Marsela has released the new video for her single titled ‘Who Knows Where The Love Goes?’. With an amazing soulful voice and powerful yet subtle beginning, Marsela gives a performance fit for the times with a heart-on-the-sleeve style that captivates all who listen and mesmerizes all who watch.
‘Who Knows Where The Love Goes?’ shows that healing begins with the self through recognition and reflection in such a lush aural landscape that one no longer feels alone and isolated from those with the same experiences. This song is a testament.
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LINKS:
https://www.facebook.com/marselamusic
https://linktr.ee/marselamusic
https://soundcloud.com/marselamusic
https://instagram.com/Marselamusic
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Jammerzine’s The Week in #Indie for 8/24/2020
In this episode of The Week in #Indie we feature an exclusive interview with former The Toadies guitarist Darrel William Herbert about his new album.
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An Interview with Sweet Justice
Jammerzine has an exclusive interview with a pair of sheer talents in the form of Frank Meyer and Bruce Duff, a.k.a. two-thirds of Sweet Justice. Add drummer Mike Sessa to the mix and you have the absolute definition of a power trio. And that is what you hear in their new EP titled ‘Redline’. You get the sheer face of true rock n’ roll. That sucker punch of rebel rock with the stank of slide and the power of mojo. Fleeting moments of heart for the soft-spoken surrounded by the grit and grime of a constant rock anthem.
And today we get to talk with Frank and Bruce about the power of music, the power of THEIR music, and how that music is going to help ease us out of the pandemic and put the unity of music back in music.
About Sweet Justice
Featuring the founding members Frank Meyer (vocals, guitar) and Bruce Duff (vocals, bass, guitar) of indie punk vets The Streetwalkin’ Cheetahs with drummer Mike Sessa of Rosie Flores, Cracker, The Joneses, and Cheetahs fame joining in for the fun, Sweet Justice delivers consistently strong and pure modern blues rock that follows the stylistic paths of Gary Clarke Jr, Rival Sons, and the Black Crowes.
Produced and written by Duff and Meyer The Redline EP tackles a White Stripes-style stomp-clap (“Tell the Preacher”), swampy pop (“Sunny Daze”), Texas blues (“Medicine Show”), glam-boogie (“I Get More”), and the Robert Johnson-by-way-of-AC/DC strut (“Redline”). “Aww Shucks,” “Feeling Fine,” and “Gotta Get That” round out this hot ‘n’ juicy classic rock swagger platter.
“These songs are a little harder-edged than the first album and a lot catchier,” explains Meyer. “We got inspired by all the great blues-rock acts happening these days and wondered if our first album wasn’t a bit ahead of its time. It seemed like the time was right to revisit the Sweet Justice sound, but we gave it a modern twist on this one. This new album is less traditional than our earlier work and fits much comfortably in the modern rock landscape.”
“I think both Frank and I have evolved a great deal as producers since the first Sweet Justice record which was one of the very first LPs we produced as a team,” notes Duff. “Applying all of that combined experience to these songs was a blast; that, and plugging in all the crazy fuzztones we’ve acquired in the past 15 years!”
All three Sweet Justice members arose as underground emissaries from the real rock world, as well as also playing in The Streetwalkin’ Cheetahs, though each member has their own impressive pedigree. Meyer is also the frontman for Iggy & The Stooges guitarist James Williamson, a member of Long Beach supergroup Blind House, and bandmate of Eddie Spaghetti (Supersuckers) in their side project Spaghetti & Frank. Duff is an established music producer and manager who cut his teeth in 45 Grave, ADZ, Jeff Dahl, and plays in Jesters of Destiny, The Magnificent, and Scared Cowboys. Meanwhile, Sessa has toured with everyone from Cracker, Rosie Flores, The Joneses, and Wayne Kramer.
Featured image by Jason Valdez
LINKS:
https://www.instagram.com/sweetjustice_music
https://www.facebook.com/sweetjusticetheband
https://lnk.to/SweetJusticeRedlineEP -
An Exclusive Interview with Marty Willson-Piper (The Week in #Indie Segment)
Noctorum has released their fourth album ‘The Afterlife’ – the duo’s first long-play in seven years, which will be released exclusively on CD and gatefold vinyl to PledgeMusic contributors in November 2018. The general release of this album happened in February 2019 via Schoolkids Records.
Noctorum is guitarist/singer-songwriter Marty Willson-Piper and producer Dare Mason. The duo presents their new single ‘Piccadilly Circus in the Rain’, following up the first single ‘A Girl With No Love’.
Named for the village Noctorum, located near to their childhood homes on The Wirral (near Liverpool), Dare and Marty liked its association with night and its Latin derivation. This collaboration has an eclectic focus, making the quiet-loud and vice-versa, singing words that might be spoken and playing indoor instruments that should be heard outside. It has to be imagined to exist.
“Perhaps city-living is by definition a difficult slog – high rents, a constant pressure to earn, an uphill battle that traps you in a vicious circle that has you so focussed on the job of survival that your aspirations, your dreams, are swept aside, pushed out of reach as all your waking hours are spent treading water, your imagination drowning, your ideas lost in the rush hour,” says Marty Willson-Piper.
“Piccadilly Circus In The Rain addresses the struggle and questions the romantic notion of London as a cultural melting pot – music, galleries, nightlife, history, energy, red double-decker buses, unarmed friendly Bobbies, the cover of Abbey Road and the Queen. Singling out this city is purely coincidental but in truth, for most people with artistic tendencies “London brings you to your knees”.
Having formed in 2002, Noctorum released their debut album ‘Sparks Lane’ on Heyday Records in 2003. In 2006, they followed up with the album ‘Offer The Light’ on that same label, later re-releasing it as a digipak in 2010 via Second Motion Records. Heyday released their third album ‘Honey Mink Forever’ in 2011.
Marty Willson-Piper has been writing and performing internationally for over 35 years. He is best known as a long-time member of Australian psychedelic rock band The Church, who he was with from its inception through to 2013. He joined All About Eve in the ’90s, releasing two studio albums and several live albums with them. He is also lead singer and lyricist with Swedish band MOAT and a touring member of Swedish Prog legends Anekdoten. Since the mid-1980s, Willson-Piper has maintained a steady solo output, releasing six solo studio albums and three live solo albums to date. He has also co-written music with many artists, including Grace Slick, Aimee Mann, Susannah Hoffs, and Linda Perry.
As a house engineer at London’s world-famous Townhouse Studios, Dare Mason has worked with the likes of Prince, Paul McCartney, Boy George, Tina Turner, Ravi Shankar, and Soul II Soul, among others. After becoming a freelance producer/engineer in 1991, he produced albums for The Grid, The Church, Placebo and AC Acoustics, working in London, New York, Sydney, and Stockholm. He finally moved to Cornwall, where he set up the VIP Lounge studio in 2001. Nowadays, Dare is mainly known as a mixing engineer, having mixed recordings by Brix Smith (ex-The Fall), Cinerama and Tommy Tokyo. Dare is also a composer, songwriter, and accomplished guitarist, singer, and dabbler in keyboards, usually contributing musically to the artists he produces.
Check out the full interview HERE.
LINKS:
http://noctorum.band
https://martywillson-piper.com
https://www.pledgemusic.com/projects/noctorum
https://www.facebook.com/Noctorum
https://www.facebook.com/marty.willsonpiper
https://www.youtube.com/channel/UCwdErmBx2NQI7_lOdwqgepQ/videos
https://twitter.com/mwillsonpiper
https://soundcloud.com/noctorummusic
https://open.spotify.com/artist/14rNOocOS3RnmAKhT4GnU4
http://www.anekdoten.se