Diamond Shake continues his momentum with the release of the fourth video in his series titled ‘Shake’. Continuing his video partnership with French animator Dominique Bloink, the visualization and integrity of style are maintained with brilliance and the marriage of panache and originality are excelled with the dark beauty of the video and the emotional grit of the song. Almost its own undefinable thing, ‘Shake’ becomes it’s own in such a way that you find out who did what, if you don’t know who this is, just to see who could come up with such a thing. Let this sink into your memory.
Check out our other articles featuring Diamond Shake HERE.
Watch the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.
ABOUT DIAMOND SHAKE & ‘SHAKE’
As discussions on mental health, addiction, and immigration in America gain more prominent, nuanced coverage on cable news, Diamond Shake mastermind Matthew Hitchens has lived at the epicenter of all three hot button issues for the past fifteen years.
Growing up in London and playing in bands through his teens, Hitchens moved to Los Angeles seven years ago to pursue a solo music career. After a few failed projects, missed auditions, personal struggles, and a particularly bad visa experience, he decided to stop relying on other people and make the album that faced his demons head-on.
“It’s all about my mental health problems like depression, anxiety, anger, low self-esteem, and addiction,” Hitchens says of From Method To Madness, his debut as Diamond Shake. “Each song is about a different one of those issues while also telling the story of making and releasing the album, ultimately ending in failure.”
Dour as that might seem, From Method To Madness (which came out in November of 2019) arrived with bluesy aplomb and Hitchens’ most candid lyrics to date about mental health. Considering every song on the album aims for the rafters with cinematic ambition, Madness practically lent itself to a visual accompaniment for all ten songs, which Hitchens has been working on with French animator Dominique Bloink.
“Shake” marks the fourth video in the visual series, which will continue throughout 2020.
LINKS:
http://www.diamondshake.com
https://www.instagram.com/thediamondshake
https://www.youtube.com/channel/UCUT0cqzCanrCsAlqgaZRqhQ
http://www.soundcloud.com/diamond-shake
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An Interview with Information Society (The Week in #Indie Segment)
Jammerzine has an exclusive interview with the absolute legends of synth-pop, electronic, MTV Generation, and, above all, original music, in the form of Information Society. Today we talk to Paul Robb, co-founder of INSOC, and their new album titled ‘ODDFellows’. What makes ODDFellows special is, and you will get the information about this in the interview, that this is a spatial collaboration with THX. Yes, that THX. The ones that make everything sound cool and rich. This is, in fact, the first collaboration between THX and a musical artist. And this is one of the many reasons INSOC is considered pioneers in the music industry. Not just to be the first, but to be willing to take the risk.
And, in regards to ‘ODDFellows’, we get plenty of risks. As stated in the interview, there are times where this is a different band and there are times where classic INSOC is there at the forefront. And, to be that original after all of these years is what makes them last. Because it’s fun.
‘ODDFellows’ releases on August 6th (Hakatak International (digital); and Negative Gain Records (CD/vinyl); release date: TBA).
Check out our interview with INSOC’s Kurt Harland Larson HERE.
LINKS:
https://informationsociety.us
https://www.facebook.com/informationsociety
https://twitter.com/insoc
https://www.youtube.com/channel/UCqBYUnU_4yqqJpkUTpVASAAClick HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’. -
LUCKYANDLOVE Release New Single ‘Soul Alive’ (The Week in #Indie Segment)
Los Angeles’ LUCKYANDLOVE have announced their sophomore album ‘Transitions’, slated for release in late May. Offering 10 new tracks in this sonic neon rainbow, listeners will be immersed in a spectrum of fuzzy sunset synthgaze, blue-black neon darkwave, and tigerprint electro punk. Ahead of this, the duo is previewing the first single off this album – ‘Soul Alive’.
This album takes you on a multi-city adventure. Within the recesses of your mind, you’ll find yourself jetting around to Chicago, LA, and DC… in a pop underground, clubbing in Chinatown, basking in the south of France, moonlight trekking in a Burmese jungle, having a spiritual love connection, or provoking the DMT molecules that are naturally inside you.
LUCKYANDLOVE is vocalist & multi-synth-pedal-instrumentalist April Love and drummer & multi-synth instrumentalist Loren Luck. Originally from Silver Lake, California, the band formed in 2014, named for The Good Luck bar, where they met. Many mai tai’s and 2 full-length records later, the band is now set for this new release, along with third west coast tour and first UK tour.
“This is a very transformational record. Making it was an emotional journey with both heart-breaking and fun experiences because we are always in transition,” says Loren Luck.
This album follows up the synthtastic debut album ‘Lucky+Love’ and debut video for ‘Digging in the Earth’. As with their debut, the duo recorded ‘Transitions’ with Grammy-winning engineer Be Hussey of The Comp-ny Studio, going to extremes in writing and performing live on this record, often finishing songs in one complete take.
Continually inspired by 21st-century music from Chromatics, Washed Out, Tycho and Phantogram and still obsessed with UK 20th century gems from Cocteau Twins, Human League, Gary Numan, LUCKYANDLOVE’s sound dichotomy is dancing with darkwave vs. synthwave, electropunk vs. indie-pop electronica vs. dreamgaze. This electronic music often sounds indie because their Kraftwork-like analog control voltage synth layers are often reminiscent of noise pop guitars.
“We’re having fun; at the same time, there’s much reflection on fun moments, like dancing in clubs or going to the beach… But we transition, going deeper into the unknown. On our first debut record, there were a lot of sky and space concepts introduced. For this second album, we get downright spooky. Like my brain keeps imagining a transition into ‘rainbow body’ while I’m playing ‘Soul Alive’” says April Love.
“I play typical loud and bassy, control filter synths, and Loren has psycho beats and our spoon bending lyrical concepts brush up against danger, and suspense like in ‘Dangerous Run Away’. These songs are up for interpretation cause this ride is totally up to you.”
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Caesaria Premiere Wavin’ Goodbye
Caesaria draws its origins from the new English-rock wave. Armed with their punchy electro-pop music, the band had already raised interest in 2015 with its first EP Sparks of visions.
Caesaria’s music is a playground for dancing and dynamic experimentations, they mix the vocal harmonies of a devilishly efficient pop-music with more recent electronic sounds brilliantly.
Powerful guitar riffs add the cherry on top to this savant mixture: the crowd wants more.
Fiery and simply mind-blowing, the four French « kids », led by the label from Strasbourg Try & Dye Records, continue to play in festivals, for musical springboards and as prime parts, attracting after each gig new enthusiasts that are caught by an unstoppable need to dance their hips off.
Caesaria’s burning and contagious energy on stage is illustrated by their victories in many musical springboards (RTL2 in 2015, Music on Stage and Printemps des grandes écoles in 2016).
It has led the inexhaustible band to play on several big stages such as doing Naive New Beaters’ first part (La Laiterie – Strasbourg), Printemps de Bourges’s festival or les Eurockeennes de Belfort, pursuing the universal and timeless goal : to make bodies shake.
On Wavin’ Goodbye, the band said:
“This song is a story about a dying person who stands back on his life. He puts in perspective what he did, look at the others in the way they act and realize that they do not enjoy life as they should. It’s a pretty sad song but the message is to celebrate life as long as you can. The music video spreads this message by focusing on a transsexual. We wanted to give another perspective to this message and show that some people start a new life in their lifetime, such as transsexuals”.
LINKS:
https://www.facebook.com/wearecaesaria
https://twitter.com/WEARECAESARIA
https://www.instagram.com/wearecaesaria
https://soundcloud.com/caesaria
http://www.tryanddyerecords.com/caesaria
http://www.caesaria.fr