This week’s episode includes the latest from The Goood Things, 50 Foot Wave, Caesaria, Hands Off Gretel, Kolumbus, The Crosiers, and the Blue Soap Music Blue Soap Box Top 10 in independent tracks.
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Wolfhounds Premieres ‘Can’t See The Light’ Video (The Week in #Indie Segment)
Wolfhounds drop their new video for the track titled ‘Can’t See The Light’. Trippy and psychedelic in all the right places, ‘Can’t See The Light’ gives the guitars a chance to fight each other over a steady/strong bassline and thumpy percussion, while the vocals act as the ringleader in this psycho-circus of music. Let the video act as a Rorschach test for your musical preferences.
‘Can’t See The Light’ is available everywhere, including Apple Music, Spotify, and Bandcamp.
Check out the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT WOLFHOUNDS
London-based C86 legends Wolfhounds have announced their new album ‘Electric Music’, set for release on July 3 via A Turntable Friend Records. Ahead of this, they present a lead single ‘Can’t See the Light’, a powerful track that opens fire on side one of the forthcoming record with captivating video by David Janes.
“Musically, ‘Can’t See The Light’ has a discordant guitar line – perhaps carrying echoes of John Barry’s The Persuaders theme – until it reaches a desperate crescendo; this feeling is captured brilliantly by David Janes’ claustrophobic and darkly psychedelic video,” says Wolfhounds’ frontman David Callahan.
A spitball of melancholy fury, this is an explosive tune about how anger turns inward after the low expectations of a country’s myriad self-defined gatekeepers have crippled the ambitions of those who want change for the better. With a bass-heavy rush, ‘Can’t See The Light’ builds desperately to a semi-tonal release of noise, sounding simultaneously claustrophobic and liberating.
“All tunnels eventually emerge into the sun (as David Janes’ accompanying paranoid and sick-a-delic video shows) but while you’re underground it can seem like darkness is perpetual and inevitable,” says Callahan.
Always ahead of the times, The Wolfhounds have never nailed the spirit of now more succinctly and devastatingly than on this new single and other songs on the new album.
Originally formed as teenagers in 1984, The Wolfhounds released four critically acclaimed LPs before initially disbanding in 1990. By that time, they released music on the legendary and influential C86 cassette via NME, recorded three John Peel sessions for BBC Radio One, and toured the UK and Europe extensively as headliners and as support for My Bloody Valentine, The House of Love and The Wedding Present. The band’s acknowledged and audible influence stretches from Nirvana to the Manic Street Preachers, and all the way to Fontaines DC – but musically they remain ahead of all.
The band reformed in 2006 at the request of St Etienne’s Bob Stanley to celebrate 20 years since the release of C86, and inflicted a severe guitar noisefest on an unsuspecting indiepop crowd at London’s ICA. Since 2012, they have been recording and releasing new material, including ‘Middle Aged Freaks’ (2015) and ‘Untied Kingdom or (How to Come to Terms With Your Culture)’ (2017), repeatedly showing that they can still blow any act half their age offstage. In 2018, Wolfhounds released ‘Hands in the Till – The complete John Peel sessions’, a 12-track album released via A Turntable Friend Records.
The Wolfhounds are back and better than ever with their new ‘Electric Music’ LP – probably their greatest album yet. The band has become truly (hyper-)active again, performing at several pop fests (including Berlin and New York) and stand-up comedian Stewart Lee’s All Tomorrow’s Parties, as well as regular club dates in the UK and Europe. Stewart Lee also wrote the extensive sleevenotes for the record.
The band continues to be more relevant and adventurous than ever and, despite their indie roots, have more in common with the likes of Richard Dawson and Sleaford Mods than their old jangly peers. Electric Music grabs their home country’s woes by the horns and gives them the kicking they deserve!
CREDITS
Recorded, engineered and mixed at Cosmic Audio, Epping, by Ant Chapman
Additional home and phone recordings by Andy Golding and David Callahan
Mastered by Rory Attwell
Formulated and promulgated in Essex and London
Produced by the MeerkatsDavid Callahan – vocals, guitar, samples
Andy Golding – vocals, guitar, banjolele, bulbul tarang, keyboards
Richard Golding – bass guitar
Pete Wilkins – drums
Rhodri Marsden of Scritti Politti plays the bassoon
Extra vocals from Katherine Mountain Whitaker.
Sleeve by Andy Royston
Sleeve notes by Stewart Lee
Videos by David Janes www.brtlby.comLINKS:
https://thewolfhounds.bandcamp.com
https://www.facebook.com/TheWolfhounds
https://twitter.com/TheWolfhounds
https://open.spotify.com/artist/0Fxh7lSWIVOt1oX0A10ifB
https://music.apple.com/us/artist/wolfhounds/202918429 -
An Interview with Darrel William Herbert (The Week in #Indie Segment)
Having his global beginnings with the band The Toadies and continuing that career with Tomorrowpeople, Darrel has also emersed himself in many other aspects of the music world including editing, songwriting, and scoring. Chances are you have heard his work even if you’re not a music listener.
And now we have an in-depth interview with Darrel about his beginnings, his gear, his adjustment to the lockdown and, most importantly, his debut solo album titled ‘An Unwelcome Moment of Clarity’, out October 9th as well as his new video, out today, titled ‘If you Still Believe’.
Unsigned artists around the world; heads up. This is how you diversify in the music industry and gain street cred. Just take a look and listen to this taster of things to come with this new video and song. Darrel is a true songwriter with a penchant for tone and respect for music as an art.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.LINKS:
https://www.facebook.com/darrelwilliamherbert
https://twitter.com/darrelwherbert
https://darrelwilliamherbert.bandcamp.com -
Klammer Releases ‘Being Boiled’ Single (The Week in #Indie Segment)
Klammer is a band with, not only a rich history in music but an even richer knowledge of music. They not only know what works, they are what works. And this is none more present than in their new single titled ‘Being Boiled’. With a thick beat, wonderfully decadent guitars, and the rich deep and pound vocals of Paul (Poss) Strickland leading the way, ‘Being Boiled’ is that special drive and sonic assault that give a rush of adrenaline to the brain while staying steady enough to remain in your mind long after that initial listen. We have a brilliant anthem for the summer.
‘Being Boiled’ dropped June 3rd, 2019, on all digital platforms, including Bandcamp and their official store (more links below).
About Klammer
Hailing from Leeds, Klammer draws on the members’ shared love for all things angular, dark, loud and melodic. Previously described as the love child of XTC and Gang Of Four, they offer an enticing contemporary twist on the post-punk attitude, blending elements of goth rock, punk rock, and darkwave, all with dark pop sensibilities. You’ll find plenty of hooks and dark and edgy broodiness coursing through their sound.Formed by UK Producer Steve Whitfield (The Cure/The Mission/Jane Weaver) in 2014, they have already released 3 albums to great critical acclaim, with last years ‘You Have Been Processed’ receiving fantastic reviews across the board. The singles ‘Modern God’ and ‘Spiral Girl’ off the album, both received airplay on 6 Music.
Having consistently played up and down the country both as a headline act and in support of some big-name bands (including The Skids, The Undertones, Richie Ramone, Chameleons Vox, Penetration, and The Membranes), they have also played at Rebellion for the last two years and The Great British Alternative Festival. Klammer is intent on consolidating their position as one of the country’s finest live Post Punk acts.
LINKS:
https://www.klammer.co.uk
https://www.facebook.com/klammerband
https://twitter.com/klammerband
https://klammerband.bandcamp.com
https://soundcloud.com/klammer
https://www.instagram.com/klammerband
https://www.youtube.com/channel/UCsOn5ov6NDaBtgdf-iA3LqQ/videos
https://itunes.apple.com/us/artist/klammer/id579352463
https://open.spotify.com/artist/25buSKBb5QaT31p8vKpxTV?si=JCDN3D5nQniIo0y71ASqAA