Aura Davis has released her new single and video titled ‘Die Alone’. A solid mix of electronica, power-beat, piano, and that original something that Aura has within her voice. Her voice is captivating on many levels. A combination o angelic and experience. Add to that a solid monster of a hook and you have her new single ‘Die Alone’. Beautifully crafted in its dark and somber overtone, the song is clearly a stylistic evolution for Aura. She will be one to watch…. and listen to.
LINKS:
https://www.auradavis.com
https://www.facebook.com/thisisauradavis
https://twitter.com/thisisauradavis
Watch the full episode HERE.
Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
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Mile Me Deaf Releases ‘ECCO’ Album (The Week in #Indie Segment)
Mile Me Deaf has released their new album titled ‘Ecco’ via Siluh Records. Featuring a much more synthesized and refined sound, Wolfgang Möstl, the mind behind the music, give that signature sound a kick with a solid set of hooks within the electronic realm and sends out a solid set of tracks each with their own purpose with the love of an artist and the care of a producer.
ABOUT MILE ME DEAF
Following the release of Mile Me Deaf’s last full-length LP – Alien Age – the long-since fruitful project of Austrian visionary multi-instrumentalist Wolfgang Möstl seemed to have run its course, coming to a head with a vibrant vision of a colorful Pop dystopia. Having started out in the early-00s with his noise-rock outfit Killed By 9V Batteries, Möstl has become one of the keys – and most prolific – cogs in Vienna’s busy viral underground scene, brimming with DIY groups and exploratory solo projects. Transcending the confines of the scene too, Möstl has also toured the US twice with both Mile Me Deaf and anarchic fuzzy Pop group Sex Jams, a song by the former also featuring on US drama series This Is Us.
So – where to go from there? As Möstl puts it: “It’s hard to write songs about a world you basically destroyed.” The intervening years saw Möstl meet increasing demands for his production chops (Dives, Voodoo Jürgens), work with his Stoner Rock outfit Melt Downer, Vaporwave project Voyage Futur, plus singer-songwriter Clara Luzia – and most importantly of all, become a father.
Inescapably drawn back to Mile Me Deaf though, ‘Ecco’ manages to somehow find Möstl at the peak of his Pop prowess. The revived bionic project’s soundscapes are now popular synths, samplers, and a futurist pulse rather than guitars, underlining Ecco’s central theme of repetition and rebirth. Fuelled by an impulsive stream-of-consciousness writing process, Möstl finds himself guided down a dark – and basic – path towards a glittering album of potent post-psychedelic, post-vaporwave, post-human Pop about birth and death.
‘Ecco’ explores how everything, ultimately, repeats itself. Built from loops and pulsing electronics as much as human fingers on keys and some of Möstl’s most captivating melodies, songs like ‘Stop And Rewind’, ‘Phase’, or ‘Loop’ have a clear message: “All is echoing infinitely.” As Möstl himself is well aware, the next stage of Mile Me Deaf is impossible to resist. ‘Ecco’ finds bliss in repetition, and assembles utterly intoxicating Pop grooves out the other side of his project’s first death.
All songs are written & produced by Wolfgang Möstl.
LINKS:
http://www.milemedeaf.com
https://www.facebook.com/milemedeaf
https://twitter.com/milemedeaf
https://milemedeaf.bandcamp.com -
Jammerzine’s The Week in #Indie for 9/9/2019
Jammerzine’s The Week in #Indie for the week of September 9th, 2019 includes exclusive interviews with TC&I and former XTC bassist/singer Colin Moulding, Moon Palace, Night Tongue, and Palm Haze plus premieres from Dar.Ra, Desensitised, Otis McDonald, Peter Saputo, and Resurrection Fern.
About Colin Moulding
Colin Moulding is one of my favorite bassists/multi-instrumentalists. I say this because he is one of those rare breeds that plays for the song. That, along with his TC&I partner drummer Terry Chambers, shows exactly how evident that fact is on TC&I’s new live album titled ‘Naked Flames: Live at Swindon Arts Centre‘. The music is played for the music and, what I mean by that is, that there is no ‘grandstanding’ on the instruments, however, there are beautiful re-interpretations of the classic XTC tracks that Colin and Terry were known for.
LINKS:
https://www.youtube.com/channel/UCeyKX6mvA6dFdIx39a3S89g/videos
https://www.facebook.com/tcandimusic
https://www.facebook.com/groups/433386610411385
https://soundcloud.com/user-316294301
https://burningshed.com/tcandi_naked-flames_cd
https://burningshed.com/tcandi_great-aspirations_cd?filter_name=colin%20moulding&filter_sub_category=trueAbout Moon Palace
On August 23rd, Moon Palace officially release their new album titled ‘Shadowcast’! And to celebrate this new milestone in, what I consider, to be a monstrous juggernaut of an original #indie band, We get an in-depth interview with Carrie Biell, Moon Palace bassist and vocalist. Along with her sister Cat and the rest of the band, Moon Baby have solidified themselves in the minds of many and the hearts of everyone that hears them. Their music is an exciting mix of underground and demands to be heard.
LINKS:
http://moonpalacemusic.com
https://twitter.com/mo0npalace
https://moonpalacemusic.bandcamp.com
https://www.facebook.com/moonpalaceband
https://instagram.com/mo0npalaceAbout Night Tongue
In this Jammerzine Exclusive, we talk to, who I feel, will rapidly become legends in the #indie music scene. I am speaking of Night Tongue. Originally from Australia and based in Los Angeles, Night Tongue are the dynamic duo of Carisa Bianca Mellado and Andrew Dalziell. Their new upcoming album is titled ‘The Stag King’ out October 11th. An added bonus is they were kind enough to let us embed their new track titled ‘Flood’ off of ‘The Stag King’. Definitely worth a listen to. After you listen to that give the interview a listen. It will put a lot into perspective because we talk a lot about their style and sound, which is original and inspiring in many dark and creative ways.
LINKS:
https://www.facebook.com/nighttongues
https://twitter.com/NightTongue
https://nighttongue.bandcamp.comAbout Palm Haze
Palm Haze is a duo that knows what they want musically. And they get it with their new album titled ‘Rêve Bleu‘. Released on August 30, 2019, the album is an almost complete showcase of what Palm Haze are going for and where they are headed.
And, in this interview, we get to catch them right at that special breaking point. That point to where you, the listener of this interview, will get to say in a year that you heard about them a year ago when your friends ask you if you’ve heard of this amazing new band called Palm Haze. And in that interview, we catch singer/bassist/co-founder Anna Wagner about this special point in their career and what it’s like to be in an emerging band in this era of global #indie while on their tour through Canada.
LINKS:
https://www.facebook.com/palmhaze
https://twitter.com/lovepalmhaze
https://www.instagram.com/lovepalmhazeAbout Dar.Ra
Dar.Ra has dropped his full load with the new album titled ‘New Kinda Normal’. We got a taste of what was to come with the video for ‘Diamonds in the Shadows’ back in February, but this was nothing like I suspected. That track fooled me in many ways. What I mean by that is that every song and I mean every song, not only threw me for a loop as to what I expected vs. what I got but impressed me deeply for those very reasons and much, much more.
This is a mega-diverse album, to say the least. ‘New Kinda Normal’ is not an album to pigeonhole into a single musical genre. I mean, you have everything modern from electronica to raw and raucous rock to funk to quasi-punk, and it’s not only done with earnest from a talented musician but from a true fan of each style. If you are of the mindset that you want an entire album dedicated to your style of music and nothing more, then I must confess that this album may not totally be to your liking, but, if you like an adventurous trip through the musical world of a genius, then press play and leave the controls alone. You won’t be disappointed.
LINKS:
https://facebook.com/Dar.Ra7
https://youtube.com/kushadeep7
https://twitter.com/kushadeepmusic
https://instagram.com/dar.ra.bradyAbout Desensitised
Desensitised has released their new track titled ‘Emily’. ‘Power trio’ is a term that, sometimes I feel is overused when it comes to a band with three members, however, it truly fits here with Desensitised. Fits as in this is a trio with power. That power streams through the speakers with the confidence of a 50 piece orchestra and a mission, and that mission is to rock. And rock, they do.
LINKS:
https://www.desensitised.co.uk
https://www.facebook.com/DesensitisedUK
https://www.youtube.com/DesensitisedUK
https://www.instagram.com/DesensitisedUK
https://www.twitter.com/Desensitised_UK
https://open.spotify.com/artist/7MyayQoHtb8xXPivCqQZJL
https://soundcloud.com/desensitisedAbout Otis McDonald
Basked in originality and drenched in progressive creativity through a soulful sensuality on steroids comes Otis McDonald with his future classic titled ‘Body, Mind and Soul’. While harking back to the giants of Soul and R n’ B via his own musical genius, Otis gives one of those feel-good thumpers for the summer at a date that makes you wish summer was another 6 months longer. Otis manages to keep the groove in the pocket while cutting loose in a way only a true aficionado of the genre can, and that is what makes this genuine and not a knock off like we are all too used to these days. Otis McDonald is the real thing.
For those aspiring musicians out there, here is yet another reason to show Otis some respect; His music got its global start on Youtube. Read this interesting article on how he made his career through royalty-free music via Youtube HERE.
LINKS:
https://www.facebook.com/otismacmusic
https://twitter.com/OtisMacMusic
https://www.instagram.com/otismcdonald
http://www.otismacmusic.com
https://soundcloud.com/otismacmusic
https://open.spotify.com/artist/4Ps1M3A9ck9G3gbPjllg7T?si=zX2m-sU5ShGUf9pw9c6dJw
https://www.youtube.com/channel/UCej6bRv8lR48AEbQvdb_9CgAbout Peter Saputo
The first thing that caught my attention about Peter Saputo’ new single titled ‘Let Me, Please?’, released today, is his voice. His voice is such a beautiful monster that simply soars over the music like a guiding light with such a power as to make you take notice. That is just the beginning, however. The music, although at times seemingly competing with the voice, is actually the voice’s best ally. By giving Peter’s vocals a solid score to soar to, the hooks become more prominent and the notes are highlighted with such an intensity that you can get trapped at the moment the song creates and really let the emotion in. This is s solid lesson in songwriting.
LINKS:
https://twitter.com/pjsaputo
https://www.facebook.com/petersaputomusic
https://www.instagram.com/pjsaputo
https://www.youtube.com/channel/UCCBEnlYK7qMi3VM-W0shFAQAbout Resurrection Fern
Resurrection Fern is one of the many new and up and coming artists promoting their music on Twitch, which is a brilliant idea considering the white noise that Youtube and Spotify have become. She has done this to the point to where is a Twitch partner, and not just for her social media skills. Take ‘Savanna’, her new single. This track is brilliant and beautiful with the glow of a talented and original songwriter who knows how to express herself musically. ‘Savanna’ is heartfelt because it is from the heart, not a song merely written for listens, but from experience.
LINKS:
https://resurrectionfern.net
http://twitch.tv/resurrectionfern
https://twitter.com/ResFernMusic
https://www.youtube.com/resurrectionfernClick HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.LINK:
https://jammerzine.com -
Ethan Gold Releases ‘Not Me.Us’ Video (The Week in #Indie Segment)
Ethan Gold has officially released his new video for the single titled ‘Not Me. Us’. Beginning as a somber anthem the song slowly builds up to the hook with pop-sensibility and a craft only a good songwriter can achieve, ‘Not Me. Us’ gives a poignant reflection on the better qualities of humanity with the craft of a poet and the form of an artist.
‘Not Me.Us’ is out now everywhere digitally, including stores such as Apple Music, and streaming platforms like Spotify.
Watch the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT ETHAN GOLD
With the slogan ‘Make Sensitivity Cool Again’, Gold makes lullabies of strength for the quieter half of the human race. This is catchy art rock, for people who still dream. With personable flair and depth, Gold sings about the longing for human connection in the city, and also for the natural world.
“I wrote ‘Not Me. Us’ as an anthem to reflect the times. I started with the then-current Bernie slogan “Not Me Us” – a simple phrase, a moral protest against the lack of compassion, lack of empathy, and narcissism that’s become a point of pride for current political leadership in many countries. As a person who’s primary political motivator is a concern for our biosphere, I found this phrase very appealing, as it respects the interconnectedness of all life,” says Ethan Gold.
“Musically I went with a sound that’s more traditionally American. There’s a power in those idioms. I wanted to call out the hard fight everyone is having in the country, while also allowing everyone to feel, in a time where the dominant feelings are factionalism and fear, that the things which unite us could still be greater.”
Raised in San Francisco during the long extended hangover after hippie times, Ethan Gold is son to Beat author Herbert Gold and Melissa Gold, a collaborator and girlfriend of legendary concert promoter Bill Graham – the two died together in a helicopter crash. A childhood of constant change and chaos may have led Ethan to the unique way he approaches music. Today he lives and dreams songs, writing much music while asleep.
“There’s huge economic inequality destroying American life. A country that pioneered the notion of everyone being able to be comfortably middle class is now breaking into bitterness and division as a huge majority of the population is frightened, living paycheck-to-paycheck, and at the risk of bankruptcy from one unexpected illness or job loss. Even people working multiple jobs are having trouble making ends meet,” says Ethan Gold.
“So I put a mosaic of families in the song and video. A father who’s sick but can’t afford treatment. A son falling into hatred. A mother working two jobs but barely surviving. A young daughter hopeful. Proud grandparents who see their life’s work crumbling as their children slide down the economic ladder. We could all be all these people; this is every family. The struggles so many are having aren’t so different from each other.”
In 2013, Gold suffered a serious head injury. After a long recovery, he now credits the temporary dissolution of his cognitive ability with upgraded inner power, creativity, and clarified mission: in a world that seems more and more combative, bringing sensitive people and quieter things – music and poetry and the living earth – back into their magnificence.
The ‘Not Me. Us’ single follows Gold’s most recent offering – ‘Never Met A World Like You’, an environmental song with highly impactful video, to coincide with the first climate strikes. He also performed, for the first time after his head injury, at three L.A. rallies in late 2019.
Following his acclaimed ‘Songs From A Toxic Apartment’ LP during his recovery, 2018 brought the release of the naive-electronic ‘Expanses (Teenage Synthstrumentals)’ and Gold’s tribute to childhood favorites ‘Live Undead Bedroom Closet Covers’. Gold also handled film scoring for Blumhouse supernatural thriller ‘Don’t Let Go’ and brother Ari Gold‘s feature films ‘Adventures of Power’ and ‘The Song of Sway Lake’, which features John Grant and The Staves singing Gold’s songs.
This track was produced and engineered by Dave Tweedie (So You Think You Can Dance, No Doubt, Flipsyde, Akon). Gold and Jay Ponti produced the video, with editing and effects by Adam Laiben.
Ethan Gold has just finished recording his upcoming double-album ‘Earth City’, which explores themes of longing — for human connection, for romance, for city nightlife, and ultimately for connection to the threatened natural world. Release expected later this year.