Beatific finally drop their long-awaited EP titled ‘Sunshine’. We originally reviewed their single ‘She Loves Him’ and that was the moment the anticipation began. With the full EP ‘Sunshine’, we get a more complete picture of what Beatific is about and want to accomplish.
Those thick and blended harmonies of the lead single are expounded upon with the rest of the EP present. With added instrumentation such as a serenely played acoustic guitar riff in ‘Perpetual Contemplation of an Infinite Glory’ to the almost retro-esque synth wave of ‘Smile Dangerous’ finalized with an almost purely orchestral rendition of ‘Naftali (My Struggle)’ with a hint of an homage to M83, Beatific solidifies their style and puts forth their intention in the industry as an act that is not only here to stay, but here to play.
Watch the full episode HERE.
LINKS:
https://www.beatificmusic.com
https://twitter.com/imbeatific
https://www.facebook.com/ImBeatific/
https://orcd.co/qkly5eo
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An Exclusive Interview with Boy Breaking Glass (The Week in #Indie Segment)
Jammerzine has an exclusive interview with Boy Breaking Glass bassist Joe Mantell. Their new album, ‘Desolations’, premiered on Jammerzine on June 24th and was released on the 25th. The album is a darkly decadent set of songs that really capture the overall sound of Boy Breaking Glass will making a solid set of tracks that have that flow to it that lets you know this is an album that you can listen to all they way through. However, each song has its own unique personality.
High points are throughout with a lot going on in the background. Listen to the guitars, you will hear layers of sonic goodness flow throughout, with an almost goth level vocal set that gives ‘Desolations’ the bulk of its personality.
Check out our other features with Boy Breaking Glass HERE.
Watch the full episode HERE.
LINKS:
https://www.facebook.com/boybreakingglass
https://www.instagram.com/boybreakingglass
https://www.boybreakingglass.com
https://soundcloud.com/boybreakingglass
https://open.spotify.com/artist/1G8WUXQWNCoPlQoQjVJy0z
https://www.youtube.com/channel/UCFCutOs2JSQq0BpanzR7atAClick HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’. -
Jammerzine’s The Week in #Indie for 5/16/2022
In this episode of Jammerzine’s The Week in #Indie we have an exclusive interview with Athena Hiotis from Prism Waves. Also new singles, videos, and albums from Billingsley, Ghost Woman, Monte, Rubber, Beauty In Chaos, Indii G., Otoboke Beaver, and Zack Fletcher.
About Prism Waves
Jammerzine has an interview with Athena Hiotis from Prism Waves. Prism Waves (formerly RÊVE), is a band that is becoming as influential as it is branded. And being branded is a good thing. A lot of new artists don’t realize this, but you are all brands. And Athena is an expert at this from multiple angles of the music business. She is also the head of the artist-centric boutique record label Pop Riot.
In this interview, we talk with Athena about being both the frontperson of a successful band killing it on the scene as well as head of a label, making the scene, as well as everything in between (including our mutual love for Sigourney Weaver and the Alien franchise!). This is an interview with a true talent and a conversation with a genuine person.
LINKS:
https://www.prism-waves.com
https://www.facebook.com/prismwavesband
https://twitter.com/PrismWaves
https://www.instagram.com/prism.waves
https://www.popriotmusic.comAbout Billingsley
Billingsley has released their new video for the track titled ‘Long Shot’. I have no other way to start this but to say that this is a fun song. Subtly anthemic, partly quirky, and totally engulfing, this song grows on you after you approve it. I could say it’s the hook. I could say it’s the style. It just is. And it stays with you after that first listen.
Billingsley sounds like a fun band. I hope this pandemic ends soon so we can see them live. I get the feeling their shows are a party. And we’re all invited.
LINKS:
http://www.billingsleyrocks.com/
https://www.youtube.com/channel/UC8g-tVt4-8Am9G_EAQ4uYDA
https://www.facebook.com/billingsleyrocks/About Ghost Woman
Ghost Woman has released his new video for the track titled ‘Clockwork’, from his upcoming eponymous LP releasing on July 1st via Full Time Hobby.
Set in an old 8mm home movie styling, we get a solid slow burn of 2:26 filled with retroblasting Eazy Ryder style road trip goodness. The song is the real star of the video, in my opinion. Drenched in it’s own style of true grit and guitar, there is no filler from a highway killer of a track trying to find a home before it realizes it doesn’t need one. Only that place in your head or your heart. Minimalism as an audio artform has now been perfected.
LINKS:
https://www.ghost-woman.com
https://www.fulltimehobby.co.uk
https://orcd.co/ghostwomanAbout Monte
Monte has released their new video for the single titled ‘I Hate Me More’. Thrash punk in all of it’s original glory from the heart to the masses with conformity getting the first f*ck you and a no-holds-barred with every lyric, Monte gets right to the point with music that should make a solid comeback, but until then, we have Monte holding that flag. Admit it, this is how we all feel but are too afraid to say anything.
LINKS:
https://www.monteofficial.com
https://www.instagram.com/monte.music
https://www.facebook.com/MONTEtheofficialAbout Rubber
Rubber has today released their new video for the single titled ‘Fries & Wings’. Filmed in a location filled with character and characters, we get a sense of unity via soul, funk, R&B, and heart. Philly has a new sound and it’s Rubber.
The #Indie scene is filled with both originality and unoriginal. Rubber places firmly in the former. Amassed with talent vocally, lyrically, and musically, ‘Fries & Wings’ is but a taster of what I want to expect from a dynamic duo of this caliber. Groove now has an anthem.
LINKS:
https://rubber.biglink.to/dMeD
https://www.rubbermusic.com
https://www.instagram.com/rubbermusic
https://www.tiktok.com/@rubbermusic
https://www.youtube.com/channel/UCNdDcVTeScKezl_EaKSAfOg
https://twitter.com/rubbermusic
https://www.facebook.com/rubberofficialAbout Beauty In Chaos
Beauty In Chaos has released their new video titled ‘Afterlife’, featuring Tish Ciravolo and from their latest album ‘Behind the Veil’, out now via 33.3 Music Collective.
If ‘Orion‘ is the yin, then ‘Afterlife’ is the yang. We get the bookends of the creative spectrum from a music collective that is as diverse in scope as it is in spectrum. Beautifully shot and contrasted by the locations within the video, those act as the visual accompaniment with the musical and lyrical changes within the song.
That feeling of the last second realization of the meaning of life and personal value of existence along with the unknown of what is next is presented as a soft musical soliloquy to what is, what was, what could have been, and what’s next. Transcendental within the soundscape with hints of clarity in the delivery, ‘Afterlife’ is a love letter to life and a warning to those of use who fail to appreciate it.
LINKS:
https://www.beautyinchaosmusic.com
https://jam2.me/beautyinchaos
https://www.facebook.com/beautyinchaosmusic
https://www.instagram.com/beautyinchaosofficial
https://twitter.com/_BeautyInChaos
https://www.beautyinchaosmusic.com/music-store
https://www.beautyinchaosmusic.com/bic-blog
https://soundcloud.com/33-3-music-collective
https://beautyinchaos.bandcamp.com
https://open.spotify.com/artist/2TwN2egUCb7rbS0Bfkdsd0?si=JcmKLf5MR5iMN6L2KzzInwAbout Indii G.
Indii G. has released his new EP titled ‘Riverhouse’, as well as the new video for the track ‘Soul’ via Epitaph Records.
Indii G. has been solidly establishing himself for a couple years now. With ‘Riverhouse’, he takes root in the music industry as someone who is clearly sticking around. This is the deep end of the pool, and he has no problem staying afloat. A brilliant mix of chillwave, hip hop, soul, and pop, ‘Riverhouse’ spans a gamut of sonically colorful landscapes and takes ownership of his digital destiny with bits of different genres underlying his true talent: himself.
LINKS:
https://withkoji.com/@Indii_G
https://youtube.com/channel/UC6XbVy8jdgdG1Enx8ElERUw
https://www.instagram.com/the_indii_g
https://twitter.com/the_indii_gAbout Otoboke Beaver
Otoboke Beaver has today released their new album titled ‘Super Champon’. Energetic Japanese genre-stitching originality with sheer adorable rebellion that has such a feeling of pure energy and synergy that you can’t help but instantly fall in love with this band as well as anything they release.
While I think the songs are too short, do they really need to be when you think about it? They are just long enough to become addict to them and short enough to leave you wishing they were longer. How the f*ck does an artist or band get in your head like that? To be able to instantly turn you into a fan? I know how. They get to your head through your heart.
LINK:
https://www.otobokebeaver.comAbout Zack Fletcher
It’s always impressive when a musician is able to match melody and landscape. Records influenced by geography have the power to transport us from our current context into a new world. And that’s precisely what Zack Fletcher’s newest album, Ohio Reveries, aims to do. With glittering arrangements and vulnerable lyrics, Fletcher brings the flora and fauna of Ohio to a wider audience.
Fletcher is no lightweight when it comes to crafting gorgeous guitar music. His 2020 instrumental guitar collection Vignettes and 2019 folk masterpiece Moths in the Attic received praise from numerous indie publications, calling his music “captivating,” “beautifully crafted,” and “pristinely executed.” Listeners will soon learn that those same descriptions apply to Fletcher’s newest collection as well.
LINKS:
https://www.zackfletchermusic.com
https://linktr.ee/zfletchermusic
https://www.instagram.com/zfletchermusic
https://www.facebook.com/zackfletchermusicClick HERE to watch Season 8 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’. -
Tarah Who? Release ‘Pantomath’ Video (The Week in #Indie Segment)
Tarah Who? officially drop their new video titled ‘Pantomath’. One thing I absolutely love about Tarah Who? is the fact that they clearly evolve from one release to the next. Not just with music but stylistically and visually as well. ‘Pantomath’, as a video, has an almost Tarantino approach to it. But, more-so than that, there is this symbiosis between the song and the video that captures that essence that is not only Tarah Who? but independent music itself, or at least where #indie music should be. And that is a beautiful place to be.
Check out our other features with Tarah Who? HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT TARAH WHO? & ‘PANTOMATH’
Tarah Who?, the in-your-face, high energy L.A. duo, are back with a killer new video May 29, 2020, for their explosive and rousing song “Pantomath”.
Tarah Who? is Tarah G. Carpenter (vocals/guitar) and Corale Hervé (drums/backing vocals). These ladies are not afraid to stand up and say what they mean, especially to those who think they have all of the answers.
Carpenter says, “Pantomath” is a Punk Rock song. I wrote this song after a conversation I was having with another musician who had the constant speech of a “know it all”. He was criticizing every musician and their decisions and I was telling him in short that, “thankfully we do not all want the same kind of success.” She continued, “then later in the conversation, now talking about success, I was telling him, ” there is no one formula to success, otherwise it would be known and there would be no point in having a story and standing out.”
“Pantomath” was shot in the high desert of the Antelope Valley, CA. and produced by Nupur Mehrotra (@nupsmehra) and Apoorv Arora (@apoorvarora_10). It was directed by Ellinor Skeppström (@ellinorskeppstrom).
LINKS:
http://www.tarahwho.com
https://www.facebook.com/Tarahwho
https://twitter.com/TarahWho
https://www.instagram.com/tarahwho