Kepa Lehtinen was born in Helsinki, Finland in 1971 and began studying music in childhood, eventually learning to play piano, synthesizers, theremin, and drums. He went on to study Sound Design at Finland’s Aalto University and has since written music for many films, commercials, and TV productions. He routinely works as a composer, sound editor, and sound designer. His work has appeared in award-winning Finnish titles such as Kimmo (TV series), Almost 18 (feature film), and A Stone LeftUnturned (short film). He released his first solo album, Playing Theremin, in 2018. In 2019 he released Helsinki in November. Spring 2020 is coming album “It Is OK To Be Sad And Dark”.
LINKS:
https://www.facebook.com/kepalehtinenartist
https://songwhip.com/artist/kepa-lehtinen
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Beauty in Chaos – The Delicate Balance Of All Things (Rapid Reiteration Mix)
Beauty in Chaos has today released their new video for the remix track titled ‘The Delicate Balance Of All Things’ (Rapid Reiteration Mix).
We also have an exclusive interview with Michael Ciravolo, Wayne Hussey, and Cinthya Hussey on how the video came to be and how it was filmed while staying safe in the age of COVID.
Check out the entire interview HERE.
‘The Delicate Balance Of All Things’ (Rapid Reiteration Mix) and video is clearly a massive departure for BIC in both video and audio realms. The video, for one, was shot remotely using an entirely different crew in Brazil and, besides the obvious that Beauty in Chaos’ Michael Ciravolo is not in the video, the departure is in the style and execution.
The track is even more of a complete departure stylistically from what has come before. Now featuring Cinthya Hussey on lead vocals, Wayne on background vocals, and astonishing guitar work by Nick Johnston, is a stellar mix of darkness, suave, and the world, in places you would never expect. The bass gives off an almost ‘Peter Gabriel’ vibe at times before snapping into place in lockstep with the beat that, at times, drags you into the hook but in a good way.
To me, this is an almost Pink Floyd level shift sonically and visually that gives a hint that Beauty in Chaos is becoming comfortable at being different.
Check out our other features with Beauty in Chaos HERE.
ABOUT BEAUTY IN CHAOS & ‘THE DELICATE BALANCE OF ALL THINGS’ (RAPID REITERATION MIX) FT. CINTHYA HUSSEY
The original version of this song, penned by BIC curator Michael Ciravolo and The Mission’s Wayne Hussey, appears on ‘The Storm Before The Calm’ album. Along with BIC producer Michael Rozon, Ciravolo set out to strip down the ominous tone of the original especially for this remix release. After hearing Wayne’s wife Cinthya’s rendition of The Smith’s ‘Everyday Is Like Sunday’, the idea emerged for her to sing this new version along with Wayne.
This remix was created by legendary producer Tim Palmer (David Bowie, The Mission, U2, The Cure). BIC main-man, Michael Ciravolo says “Tim has always been one of my favorite producers … and one of the silver-linings of this lockdown is that he has time to do this and two other remixes for our new album”.
Far from being a typical band, with its revolving/evolving lineup, videos are truly the ‘face’ of BIC. Ciravolo’s goal is to make each visually different from its predecessor and this new video certainly checks that box!
“When we returned the track, the delicate balance of all things, to Michael with Cinthya’s newly-completed vocals, Michael’s reaction was to declare he loved it and that we had to shoot a video for this version, remixed by the redoubtable Tim Palmer,” said Wayne Hussey.
“With the option of traveling to LA to shoot out of the question due to current Covid-19 restrictions, Cinthya, being in the trade somewhat, contacted a few of her colleagues to ascertain who exactly might be interested in helping us shoot a video in Sao Paulo. Enter the Antipodean Mark Bromilow. Mark and Cinthya had previously acted together on a Kit-Kat advert and had remained friends. The many credits to his name include time spent as artistic director for Cirque De Soleil, where he met the Brazilian Natalia Presser, the featured aerial artist in this video.”
“Locations were scouted, Cinthya having the idea of filming in an old theatre or abandoned warehouse – somewhere strange – while Mark came up with the idea of filming in a currently-closed-down-due-to-Covid circus in Sao Paulo. So the Big Top it was. Using David Lynch as inspiration, we aimed for the video to evoke something otherworldly and magical. So, how did we do?”
The full 27-track collection of the ‘Out Of Chaos Comes…’ LP (available on CD) is deep and diverse and comes with a few surprises, including Ashton Nyte’s gorgeous acoustic version of ‘The Outside’, and an acoustic/mellotron drenched ‘Memory Of Love’ from Human Drama’s Johnny Indovina. There are also some new and fantastic guitar moments from Simon Hinkler (The Mission), Richard Fortus (Guns N’ Roses), Mark Gemini Thwaite (Peter Murphy. The Wonder Stuff), and Nick Johnston.
‘Out Of Chaos Comes… is now available on vinyl (8 tracks), CD (14 tracks), and digitally (27 tracks). The full digital version is included with an LP / CD purchase. Limited-edition colored vinyl also includes an exclusive cover-art poster, signed by many of the artists involved. It can be ordered in its various formats HERE.
SONG CREDITS
- Cinthya Hussey – vocals
- Wayne Hussey – background vocals
- Michael Ciravolo – guitars, textures, and percussion
- Michael Rozon – synth and percussion
- Mike Mallory – bass
- Nick Johnston – outro guitar solo
- Tim Palmer – synth, drum programming, guitars, and co-production
- Additional recording and production by Michael Rozon and Wayne Hussey
- Written by Wayne Hussey and Michael Ciravolo
VIDEO CREDITS
- Cinthya Hussey – the beauty
- Wayne Hussey – the beast
- Natalia Presser – aerialist
- Video concept by Mark Bromilow, Cinthya Hussey, and Wayne Hussey
- Produced by Cia do Polvo
- Directed by Mark Bromilow
- Assistant director: Natalia Presser
- Photography: Nico Serrano
- Camera assistant: Fabrício Cezario
- Production assistant: Patricia Rizzi
- Make up by Marcio Merighi
- Edited by Cinthya Hussey
- Filmed on location in Sao Paulo, Brazil
LINKS:
https://www.beautyinchaosmusic.com
https://www.facebook.com/beautyinchaosmusic
https://www.instagram.com/beauty.inchaos
https://twitter.com/MichaelCiravolo
https://www.beautyinchaosmusic.com/music-store
https://www.beautyinchaosmusic.com/bic-blog
https://soundcloud.com/33-3-music-collective
https://beautyinchaos.bandcamp.com
https://itunes.apple.com/us/album/finding-beauty-in-chaos/1436694940
https://open.spotify.com/album/7cmbwIpDm9aAXS4vVjcq4U?si=LZ_9_Bi1SzaZyN7wOIRCvw -
South Central Positronic – Temponauta
From the creator of Kish Kollectiv comes “Temponauta” from South Central Positronics! “Temponauta” from South Central Positronics is a varied collection of (mostly) instrumental pieces very loosely inspired by the Italian New Age community, the Damanhur Federation, which is located in the Alpine foothills near Turin.
In the late 1990s, they revealed to the world that they had mastered the theory and practice of time travel (among other esoteric pursuits, some of which are connected to the lost civilization Atlantis), which was covered in a 1998 issue of the “Fortean Times”, a UK publication that concerns itself with paranormal phenomena. “Temponauta” is an Italian word that roughly translates as “female time traveler” and each composition very obliquely suggests another phase, experience, or aspect of her journey, but the listener is of course free to interpret the pieces in any way they wish.
From the creator of South Central Positronics “, They did later row back on a lot of these assertions and repositioned themselves as a more conventional spiritual commune and eco-village from the mid-2000s, but I never lost my fascination with their earlier claims of “esoteric physics” and “selfic science”.
Born of Italo-Celtic stock into a slowly rusting northern England in the throes of Thatcher-era de-industrialization, the young Michele Sarto (“Mike” to those closest to him; other people just can’t pronounce the name properly) was bitten by the horror bug early. After having been “encouraged” to sit through an uncut version of Lucio Fulci’s surreal schlock masterpiece “City of the Living Dead” at the age of 6 by mischievous elder cousins, a lifelong fascination with the darker side of fiction was born. Equally haunted and excited by aftermath images of reanimated corpses, horrific “skull-crush” kills and a young woman literally vomiting out her innards, another element of that particular production was to make an indelible impression on the young Sarto; the maestro Fabio Frizzi’s masterful synthesizer-driven score.
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Counterfeit Culture – Apothecary (ft. Ricky Armellino)
In this day and age, we’re constantly bombarded by an onslaught of overwhelming influences from the entertainment industry and the media. It’s inescapable. Standing out from the pack becomes a bold proposition and an even bolder move. That’s where Counterfeit Culture comes in. Not only do the New Jersey quartet—Nick Broglio [vocals], Patrick Robertson [guitar], Elijah Pagan [bass], and Chris Smith [drums]—shake up heavy music, but they also shake up pop culture at large, ripping conventions to shreds with an artful amalgam of intricate metallic musicianship and alternative-inspired melodies. Their 2017 Deathwish EP introduces an infectious ideology.
“The name Counterfeit Culture basically says that we live in a society where TV shows, movies, magazines, and web sites tell us how to dress, how to act, and how to live our lives,” says Patrick. “Society tries to force you to be a certain way. We’re saying that’s wrong, and you can be whoever you want to be and live life however you want.”
The members initially met in 2015 while still in high school. They quickly built a local buzz, performing with top-notch acts such as Suicide Silence, Whitechapel, Like Moth To Flames, The Plot In You, Erra, Thy Art Is Murder, Invent, Animate, and much more. In 2017, they worked with producer Ricky Armellino [Currents, This Or The Apocalypse] and mixer Taylor Larson [Periphery, Darkest Hour] on what would become Deathwish.
“We take inspiration from multiple genres,” the guitarist goes on. “Of course, we’re a heavy band, and we’ve got those down-tuned breakdowns. At the same time, there are melodic riffs and singing with layers of vocal harmonies. It’s this mix between alternative and metal.”
The single “Apothecary” illuminates the nuances of that style. Snapping from precise polyrhythmic pummeling into hypnotic harmonies, it consciously speaks up against domestic violence lyrically and in its cinematic music video.
“The lyrics are about pretending to be someone you’re not and trying to sell yourself as someone you’re not,” explains Nick. “The music video tells that story of domestic abuse. We gave it a visual representation. It’s a girl in this abusive relationship, making it seem normal. Obviously, she’s in pain, but she doesn’t show it.”
Elsewhere, “X” tackles the horrors of drug addiction through a tightly woven sonic assault, “Second Soul” examines “the self-destructive death of one’s former self.” The band separates itself from their contemporaries through both the integration of melody and a fashion-conscious image, eschewing the typical “black t-shirt and jeans,” as Patrick puts it.
Drawing inspiration from remaining outsiders since growing up through and through, Deathwish is as real as heavy music gets. “When people hear this EP, I hope they think about how they’re living their lives and open their eyes,” Patrick concludes. “You don’t have to just do things the way your favorite actor does. Take our songs as inspiration to live your life how you want to live.”
“The songs come from an honest place,” Nick leaves off. “They talk about my past. I felt myself change as a person. I want other people to know that change is possible.”
LINKS:
https://www.facebook.com/CounterfeitCultureNJ
https://www.instagram.com/counterfeitculturenj
https://twitter.com/CCNJOfficial