Flip is timeless with his R&B, Funk and Pop beats, his throwback to better times with lyrics move listeners forward. Keeping it real, Flip Winfield’s style is inspired beats that makes his music stand out from everything else out there.
“What inspired me to write the song was one day at soundcheck before the show I was messing around on the drums jamming to the beat that you hear on Dance and start singing the hook to the song goofing around during soundcheck as I always do before every show having fun you know.I noticed that beat had people that worked in the venue dancing and that took off into a 20min jam session just singing the hook, then it sparked me to write the song when I got home. I heard a couple of band members say man I can’t get that hook out of my head and I knew it had potential. So I wrote the song called band members into the studio the following week and we laid it down. I’ve always been the type of person that loves high-energy music that sends electricity through your body that makes you feel good to be alive, so my goal is to send a message about jamming to your favorite song no matter what it is.”
Flips first single, “Dance” is now out with his EP (with the same title) will be dropping in early 2021. This highly energized recording artist will be bringing the party to all stages with their super-charged performances in the new year.
LINKS:
https://www.facebook.com/flipwinfield
https://instagram.com/winfieldflip
https://www.youtube.com/watch?v=qu4YTo0bhRQ
https://twitter.com/flipwinfield
https://open.spotify.com/album/2FfTDAnwgrnz8QPt2yqh38?si=7IvI_y5xTVyTCl268hntbA
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The KillerHertz – Innocent Sinners
The Killerhertz has officially dropped their new EP called ‘Innocent Sinners’. Packed with that ‘purrfect’ smooth and thick set of guitar tones most guitarists spend their whole lives seeking, and combine that with valid and thought out songwriting and hook mentoring, and you have The Killerhertz.
Every song is laid out like a well-planned attack. And each band member is solidly in step with each other as the songs vary from moods and manners yet remain true to the original vision capped off with the well-fitting vocals of Thomas Trold.
ABOUT THE KILLERHERTZ
The KillerHertz is a Danish Hard rock band from a small town near Copenhagen called Kastrup. The band was formed in early 2011 by childhood friends Thomas Trold (vocals/guitar) and Kent KillerHertz (drums). Together with Jonas Roxx (lead guitar) and Jakob Nielsen (bass), their harmonious guitars, tight beats, and catchy choruses create a melodious style.
The lyrics are based on personal experiences and express the multifaceted aspects of life, addressing issues such as crisis and broken relationships, which most people can relate to. Their main inspiration stem from the 80s’ and 90s’ heavy metal scene, such as Metallica and Megadeth, combined with a more modern rock approach and a touch from the Danish rock-scene.
In 2014, the band released its first full-length studio album “A Killer Anthem”. The album was recorded at Earplug Studio, and later mixed and mastered by legendary Metallica producer Flemming Rasmussen. This created the sound The KillerHertz was searching for. A sound that brings the audience back to the glorious days of the 90s.
The band now had a more powerful product with a broad variety of tracks differing both thematically and musically. Fans and critics received the album with great response and many fine reviews, and it certainly deserves a spot at the rock-scene of Copenhagen.
In 2017, The KillerHertz is due to release their long-awaited second album “A mirror’s portrait”, which will include 10 solid songs, again recorded in Earplug Studio and once again mixed and mastered by Flemming Rasmussen. The album is set to be released this Autumn, followed by plenty of concerts.
SOURCE: Official Bio
LINKS:
https://www.facebook.com/thekillerhertzband
https://www.facebook.com/NoiseGateRecordsDK -
Tulipomania – On The Outside
Philadelphia-based Tulipomania has revealed the second track from their new three-track maxi-single. ‘On The Outside’ follows the first single – the Seahawks Remix of ‘Don’t Be So Sure’.
‘On the Outside’ is a dark and sinister, yet addictive, affair, contrasting internal battles between hazy dream-pop and angular indie, between fractious and shattered vocals and muscular beats, swirling psychedelia and sonorous, drifting keyboard washes. God is in the TV Zine amidst this is “like a more muscular Tindersticks fronted by Mark Lanegan”. The new video presents intricate torn paper and tape collages of live performance, melded frame-by-frame with interior and exterior images, and additional objects in the band’s examination of shifting mental states of focus.
Tulipomania creates meticulous, mesmerizing videos that augment the group’s artistry, involving painstaking frame-by-frame stop-motion animation techniques. Described as “artistic and inventive”, the music videos created by Tulipomania have been featured in film festivals worldwide, the most recent of which include the London Short Film Festival (England), Leeds International Film Festival (England), Aesthetica Short Film Festival (York, England), Encounters (Bristol, England), Zubroffka (Poland), and StopTrik (Croatia, Poland).
‘Don’t Be So Sure’ was the band’s first hand-painted animation, featuring multiple passes of brushwork shot on thousands of individual sheets of black paper, visually allowing singing self-portraits to morph and dissolve in an atmospheric exploration of ambiguity. For the Seahawks Remix, the band re-photographed the original artwork, frame by frame, matching the new tempo and softer mood, which they felt also called for a more painterly, layered approach to the imagery.
Gelover and Murray first met in art school and found themselves collaborating on projects for their Experimental Film and Animation classes. Tulipomania essentially grew along with these experiences. They were influenced by Talk Talk, the solo work by Mark Hollis and Tim Friese-Greene, and many early 4AD bands, including Cocteau Twins, Lush, Throwing Muses, and The Pixies.
The original version of ‘Don’t Be So Sure’ featured on the band’s fourth album ‘This Gilded Age’ (2016), described by Byron Coley of WIRE Magazine (May 2017 edition) as “…pretty whacked – something akin to a battle of the bands between Crazy Horse and The Kronos Quartet”. The remix featured on this new single comes from Seahawks, a duo made up of Jon Tye, founder of the legendary Lo Recordings (whose roster includes Grimes, Aphex Twin, Four Tet, Thurston Moore and Astronauts) and Pete Fowler, creator of Monsterism vinyl toys and perhaps most famed as illustrator of oh so many Super Furry Animals album sleeves.
Tulipomania, whose name was inspired by the 1637 Dutch tulip market collapse, has been categorized as ‘cult synth punks’, ‘glam-leaning’, ‘postpunk’, ‘art rock’, and ‘muscular chamber pop’. Band members Tom Murray (lead vocals, bass, drums, guitar-organ) and Cheryl Gelover (synthesizer, background vocals) were joined by Mitch Smith (guitar, glockenspiel), who also contributed to the band’s eponymous first album, Richard Hartline (piano, percussion, engineering and mastering), and Howard Thompson (executive producer).
This release features intriguing new artwork by legendary artist Vaughan Oliver, whose work they have long admired. Oliver give distinct visual identities for 4AD releases by many bands, including Mojave 3, Lush, Cocteau Twins, Dead Can Dance, The Breeders, This Mortal Coil, Pale Saints, Pixies, and Throwing Muses, in addition to numerous non-4AD artists such as David Sylvian.
LINKS:
http://tulipomania.com
http://www.facebook.com/TheTulipomania
http://twitter.com/tulipomania -
The Miller Test – Eden Gaol
The Miller Test is set to drop their new single titled ‘Eden Gaol’ on March 19th. Featuring a slyly post-modernistic sound with a dark personality, ‘Eden Gaol’ with a dystopian neo-soul styled track with a solid hook and a signature sound.
About The Miller Test
London band The Miller Test will return on March 19 with a new single, Eden Gaol. Blending neo-soul, pop and rock, Eden Gaol is a toe-tapping, hip-hoppish slice of art-pop with echoes of Bowie and Funkadelic.
The track’s lyric is a sardonic political critique set against an apocalyptic backdrop, while the accompanying video, shot in a decommissioned Category B prison, matches this tone with its almost Polanski-esque mix of humour and horror.
The track is taken from the band’s forthcoming second album, Dead Blue, recorded at the tail-end of last year with producer John Winfield (Jimmy Somerville, Paul Mosley, Delta Saxophone Quartet) and scheduled for release later this year.
The Miller Test have been playing together for over a decade. For most of that they’ve been hiding out in a small East London rehearsal room, with occasional spells as the house band at Biddles Bros on the Lower Clapton Road.
Their debut album, This Funk Is Political, released last year, was described by Other Side Reviews as “a serious sonic experience that will stick with you” and “a must-hear release” by FV Music. It is available to stream from all major sites.
LINKS:
https://themillertest.com
https://www.instagram.com/themillertest
https://www.youtube.com/channel/UCFMeg1AjHsiprFv3iYyVcyQ
https://twitter.com/themillertest
https://www.facebook.com/themillertest