Guns N’ Roses jumped straight from the holes of Los Angeles to mega-stardom with their booming debut album “Appetite for Destruction”, a masterpiece from the 80’s that guaranteed a place for the band at the Olympus of Rock and Roll. With part of its classic formation, the quintet arrived at the new City of Rock closing the night of September 23 after The Who’s concert presenting their fans with a setlist filled with classics such as “Sweet Child o’ Mine”, “Knockin’ on Heavens Door” and “November Rain”.
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Japan Suicide – Circle
Based in the central Italian city of Terni, Japan Suicide is a five-piece comprised of Stefano Bellerba (vocals, guitar), Leonardo Mori (synth), Matteo Luciani (bass), Saverio Paiella (guitar), and Daniele Cruccolini (drums). Formed in 2010, they united over their love of Joy Division, The Cure, Nine Inch Nails, and Depeche Mode.
Their music is also strongly influenced by Bauhaus, Siouxsie & the Banshees, Yeah Yeah Yeahs, Japan, The Damned, Interpol, Suicide, CSI, CCCP, and Massimo Volume.
“We have finally produced our new album ‘Santa Sangre’, which was inspired by Alejandro Jodorowsky’s movie and Roberto Bolaño’s novel ‘2666’, all the while moving from echoes of British post-punk to a sound replete with more psychedelic and shoegaze textures,” says Stefano Bellerba. “This is a delicate, but necessary step for us: we tried to match the quality of our previous album ‘We Die in Such a Place’, while also adding new sounds from our past work in order to achieve a condensed powerful opera and, at the same time, a sound that is capable of achieving different listening levels.”
This album follows up the 2017 single ‘This Be The Verse’, released on the Dark Italia compilation ‘Sparkles in the Dark Vol. 4’, alongside The Soft Moon and many other cutting-edge artists.
This is not the band’s first release through Unknown Pleasures Records. 2015 brought ‘We Die In Such a Place’, which stylistically combines the gloomy atmospheres so beloved by Japan Suicide with more aggressive sounds, followed by their 2016 release of the ‘1978’ EP via Darkitalia.
Their 2015 release led to the production of several videos, significant press attention at home, and also a sync licensing deal. While Japan Suicide has performed many gigs across Europe, in May 2018 they will venture to North America for their first Canada/ USA/ Mexico tour.
The ‘Santa Sangre’ album will be released on February 14, 2018, via Unknown Pleasures Records, with a self-released vinyl edition to follow, featuring a slightly different tracklist. Japan Suicide has launched a crowdfunding campaign via MusicRaiser towards the vinyl release, which can be found HERE.
LINKS:
http://www.facebook.com/Japan.Suicide
http://japansuicide.bandcamp.com
http://twitter.com/JapanSuicideIT
http://soundcloud.com/j-apan-s-uicide
http://www.youtube.com/user/JapanSuicide
http://www.instagram.com/japansuicide -
ShapeShiftingAliens – Showing My Face
ShapeShiftingAliens is a Swedish duo, consisting of Niklas Rundquist and J.P Cleve on vocals. Together they create music and unusual and eccentric videos. Their inventive approach appealed to Nolan Cook of The Residents, leading them to collaborate with one another on ‘Shadows’, the final track from their 2017 eponymous album.
Rundquist and Cleve met when they were both working with Iodine Jupiter. Cleve is a producer and composer, live musician and studio musician (guitar) for artists and film, as well as touring and performing. Inspired by various film music composers and especially horror films, their music has also been influenced by the likes of David Bowie, Lou Reed, Goldfrapp, Air, Radiohead, Smashing Pumpkins, and Massive Attack.
In the early 80s, Rundquist participated on Lustans Lakejer‘s first record and performed with The Leather Nun. Since then he has been composing music for films, documentaries and commercials (i.e. the vignette for Sandrew Metronome) and has created music for Cirkus Cirkör, Iodine Jupiter, and various artists on the London scene. Today, Rundquist is once again part of The Leather Nun (on violin) and stands behind Brainshadow.
ShapeShiftingAliens signed to Swedish indie label The Sublunar Society in 2016. Since that time, they have released three singles – ‘Just a Boy’, ‘Stay’ and ‘Cut To The Bone’ – followed by their full-length ‘ShapeShiftingAliens’ LP.
The Sublunar Society is a record label and publishing company, founded by Marie Lundvall and Peder Bjoerk in 2013. Sublunar releases music and publishes literature for the international and national markets. The company also produces exclusive limited edition art products for collectors. The guiding spirit behind The Sublunar Society is one of artistic freedom and creative exploration beyond the conventional.
The ‘Showing My Face’ single is now available across online stores and streaming platforms, as well as through The Sublunar Society’s own Bandcamp.
LINKS:
http://www.sublunarsociety.net/artist/shapeshiftingaliens
http://www.facebook.com/shapeshiftingaliens
http://shapeshiftingaliens.sublunarsociety.net
http://twitter.com/shapeshal
http://itunes.apple.com/us/artist/shapeshiftingaliens/477620386
http://open.spotify.com/artist/32gDLBQt0KvaMsWTdXHgC8 -
deM atlaS – Bad Loves Company (The Visual EP)
Produced entirely by Ant, the beat-making half of Atmosphere, the project will be available worldwide October 19, 2018 via Rhymesayers Entertainment.
deM atlaS’ new album Bad Actress is only the latest in a string of releases–including the 9-song EP DWNR that, according to Pitchfork, “splits the difference on ‘depressed’ and ‘party mode.’” In some ways the new work feels like a debut, not just because it’s his first proper LP, but because it represents the culmination of a twisting creative path that Turner’s patiently been following since his teens. He was a poet, a painter, and the frontman for a rock band before he found his space in Minneapolis’s prolific rap scene. Once there, a philosophy of saying yes to any opportunity that passed his way quickly led him from playing shows for nugs of weed to a showcase in front of Rhymesayers CEO Siddiq, and a single recording session with Atmosphere beatmaker Ant that kept going until they’d made almost an entire album together.
The title Bad Actress comes from Turner’s inability to hide his true feelings, and he’s packed the album with unguarded emotions centered around a lifetime of unhealthy relationships, struggles with mental illness, and an indomitable drive to overcome them. Musically it draws from every stage of Turner’s young career, from the high school rock singer to the scruffy DIY-er who self-recorded his Charle Brwn EP while figuring out the basics of Garageband to the confident, versatile vocalist he is today, equally at home crooning and screaming as he is rapping over beats by heavy hitters like Ant and MF DOOM.
From the grime-caked beats to the confessional lyrics to the supercharged guitars laced throughout, Bad Actress is an album that’s deeply rooted in Minneapolis’s singular hip-hop scene, where boom-bap never went out of style and raw honesty still beats flashy materialism. Turner’s soulful singing voice, and his ability to navigate from the acidic Sly Stone funk of “Gratitude” to the acoustic balladry of “Music Man” to the purple-tinged minimalist gospel of “Runnin Back” make it clear that he’s one of the young talents who’s going to author the next chapter in the city’s storied musical history. After all, an atlas isn’t only a collection of maps, but a man who’s strong enough to carry the weight of the whole world on his shoulders.
SOURCE: Official Bio
LINKS:
https://rhymesayers.com/artists/dematlas
https://twitter.com/dematlas
https://www.instagram.com/dematlas
https://www.facebook.com/dematlas