Kurtis Hoppie has released his new video for the track titled ‘Vegan Burgers’. A unique track featuring Kurtis’ original rap cadence and lyrical phrasing way left of the creativity side, ‘Vegan Burgers’ transcends the rap genre into pop with a killer sense for songwriting proving that a hook can be a monster.
The video is a story with heart and a visual with art and fits perfectly to the beat of the track. A video track for the sound.
LINKS:
https://www.instagram.com/thekurtishoppie
https://www.facebook.com/TheKurtisHoppie
https://www.youtube.com/channel/UCIR10g1HVLaYF2vHuBa6u7A
https://soundcloud.com/kurtishoppie
Watch the full episode HERE.
Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.
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Lazaris Pit Premieres ‘You Don’t Tag Me in Memes Anymore’ & ‘Cloudsculpting’ Singles (The Week in #Indie Segment)
Lazaris Pit drops their new single titled ‘You Don’t Tag Me in Memes Anymore’ plus the B-Side ‘Cloudsculpting’. This is the perfect ‘capture the band in the moment’ moment. We get that garage-perfect sound with that quirky attitude and tight-yet-loose feeling in the vein of Dinasaur Jr. and the like but all Lazaris Pit in execution and scope.
With ‘Cloudsculpting’ we get the same side of a different coin with an adventurous song climbing to the top with varied guitar chord progressions and a hypnotic varied beat with that lovely feeling of falling apart at the seams while sticking together tightly in that true alt-rock sound at its purest.
‘You Don’t Tag Me In Memes Anymore’ is available everywhere digitally, including Spotify and Apple Music. The full ‘Coniphers’ album will be released on May 22.
Watch the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT LAZARIS PIT
Raleigh-based rock outfit Lazaris Pit have announced they will release their new ‘Coniphers’ album. Ahead of that, they present the lead single ‘You Don’t Tag Me In Memes Anymore’, a modern-day break-up song, often detached from the moments that make life worth living and musing on the deeper workings of it all with the grim reality that someone important has moved on. They also present a video rendition of this single, live in Athens, Georgia.
The B-side ‘Cloudsculpting’ showcases another facet of this album, evoking the image of spending a dreamy tranquil day, gazing up at the clouds and imagining what it might be like to live peacefully high up in the fluff and blue sky.
Formed in June 2017, this self-named “pack of cosmic dogs” consists of Ely “Salted Sweet Cream” Yarbrough (guitar and lead vocals), Cameron “Sugarfoot” Preston (bass) and Jon “Dok Tok” Castro (drums and backing vocals).
‘Our album ‘Coniphers’ is named after a brother of ours lost along the way. Included are 8 tracks of the good stuff, heady grooves and sweet pop tunes, funk breakdowns to zero gravity ambiance…. 42 minutes of rock n roll,” says Cameron Preston.
“Lead track ‘You Don’t Tag Me In Memes Anymore’ is a microcosm of the album as a whole, embodying our familiar Lazaris Pit sound. Is ‘Memes’ a pop song with a punk twist or is it a shoegaze song with some pep in its step? We aren’t quite sure what to call it, but we know it has been lighting up faces whenever mentioned and burning down dance floors when played live,” says Ely Yarbrough.
‘Coniphers’ was recorded live in-studio from November 2019 to January 2020, showcasing a band playing like a pack of hungry dogs, sinking their teeth into a meaty T-bone for the first time in ages. Recorded and mixed by Artem Smirnov at Common Thread Studios in Raleigh with additional engineering and creative input from Michael Graziano and Matt Graham, this album was mastered by Alexander Kretov at Ummagma Studio.
Lazaris Pit freely improvises a dreamy blend of punk, funk, soul, psychedelia, reggae, jazz, noise, and ambiance into a one-of-a-kind dance party. The result: a mind-meld of musical tapestries that take the listener on an emotional journey through time and space, and ourselves in the process.
They’ve brought their unique brand of rock-n-roll far and wide, having played shows up and down the east coast and southeast from Philly to Atlanta and New York to New Orleans, their sound filling large festival fields, historic college campuses, and the most intimate of dive bars and clubs.
Noting music aesthetic and sound inspirations in the sense of a launchpad rather than as blueprints, Lazaris Pit’ counts Fugazi and Grateful Dead among their inspirations, as well as classic R&B, Phish, Curtis Mayfield, Cream, Pink Floyd, Ween, George Clinton and Parliament-Funkadelic, Primus, Flaming Lips, Talking Heads, Sonic Youth, and Yo La Tengo.
Featured image by Travis Merchant.
LINKS:
https://www.lazarispit.com
https://lazarispit.bandcamp.com
https://www.facebook.com/lazarispit
https://twitter.com/themLPboys
https://www.instagram.com/lazarispit
https://www.youtube.com/channel/UC_mbHlwbaZgIBhb56ybbiAg -
Dark Matters (JammerStream One)
Dark Matters was a talk show featuring independent artists of all calibers. It ran from 2013 to 2014 on JammerStream One.
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Diamond Shake Releases ‘Shake’ Video (The Week in #Indie Segment)
Diamond Shake continues his momentum with the release of the fourth video in his series titled ‘Shake’. Continuing his video partnership with French animator Dominique Bloink, the visualization and integrity of style are maintained with brilliance and the marriage of panache and originality are excelled with the dark beauty of the video and the emotional grit of the song. Almost its own undefinable thing, ‘Shake’ becomes it’s own in such a way that you find out who did what, if you don’t know who this is, just to see who could come up with such a thing. Let this sink into your memory.
Check out our other articles featuring Diamond Shake HERE.
Watch the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT DIAMOND SHAKE & ‘SHAKE’
As discussions on mental health, addiction, and immigration in America gain more prominent, nuanced coverage on cable news, Diamond Shake mastermind Matthew Hitchens has lived at the epicenter of all three hot button issues for the past fifteen years.
Growing up in London and playing in bands through his teens, Hitchens moved to Los Angeles seven years ago to pursue a solo music career. After a few failed projects, missed auditions, personal struggles, and a particularly bad visa experience, he decided to stop relying on other people and make the album that faced his demons head-on.
“It’s all about my mental health problems like depression, anxiety, anger, low self-esteem, and addiction,” Hitchens says of From Method To Madness, his debut as Diamond Shake. “Each song is about a different one of those issues while also telling the story of making and releasing the album, ultimately ending in failure.”
Dour as that might seem, From Method To Madness (which came out in November of 2019) arrived with bluesy aplomb and Hitchens’ most candid lyrics to date about mental health. Considering every song on the album aims for the rafters with cinematic ambition, Madness practically lent itself to a visual accompaniment for all ten songs, which Hitchens has been working on with French animator Dominique Bloink.
“Shake” marks the fourth video in the visual series, which will continue throughout 2020.
LINKS:
http://www.diamondshake.com
https://www.instagram.com/thediamondshake
https://www.youtube.com/channel/UCUT0cqzCanrCsAlqgaZRqhQ
http://www.soundcloud.com/diamond-shake