software, Garage Band and Audacity became my playground as I discovered there is no right way”
Of her own musical beginnings, Sienna says ” I got very into pre-war Jazz and started singing standards at the Jamboree in the Cable Street studios, where I later ended up illegally living. I would get up and sit with the band and sing a song or two, normally Billie Holiday or Bessie Smith, as dancers with day jobs partnered up and practiced swing dancing in hoards on the old scratched parquet floors. I had fun but it wasn’t always easy”
After Sienna’s scatting was deemed too experimental for the jazz standards group, she looked for a new musical vehicle. After bonding with keys player Andrew Marriott over similar fish tattoos at a Brockley party, Black Bordello swiftly took shape, with the group taking their name from Sienna’s family restaurant ‘Il Bordello’.
Now roughly 3 years after the band’s first show, a fully realized self-titled album is finally ready for release. From the Dreaming era of Kate Bush’s theatre of ‘Leeches’ to the heady prog swagger of ‘Prufrock’, a wild range of music is on show. ‘Baby’ is a noisy Jazz sprawl and ‘Spectre Man’ is as maudlin a ballad as you’re ever likely to hear. This is a vital debut album by one of the capitals most exciting new bands.
LINKS:
https://www.blackbordello.co.uk
https://www.facebook.com/siennabordello
https://open.spotify.com/artist/0LhmtJ38vRhd35Eg3oC1nt
https://music.apple.com/us/album/leeches-single/1503188893 -
LUCKYANDLOVE Release New Single ‘Soul Alive’ (The Week in #Indie Segment)
Los Angeles’ LUCKYANDLOVE have announced their sophomore album ‘Transitions’, slated for release in late May. Offering 10 new tracks in this sonic neon rainbow, listeners will be immersed in a spectrum of fuzzy sunset synthgaze, blue-black neon darkwave, and tigerprint electro punk. Ahead of this, the duo is previewing the first single off this album – ‘Soul Alive’.
This album takes you on a multi-city adventure. Within the recesses of your mind, you’ll find yourself jetting around to Chicago, LA, and DC… in a pop underground, clubbing in Chinatown, basking in the south of France, moonlight trekking in a Burmese jungle, having a spiritual love connection, or provoking the DMT molecules that are naturally inside you.
LUCKYANDLOVE is vocalist & multi-synth-pedal-instrumentalist April Love and drummer & multi-synth instrumentalist Loren Luck. Originally from Silver Lake, California, the band formed in 2014, named for The Good Luck bar, where they met. Many mai tai’s and 2 full-length records later, the band is now set for this new release, along with third west coast tour and first UK tour.
“This is a very transformational record. Making it was an emotional journey with both heart-breaking and fun experiences because we are always in transition,” says Loren Luck.
This album follows up the synthtastic debut album ‘Lucky+Love’ and debut video for ‘Digging in the Earth’. As with their debut, the duo recorded ‘Transitions’ with Grammy-winning engineer Be Hussey of The Comp-ny Studio, going to extremes in writing and performing live on this record, often finishing songs in one complete take.
Continually inspired by 21st-century music from Chromatics, Washed Out, Tycho and Phantogram and still obsessed with UK 20th century gems from Cocteau Twins, Human League, Gary Numan, LUCKYANDLOVE’s sound dichotomy is dancing with darkwave vs. synthwave, electropunk vs. indie-pop electronica vs. dreamgaze. This electronic music often sounds indie because their Kraftwork-like analog control voltage synth layers are often reminiscent of noise pop guitars.
“We’re having fun; at the same time, there’s much reflection on fun moments, like dancing in clubs or going to the beach… But we transition, going deeper into the unknown. On our first debut record, there were a lot of sky and space concepts introduced. For this second album, we get downright spooky. Like my brain keeps imagining a transition into ‘rainbow body’ while I’m playing ‘Soul Alive’” says April Love.
“I play typical loud and bassy, control filter synths, and Loren has psycho beats and our spoon bending lyrical concepts brush up against danger, and suspense like in ‘Dangerous Run Away’. These songs are up for interpretation cause this ride is totally up to you.”
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An Interview With Nadine Zureikat
Nadine Zureikat is always an absolute pleasure to talk with. She is funny, intelligent, to-the-point, and talented. Very, very talented. In the last couple of years that we here at Jammerzine have followed her career, she has crossed genres with no effort whatsoever (seriously, just check out the diversity in her work in the videos below!), created a marketing firm, and has collaborated with some of the top musical talent in the world. And now we get to talk with her again! I say talk, not an interview, because it is always fun talking with Nadine. She’s genuine. And that’s what counts in today’s world.
This time around we talk about her continuing evolution as an artist as well as her new single collaboration “Take Me Away” by Sekondo, as well as where she plans on taking her career next. Plus we have a few laughs, as always.
LINKS:
http://www.nadinezureikat.com
http://twitter.com/Nadine_Zureikat
http://instagram.com/nadinzureikat
http://www.youtube.com/channel/UCsSDDt0elvtn-Z6wv2k61nQ