Beatific finally drop their long-awaited EP titled ‘Sunshine’. We originally reviewed their single ‘She Loves Him’ and that was the moment the anticipation began. With the full EP ‘Sunshine’, we get a more complete picture of what Beatific is about and want to accomplish.
Those thick and blended harmonies of the lead single are expounded upon with the rest of the EP present. With added instrumentation such as a serenely played acoustic guitar riff in ‘Perpetual Contemplation of an Infinite Glory’ to the almost retro-esque synth wave of ‘Smile Dangerous’ finalized with an almost purely orchestral rendition of ‘Naftali (My Struggle)’ with a hint of an homage to M83, Beatific solidifies their style and puts forth their intention in the industry as an act that is not only here to stay, but here to play.
Watch the full episode HERE.
LINKS:
https://www.beatificmusic.com
https://twitter.com/imbeatific
https://www.facebook.com/ImBeatific/
https://orcd.co/qkly5eo
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An Interview with We Are Scientists
Jammerzine has an exclusive interview with the musically juxtaposed juggernauts known as We Are Scientists. We talk with Keith Murray, one of the two scientists. And everyone knows that one out of two scientists recommend good music and the other scientist would add that if you don’t listen to the first one it’s because you’re a d*ck.
Having said that, we get a chance to get inside the mind of a musical mastermind and delve into the world of creative songwriting and the creative process therein, near future plans and possible touring (hmm?) as well as ‘Huffy‘, the new album by We Are Scientists.
Check out the full article on Jammerzine HERE.
About We Are Scientists
American rock band We Are Scientists debuted in the early aughts with the angular post-punk edge of With Love and Squalor, later evolving to incorporate polished synths and expanded atmospherics on efforts like Helter Seltzer and Megaplex. Although modestly popular in America, the band was a hit in the U.K., where its sound — part post-punk revival and part indie rock with a touch of ’80s synth pop — drew parallels to contemporaries like Editors, Franz Ferdinand, Interpol, and The Killers.
Formed on the West Coast by three California-based college students, We Are Scientists officially took flight after front-man Keith Murray, bass player Chris Cain, and drummer Michael Tapper (who replaced founding drummer/vocalist Scott Lamb) relocated to Brooklyn and began building a small but devoted following. After releasing three EPs and one independent album — Safety, Fun, and Learning (In That Order) — the group signed with Virgin Records and released its major-label debut, With Love and Squalor, in early 2006. The effort peaked at ten on the Billboard Heatseekers chart and eventually was certified gold in the U.K.
In 2008, We Are Scientists — reduced to a duo comprising Cain and Murray after Tapper parted ways with the group — put out its second full-length album, Brain Thrust Mastery. Produced by Ariel Rechtshaid, the set included the singles “After Hours” and “Chick Lit.” As before, the record found popularity in the U.K., where it debuted at number 11 on the albums chart. The band toured heavily in support, playing a number of European festivals and opening shows in America for Kings Of Leon. As We Are Scientists prepared to record a third album, former Razorlight drummer Andy Burrows joined the lineup, and the revised band unveiled itself with the release of 2010’s Barbara. That year, founding members Cain and Murray also appeared in their own series of comedy shorts, Steve Wants His Money, which aired on the Internet and ran in segments on MTV.
In late 2012, the band entered the studio in New York with producer Chris Coady (Beach House,Gang Gang Kids, Blonde Redhead) to record sessions for its fourth record. relocated to the city from England while he worked with Murray and Cain to write and record tracks for the album. Titled TV en Français, it arrived in early 2014 on 100%/Dine Alone Records and featured appearances by Rose Elinor Dougall (Mark Ronson) and Tim Wheeler (Ash).
In 2016, We Are Scientists returned with their fifth studio album, Helter Seltzer, produced by Max Hart (of Katy Perry’s band). The effort charted in the Top 50 of the U.K. and Scottish charts. They returned in 2018 with their sixth effort, the polished Megaplex, also produced by Hart. Megaplex featured the singles “Heart Is a Weapon,” “Not Another Word,” and “Your Light Has Changed.”
James Christopher Monger & Andrew Leahey.
LINKS:
http://wearescientists.com
https://100percent.it/GetHuffy
https://www.facebook.com/wearescientists
https://www.instagram.com/wearescientists
https://twitter.com/wearescientists
https://open.spotify.com/artist/35YNL4wwv11ZkmeWWL51y7
https://soundcloud.com/we-are-scientists
https://www.youtube.com/user/wearescientists -
Jammerzine’s The Week in #Indie for 6/6/2016
This week’s episode includes the latest from The Goood Things, Erica Chase, Only Shadows, Simon Wolstencroft, The Kite Collectors, and the Blue Soap Music Blue Soap Box Top 10 in independent tracks.
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Prof Drops ‘Squad Goals’ Video (The Week in #Indie Segment)
Prof has dropped his new video for the single titled ‘Squad Goals’. This has got to be the most original and interesting video I have seen this year, by a longshot. I know that’s a hardcore way to start a review, but this video demands that declaration. I mean, Mr. Rogers, PTSD, pill-popping, and more in under four minutes. Try fitting that many lucid subplots together in anything, even involving music.
Having said that, this music is brilliant. Steady. Rhythmic. Staccato. Each deserving itself as a sentence. One thing I like about the Rhymesayers artists is that they bring entertainment and introspective reflection back into music, but now Prof brings the fun.
Watch the full episode of The Week in #Indie HERE.
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Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT PROF
With an album, entitled ‘Powderhorn Suites’, set to drop on June 26 via Rhymesayers Entertainment, the Minneapolis rapper shows no signs of dampening his off the wall, no-holds-barred approach to music. Nothing is sacred in the “Squad Goals” music video as Prof returns to form as a truly eccentric entertainer. He delivers a nod to the “U Name It” challenge while masquerading as a roguish Mister Rogers—popping pills, dancing on set, and pausing for a Vietnam flashback. The madness escalates scene by scene while Prof effortlessly changes his vocal inflection to match each punchline in the track.
Anticipation for a new album has been steadily building since Prof teased fans with the release of his “Cousins” music video. The album loosely follows a singular concept of all the activity taking place in a fictional hotel. “There are so many different things happening in a hotel at one time,” Prof explains. “Somebody’s doing drugs. Somebody’s having sex. There’s a fight over there. Someone’s trying to get some rest over here. There’s just so much going on in one place.” The same can be said for Powderhorn Suites, a remarkable rollercoaster of a project that hits stunning highs and features dramatic lows.
Longtime Rhymesayers fans will recall a show-stopping performance at Soundset 2018, during which Prof cemented his reputation as an exceptional performer capable of simultaneously inspiring awe and laughter. While his touring plans have been grounded for the time being by the coronavirus, Prof hasn’t stopped connecting with fans. Airing a series of Instagram Live videos entitled “Prof’s Creative Academy,” the emcee has delivered a deep dive into his creative process, welcomed guests such as Murs and label mate Grieves, and proven that his razor-sharp wit can shine through any medium.
LINKS:
https://rhymesayers.com/artists/prof
https://facebook.com/profgampo
https://instagram.com/profgampo
https://twitter.com/profgampo