Jammerzine has an exclusive interview with multi-instrumentalist singer-songwriter, and singer Jaki Nelson as well as premieres from Cellista, Earnhardt, Nervous City Nervous Self, Secrecies, Submotile, The Flashpot Moments, and Where We Sleep.
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Nature of Wires Drop First Light (Mesh Remix) + ‘First Light’ Video Premiere (The Week in #Indie Segment)
This is one of those rare moments in which we get to show you two versions of the same song, one included in a video premiere. This is Nature of Light’s Mesh Remix version of their track ‘First Light’, as well as their new video for the original version of the track.
While the original track may seem at the start to be a more danceable track, that is not so. The Mesh Remix starts off a little more ethereal in the beginning but the fact that it kicks in with a different danceable ambiance than the original makes it more of a reinterpretation than a remix, in my opinion. Both tracks have their individual strengths, with the original maintaining a more consistent beat while the Mesh Remix gives a more emotional take on this brilliant track.
‘Modus’, the new album from Nature of Wires, is set to drop on August 16th via Analogue Trash and can be pre-ordered via the band’s official Bandcamp.
About Nature of Wires
British synthpop stalwarts Nature of Wires have announced their new double album ‘Modus’, to be released on August 16 via Manchester’s Analogue Trash label. Comprising 18 tracks, this is 80s-influenced synthpop with a dark edge. The album had its genesis in the late 80s and early 90s when the band was in the middle of a creative hot streak.Ahead of the album’s release, Nature of Wires are whetting our appetites with the 2-track single ‘Madame Serena’, featuring a remix by electronic body music and electro-industrial artist Leaether Strip, and two additional tracks: ‘Every Single Sun’ and the remix of ‘First Light’ by European electronic giants Mesh.
Nature of Wires was formed in 1986 in Herefordshire. The original line-up was Gary Watts (synths & programming) and Andrew Stirling-Brown (vocals). The band went on hiatus in 1994 until reforming in 2015. In 2016, they released ‘Cyber Rendezvous’ with California’s CountessM on lead vocals, their first album since 1993’s ‘Modus Operandi’. The band’s live shows were enhanced by the addition of Tim Powell-Tuck on electronic drums, with a UK tour and BBC appearances.
“Modus has been 33 years in the making and includes songs written between 1986 and 1993, recreated using 21st-century technology. We want to look back on this album in 20 years’ time and be satisfied that it is as good as possible,” says Gary Watts.
“So we’ve involved some top producers – namely Steve Whitfield (The Cure, The Mission, Shed Seven, Terrorvision, Jah Wobble) and Mike Marsh (Calvin Harris, OMD, Human League, Chemical Brothers, Moby, Shamen, Massive Attack, Erasure, 808 State, The Prodigy, Depeche Mode). The artwork is by the super-talented Vlad McNeally. This is our final farewell to our younger years, representatives of the sound we created back then”.
CD1 features 8 original tracks, forged during a time of personal and musical change, and with striking clarity in this music and lyrics. But now, with access to top of the line music technology, Nature of Wires have refined and reinterpreted the inner soul and meaning of each song to create something that reflects an exciting time in the history of electronica and dance music, while also holding its own in the modern synthpop scene.
On CD2, Nature of Wires curated re-imaginings of tracks on CD1, offered by alternative electronic heavyweights Leaether Strip and Mesh, UK post-punk buzz band Klammer, and label-mates Room 1985, The Cowls and AtomZero. Applying their own vision whilst being faithful to the spirit of the originals, they’ve each re-interpreted the tracks in their own impeccable styles, adding to the sense of history that underpins ‘Modus’.
There’s a sense of finality to ‘Modus’, as well as a statement of intent for the rebirth of Nature of Wires, coming to terms with the past in a glorious and positive fashion, and preparing for an exciting future.
“CD1 presents the retro-electro, ‘lighter’ side of our writing, influenced by the synth-pop of the 80’s & 90s scenes. A ‘definitive’ version of the material we had back then, but with a modern edge. It brings together the core of our older fan-favorites and the very first song we wrote and one left unfinished in 1993, finally completed over 20 years later! We envisioned CD2 not just as a collection of remixes, but a deliberate companion or twin to ‘Modus’. This is not a double album; it’s a dual album,” says Andrew Stirling-Brown.
Nature of Wires has appeared with many great electronic artists, including Empathy Test, Leaether Strip, Aesthetic Perfection, Lord of the Lost, The Frixion, Rodney Cromwell and Vieon. They also created remixes for the likes of Massive Ego, Leaether Strip, Sigue Sigue Sputnik Electronic, !distain, Precog, Advance, Freakangel, Machine Rox and Vogon Poetry.
SOURCE: Official Bio
LINKS:
http://www.natureofwires.com
https://www.facebook.com/natureofwires
https://natureofwires.bandcamp.com
https://twitter.com/natureofwires
https://www.youtube.com/user/natureofwires
https://www.instagram.com/natureofwires
https://open.spotify.com/artist/3UbV4twUaN8yLN3MYKgmMi
https://www.songkick.com/artists/8722719-nature-of-wires -
Jammerzine’s The Week in #Indie for 3/4/2019
Jammerzine exclusive interview with Evi Vine about her new album titled ‘Black Light White Dark’ plus premieres from From Carbon, Brim Liski, Callow Youth, Tito Montana, Kristin Hersh, Paris Street Rebels, SPC ECO, Dar.Ra, and more.
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An Interview with We Are Scientists
Jammerzine has an exclusive interview with Keith Murray, frontman for the multi-faceted rock juggernaut known as We Are Scientists. And, on this day (which I call year 1 Anno Dominance) we have the release of their latest outing ‘Lobes‘.
To listen to ‘Lobes’ is to listen to an experience. That timestamp in your mind that just let you know you listened to something meaningful. Dashes of snark and feelings of fucking awesome mixed with moments of clarity.
How else can you describe ‘Lobes’? Or We Are Scientists, for that matter? How can I even say that this is where ‘Huffy‘ left off? I can’t because, well, it isn’t. Does this band live in linear time? You get that original W.A.S. sound, of course. But you get that personality. Everyone involved is mentally represented. And the result? We get subtle rebels of raucous dropping ten tracks of immersive attitude done in such a way that, after you read that last part, you wonder if they could tour with Pantera, but no. Not all rebellion is done with the guitar. Sometimes it’s done with personality and feeling. Just know this; when We Are Scientists give you the musical finger with that charm-boy smile, remember to smell that finger to find out where it’s been.
And, in today’s interview, we get a hint at where that’s been with this fun conversation/interview with Keith as we talk about ‘Lobes’, We Are Scientists, where it came from, where it’s been, and where it’s going.
Check out our other features with We Are Scientists HERE.
About We Are Scientists & ‘Lobes’
American rock band We Are Scientists debuted in the early aughts with the angular post-punk edge of With Love and Squalor, later evolving to incorporate polished synths and expanded atmospherics on efforts like 2016’s Helter Seltzer, 2018’s Megaplex, and 2021’s Huffy. Although modestly popular in America, they were a hit in the U.K., where the group’s sound — part post-punk revival and part indie rock with a touch of ’80s synth pop — drew parallels to contemporaries like Editors, Franz Ferdinand, Interpol, and the Killers.
Formed on the West Coast by three California-based college students, We Are Scientists officially took flight after frontman and guitar Keith Murray, bass player Chris Cain, and drummer Michael Tapper (who replaced founding drummer/vocalist Scott Lamb) relocated to Brooklyn and began building a small but devoted following. After releasing three EPs and one independent album — Safety, Fun, and Learning (In That Order) — the group signed with Virgin Records and released their major-label debut, With Love and Squalor, in early 2006. The effort peaked at ten on the Billboard Heatseekers chart and eventually was certified gold in the U.K.
In 2008, We Are Scientists — reduced to a duo comprising Cain and Murray after Tapper parted ways with the group — put out their second full-length album, Brain Thrust Mastery. Produced by Ariel Rechtshaid, the set included the singles “After Hours” and “Chick Lit.” As before, the record found popularity in the U.K., where it debuted at number 11 on the albums chart. The band toured heavily in support, playing a number of European festivals and opening shows in America for Kings of Leon. As We Are Scientists prepared to record a third album, former Razorlight drummer Andy Burrows joined the lineup, and the revised band unveiled itself with the release of 2010’s Barbara. That year, founding members Cain and Murray also appeared in their own series of comedy shorts, Steve Wants His Money, which aired on the Internet and ran in segments on MTV.
In late 2012, the band entered the studio in New York with producer Chris Coady (Beach House, Gang Gang Dance, Blonde Redhead) to record sessions for their fourth record. Burrows relocated to the city from England while he worked with Murray and Cain to write and record tracks for the album. Titled TV en Français, it arrived in early 2014 on 100%/Dine Alone Records and featured appearances by Rose Elinor Dougall (Mark Ronson) and Tim Wheeler (Ash).
In 2016, We Are Scientists returned with their fifth studio album, Helter Seltzer, produced by Max Hart (of Katy Perry’s band). The effort charted in the Top 50 of the U.K. and Scottish charts. Two years later, they delivered their sixth effort, the polished Megaplex, also produced by Hart. The album featured the singles “Heart Is a Weapon,” “Not Another Word,” and “Your Light Has Changed.”
Following the 2020 launch of their own Dumpster Dive podcast, the group returned with the full-length Huffy in 2021. Although 2021’s Huffy returned to a guitar-driven sound, forthcoming Lobes, the band’s eighth studio album (out January 20th), is their synthiest, electronic beatiest collection yet. So, really, who even is We Are Scientists?
Founding We Are Scientists members Keith Murray (guitar) and Chris Cain (bass) have played with guys like Adam, Michael, Andy, Danny, Chris, Matt, and Gary on drums, but for over five years now have had Keith Carne, who looks like he isn’t going anywhere.
The band’s previous singles “After Hours,” “Nobody Move, Nobody Get Hurt,” “The Great Escape,” “It’s a Hit” and “Chick Lit” all have charted in the US/UK and the band have appeared on US late night talk shows, The Late Show with David Letterman, Conan and Carson Daly and performed at Coachella, Sasquatch, and All Points West festivals. In the UK, the band played the Reading and Leeds main stage and Glastonbury Festivals among other world-wide touring.
The release of Lobes will be celebrated with a very special hometown show at Brooklyn Made on January 20, 2023, followed by touring in the U.K. and Europe beginning in February.
LINKS:
https://wearescientists.com
https://twitter.com/wearescientists
https://www.facebook.com/wearescientists
https://www.instagram.com/wearescientists