Minneapolis, MN hard rock band Fire Fight has released the official music video for their single, “The Ghost Inside.” “The Ghost Inside” is off of their 2017 released EP Transitions.
“’The Ghost Inside’ is our favorite song to play live. It’s got it all, and in a very short amount of time, from heavy riffage down to soft vocals building into an epic chorus and back to the heavy riffing, and that reflects the story behind it: light vs. darkness, good vs evil, and the continuing battle between. For the video, we went for simplicity; there’s a ghost inside all of us. As people we can go through different stages of emotions and sometimes those emotions make us see in black and white, and while the song may be complicated, we wanted to accent that simplicity throughout in the imagery as well.”
Remember when music made you feel things you’d never felt before? When it seemed like every time you turned on the radio, you discovered a whole new world? What happened to that sense of wonder and refreshment?
Minneapolis, Minnesota’s Fire Fight seeks to breathe new life into a world muddied by generalities and jaded artistry.
Our goal is to spark that same sense of wonder and inspiration that was once the norm. Music isn’t what we do for a living, it’s what we do to live and we want to share that with every audience we encounter. Every show belongs to you just as much as it does to us, and we want to change the way you hear rock music and the way you experience it.
With driving percussion, intricate riffs, infectious hooks, and mesmerizing melodies, each song tells a story: our story, our journey. Egos and politics have their place, but everyone needs something that speaks to their heart and soul. Without heart, all art is fruitless. So bang your heads, throw up the horns, jump, dance, sing and be present. The music industry and bureaucracy have taken so much from music and from you, the fans. We’re here to give it back.
We are FIRE FIGHT!
LINKS:
https://firefight.online
https://www.facebook.com/FireFightOnline
https://twitter.com/Fire_Fight_
https://soundcloud.com/FireFightOnline
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Drew Davies – Man On The Run
Mixed with all the right pop sensibilities as well as memorable harmonies and just plain good songwriting, Drew Davies adds his beautiful crooning style of vocals to his new track titled ‘Man On The Run’. The track chugs along with a stylistic beat and gives me the initial impression that, while definitely a fit for radio, the song still has street cred for the ‘cool kids’ that usually mean a future classic in the eyes of those who listen to music and not merely hear it.
About Drew Davies
Yorkshire born and bred, now London-based Drew Davies has released his single Man On The Run and prepares to release his forthcoming long player in the Autumn of 2019.On Man On The Run, Drew says “The song is an ode to modern dating; it portrays a frustrated character pushed to the edge after a failed relationship with a particularly fickle young woman, whose actions and words rarely matched up. Lyrically I wanted to play with the protagonist’s desire to write a straightforward love song but how his feelings towards the situation prevented him. The chorus refers to being ‘inside’ in both a figurative and literal sense, as a reference to both the emotional prison some relationships can leave you in and also how these feelings can boil over and cause us to act irrationally.”
The video is also available and Drew has now readied a full backing band complete with guitars, bass, keys, drums, and backing singers, bringing the full sound of the song to the stage as it can be heard at London’s The Finsbury on May 24th.
Musically, the self-titled debut is infused with a vast array of influences that stretch from 50s rock n’ roll to modern electronica. From the hook-filled, to-the-point numbers of Roy Orbison or Tom Petty, to the cinematic synth sounds of John Carpenter, Vangelis and Kavinsky, the music is imbued with a heavy tenderness; wrapped up in the genre-bending timelessness of artists like Bowie, Queen or Eurythmics.
The album was produced by Drew himself and was recorded at Tileyard Studios in London, before arriving at the hands of mixing engineer Steve Honest (Oasis, Michael Jackson, Fleetwood Mac), with mastering by John Webber (George Michael, David Bowie, Super Furry Animals) at the legendary AIR Studios.
Drew is no newcomer to the music business though, having spent the better part of the last decade treading the boards of venues and festivals across the UK with various bands, working in musical collaborations, writing for other artists and singing in session gigs to get by, all while fighting his own personal battles.
With his older tracks getting plays on BBC 6 Music, Radio X and MTV Drew has seen some of the highs and lows of the music industry; from cutting his teeth and paying his dues on the so-called toilet touring circuit to recording in some of the top studios on the planet.
Through these highs and lows, friendships and loved ones come and gone, successes, setbacks and everything in between, Drew continues to have such a fierce passion for what he does; pouring his heart and soul into his musical labors to produce his most personal work to date.
The first single ‘Man on the Run’ is imbued with a baritone alt-rock vibe. With a pulsating beat that builds through its verses into an uplifting chorus, it carries the listener through a lyrical journey much darker in content than the music would have you believe at first.
LINKS:
https://www.drewdaviesmusic.com
https://www.facebook.com/drewdaviesmusic
https://www.twitter.com/drewdaviesmusic
https://www.instagram.com/drewdaviesmusic
https://drewdaviesmusic.bandcamp.com -
Evi Vine – Sabbath
Ethereal alt-rock outfit Evi Vine presents ‘Sabbath’, a sweet and heavy preview of their long-awaited long-play ‘Black Light White Dark’, due out in early 2019 on vinyl and CD, as well as digitally. This powerhouse track features Evi Vine’s gossamer vocals and precise orchestration, cleverly woven together with bass guitar by Simon Gallup of The Cure and guitar by Peter Yates of Fields of the Nephilim.
Produced by Dave Izumi (Nordic Giants, Ed Harcourt, Magic Numbers) and mixed by Phill Brown (Talk Talk, Jimmy Hendrix, Led Zeppelin, John Martyn, Robert Palmer), this album also features contributions from several other celebrated artists. Apart from Simon Gallup (The Cure), this album also involves Martyn Barker (Shriekback, Billy Bragg, Marianne Faithfull, Goldfrapp), Peter Yates (Fields of the Nephilim), and Geraldine Swayne (Faust).
As a group, Evi Vine is joined by Steven Hill, Matt Tye, and David ‘GB’ Smith. Their music explores the dark elemental nature of the human heart, as well as environmental and post-apocalyptic themes. Evi Vine’s sound is both sublime and haunting. Creating a unique and uncompromising atmosphere, the effect is reverential, physical music, evoking a rare experience that is beautiful, sparse and deeply intimate.
“I know a lot of people are being shaped by experiences in our lives, ghosts of childhood, self-destructive pain and sorrow, all our personal struggles, doubt, and change. I can feel the earth dying and it makes me so sad. We write reflective songs about the circular patterns of man, and reflecting beauty and violence in the world,” says Evi Vine.
“We recorded live for the first time, which meant we were perhaps able to express the energy in the room together, vibing off one another and experimenting with new sounds, in a new space. Writing in the room was a new experience for us. Its the first time we’ve gone in with no finished songs. We had a few ideas and riffs but took the time to let them breathe and worked on them until we felt we had captured a special moment. After producing two albums essentially at home, this feels like a re-birth for the band.”
Evi Vine’s debut self-released debut album ‘…And So The Morning Comes’ was heralded as “the underground gem of 2011” by Drowned in Sound and championed by Simon Raymonde (Bella Union, Cocteau Twins) as his album of the year. Directed by Oscar-winning Nick Brooks (Fight Club, The Matrix, The Girl with the Dragon Tattoo), Evi joined with internationally acclaimed photographer Patrick Fraser to make the stunning video ‘For the Dreamers’.
Their second album ‘Give Your Heart to The Hawks’ (2015) was co-produced by Richard Formby (Mogwai, Spacemen 3, Wild Beasts) and mixed by the legendary Phill Brown (Beth Gibbons, John Martyn, Talk Talk, Led Zeppelin, Robert Palmer). The album also featured Martyn Barker, Peter Yates, Tatia Starkey (My Vitriol/Lola Colt), and Billy Cote (Madder Rose).
Evi’s career has been filled with color. She formed this band while living in LA, quickly getting a support show opening for Slash at the Whiskey-agogo. She has collaborated with Graham Revell (SPK, The Crow Soundtrack), The Eden House, Tony Pettit (Fields of the Nephilim), and Peter Yates (Fields of the Nephilim). In 2016, Evi sang on Phillip Clemo’s ‘DreamMaps’ album, together with Talk Talk’s Simon Edwards and Martin Ditcham, subsequently making appearances on BBC6, BBC3 Late Junction and Jazz FM.
Most recently, Evi Vine contributed backing vocals on The Mission’s 2016 album ‘Another Fall From Grace’, which hit the UK top-40 album chart, and collaborated with Michael Ciravolo on the debut album from LA-based Beauty in Chaos, involving members of The Cure, Ministry, The Mission, Cheap Trick, The Offspring, King’s X and Ice T, among others.
In recent years, Evi Vine has toured with The Mission, Chameleons Vox, Wayne Hussey, And Also The Trees, Phillip Boa and The Voodoo Club, and Her Name is Calla. After hearing Evi Vine’s debut album and including it among his top five albums, Wayne Hussey invited them to tour with him in 2016 and subsequently with The Mission in 2017. Invited on stage to sing three songs by The Mission, the seed was sown and Vine joined The Mission as the featured vocalist for their 30th Anniversary Tour.
“The new album is intense – dark, layered, wonderfully atmospheric, fragile, and at times stripped bare – an album to get lost in….and then surface with Evi’s haunting and delicate vocals and the endless space,” explains Phill Brown.
The Cure’s Simon Gallup elaborated on his involvement in this project: “Hammersmith …me drunk …meet Evi for the first time I mumble that I’d love to play on a couple of tracks …don’t hear anything for ages than an email out of the blue …Three songs …feel nervous but really enjoy the songs …a day trip to the coast and a lovely welcome with dogs ..have beer and made to feel even more welcome ..worry that what I’m playing isn’t right or not going to fit in but enjoy myself and the warmth of everything ..have to dash as there is a prom on …a very bad hill start and a dash back down the motorway ..a quick day that had started 20 months before.”
LINKS:
http://www.evivine.com
https://www.facebook.com/evi.vine.music
https://twitter.com/evivine
https://evivine.bandcamp.com
https://www.instagram.com/evivine
https://www.youtube.com/channel/UCcPbQaScYhloAHQFURajuZg?view_as=subscriber
https://itunes.apple.com/mn/artist/evi-vine/433578453
https://open.spotify.com/artist/4pZRfgJDhjBjNuYQV09lLt -
John Adams – Flames
John Adams is a Singer/Songwriter/Busker hailing from Aberdare in the South Wales Valleys. With a reach in his tone to match Sam Smith and James Blunt he draws influences from the likes of honest songwriters such as James Morrison, Damien Rice, and David Gray. John’s acoustic approach and atmospheric piano accompaniment compliment his unique and impressive vocal ability as he earns the undivided attention of the listener by addressing them directly with emotive and heartfelt narratives.
This faithfulness to a personal story is mirrored in how John came into the musical world and continues to progress as a musician. A truly homegrown talent, he began his career busking on the streets, using the money to pay for his first release, fittingly entitled “The Pavement is My Stage”. After the album reached No.7 in the iTunes Singer/Songwriter charts in 2016 he took a leap of faith and left his job as a Mathematics Teacher. That gamble paid off and John has gone on to support household names such as Take That, Lemar, T’Pau and Katherine Jenkins. His hard work and impressive live performance have built a strong following of 50,000 online followers, over 6 million views on YouTube and a steady 300,000 monthly listeners on Spotify.
Eager to show his progression John released his album “You Never Know Who’s Listening” in 2018 which combined his live organic sound with a minimal electronic production to make a sound that is satisfyingly different from the usual guitar wielding Singer/Songwriter. The album was very well received by fans and the music industry alike and has already accrued over 6 million plays on Spotify. All 4 singles were playlist by the BBC and Spotify editorials with “See You Again” and “Dandelion Wishes” becoming Radio 2 favorites. He spent the year up and down the country performing at the UK’s largest festivals such as The Isle of Wight Festival, Great Escape, and Victorious Festival, and his headline tour sold out in just two days from release. To end the year on a high his festive hit “Lost In Christmas” became the soundtrack for “La Feltrinelli” Christmas campaign all across Europe.
Not showing any signs of writer’s block, John is excited to reveal ‘Flames’, the first single off his new EP “No White Lies”, was released on February 8th. Directed by John himself and Rhys Davies of Furball films, the stirring music video was imagined after a house fire occurred outside the studio. He explains: “All the usual questions flooded my mind as I strummed my guitar. How did they feel? What did they grab? Who was to blame? I eventually came to the conclusion that they’d be so concerned with survival that these questions were never answered. As dramatic as it seems I felt exactly the same about a relationship at the time and after writing the song I decided to take the same approach to the situation and leave. I centered the song around the lyric “It’s too late to argue who’s to blame, this house will burn down anyway” and pulled on a few semantics to compare the feelings of a house fire to the trapping of a relationship. I tried to mirror this concept in the video with the use of wool. In the beginning, a couple proudly exchanges thread to connect each other and enjoy the unity it brings, but over time the tangled web becomes frustrating and controlling just like a bad partnership.”
LINKS:
https://www.johnadamsmusic.co.uk
https://www.facebook.com/JohnAdamsMusic1
http://www.twitter.com/johnadamsmusic1
https://www.instagram.com/johnadamsmusic
http://www.youtube.com/johnanthonyadams1