This was something that needed to happen. There simply had to be a vision for the voice. And now that vision is here in the form of Minx’ new video for her stellar track titled ‘Female Dirtbag’. This premiere is simply an honor. After listening to the track last month (review HERE), and talking with her HERE, I realized that some artists were simply meant to be.
‘Female Dirtbag’ is not what you may think by reading just the title. You have to read between the lines. And those lines are clearly drawn with the track by Minx, who draws it with a big stick and keeps it with an even bigger mic. Empowerment can mean many things, but in Minx’ case that definition is written in stone with the simple fact that gender is not a roadblock, but the road itself. You can use that empowerment to define your character and, in turn, let that character define you to others. Beautiful in many ways.
About Minx
Minx’s brand of ‘inclusive feminism’ shines through in her stunning new track ‘Female Dirtbag’, an ode to a powerful breed of women who know what they want and how to get it, as you can see from her Dave Chappelle inspired cover for the single.
Sexy, funny lyrics delivered with smooth and sultry aplomb are fast what is giving Minx her name. Produced by Cooler Ruler Divine (Onyx, The Lost Boyz, Sean Price) it’s a perfect pairing as Minx’s love for classic Hip Hop from the ‘Golden Age’ is strong and this is undoubtedly a smooth Boombap banger.
LINKS:
https://www.facebook.com/minx4music
https://twitter.com/minx4music
https://soundcloud.com/minx4music
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Black Needle Noise Releases ‘Seed of Evil’ Video ft. PIG a.k.a. Raymond Watts of KMFDM fame (The Week in #Indie Segment)
John Fryer, the globally recognized producer and curator of the project known as Black Needle Noise, has dropped his new video titled ‘Seed of Evil’ featuring <PIG> a.k.a. Raymond Watts of KMFDM fame. A contoured divide between the industrial overtone and gothic underpinnings, ‘Seed of Evil’ crosses that great divide into a darkly original mindset with grinding rhythm and a purely black chord progression.
The video adds to the musical mindfuck just short of epileptic orgasm designed to muse as much as it is to shock. Decadance now has a soundtrack.
‘Seed of Evil’ is out now, available digitally across online stores, such as Apple Music, and streaming platforms such as Spotify. It is also available directly from the artist via Bandcamp.
Check out our other articles about Black Needle Noise HERE.
Watch the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT JOHN FRYER & ‘SEED OF EVIL’
John Fryer, the legendary producer, and artist in his own right unveils the latest offering from his Black Needle Noise project – the new video for ‘Seed of Evil’ with PIG, an unholy collaboration from two of the most celebrated and talented forces in industrial music.
Vocalist Raymond Watts‘ plows forth with a sinister growl over Fryer’s menacing atmospherics. The track’s foreboding lyrics speak of allowing evil to overcome one’s self.
Formed in the late 1980s, PIG has blazed quite a trail – not surprising with Raymond Watts has been a visible part of the industrial music scene as a founding member and lead singer with KMFDM through their most prolific and successful period (1984-2003), as well as Nine Inch Nails, Schaft, Schwein and Einstürzende Neubauten, among others.
Conceived and edited by Fryer and Joseph Seuferling of Psionic Broadcast, this dark and twisted visual escapade (a Psionic Broadcast and Black Needle Noise Production featuring actress Anjela Piccard) was filmed by John Fryer and Piccard (L.A.) and by PIG (London).
“Joseph Seuferling first came to my attention when I saw he had a film called ‘I Am God’ and BNN had not long just release a song with the same name. So I contacted Joseph and asked if he would like to meet next time he was in LA. Anjela & I went to meet with Joseph Seuferling at the Roosevelt Hotel and whilst we were talking, I asked him he would like to make a video for “Seed Of Evil”. He liked the song so he agreed to make a video. So Raymond shot his footage in London and Joseph got to work,” says John Fryer.
The 1st part of the video Joseph made and turned it into a trailer for the song and The World Tour Of Hollywood that Black Needle Noise was about to embark on. Joseph ran out of time to finish the video so I took over the editing to finish it. Anjela and I shot our footage here in LA and then I got to editing, making sure to keep the same style Joseph had set. Once I had finished it, I sent it to Joseph and he added some final touches. The result of all our hard work is quite amazing, even if I do say so myself.”
As one of the most innovative sonic architects of our age, “John Fryer has practically soundtracked your entire life” (Impose Magazine). His musical imprint is massive, having shaped the sound of bands from Nine Inch Nails and Cocteau Twins to HIM and Depeche Mode. He is also one of just two masterminds behind This Mortal Coil (along with Ivo Watts-Russell – not only producing but also keyboards, strings, and synthesizer sequencing).
“When John Fryer called, it was like cream was fed to my poison crop. I was thrilled to lend Satan’s little helping hand to Black Needle Noise. The result from this marriage made in hell was appropriately called ‘Seed of Evil’ … it pours out of me into the night, where the devil tries it nice and tight,” says Raymond Watts.
John Fryer adds: “After many a moon passing, we finally got to work together again. I had to find the right song for Raymond but I think we have a great noise-pop hit on our hands. It’s been a real pleasure working with Raymond on this and I can’t wait to hear it in the clubs.”
John Fryer started his career in 1979 at London’s Blackwing Studios (London) and soon began working with seminal bands on the 4AD, Mute, Rough Trade and Beggars Banquet record labels, including Depeche Mode, The Wolfgang Press, and Cocteau Twins. His achievement in helping develop the latter’s pioneering ethereal and ambient sound ultimately led Watts-Russell to recruit Fryer as his partner for This Mortal Coil.
A sense of expectation about his music has never left him – expectations he often exceeds from release to release, having produced many groundbreaking artists along the way, including Love and Rockets, Swans, HIM, Cradle of Filth, Clan of Xymox, Nitzer Ebb, Dead Can Dance, Yaz (Yazoo), Xmal Deutschland, Fields of the Nephilim, De/Vision, Stabbing Westward and many others. Over the past two decades, John Fryer has also produced several film soundtracks, including Seven, Clerks, Johnny Mnemonic, Mortal Kombat, Faust and Resident Evil: Apocalypse.
Featured image by Anjela Piccard.
CREDITS
- Music and all noises by John Fryer
- Lyrics by Raymond Watts
- Vocals by PIG
- Video shot by Anjela Piccard and John Fryer (L.A.) and by PIG (London)
- Styled by PIG, Anjela Piccard, and John Fryer
- Actress Anjela Piccard
- Concept/Editing by Joseph Seuferling & John Fryer
- A (Psionic Broadcast) & Black Needle Noise Production
LINKS:
https://www.blackneedlenoise.com
https://blackneedlenoise.bandcamp.com
https://www.facebook.com/BlackNeedleNoise
https://www.facebook.com/John.Fryer.Official
https://www.instagram.com/black_needle_noise
https://www.youtube.com/channel/UCTC_bNQDfUviTBDiBHYAiSg/videos
https://open.spotify.com/artist/3KkYK2dnIfRb9EDrCRndB6 -
Ryan Policky of Brim Liski Exclusive Interview (The Week in #Indie Segment)
If you are a fan of, or familiar with, Jammerzine and Jammer Direct, you very well know how much of a fan we are of A Shoreline Dream. And now we talk to another group that has strong ties with that band in the form of Brim Liski. Both feature guitarist and co-founder Ryan Policky. What I find is the best asset with both bands is the fact that, while there is a similar aspect to the music, that music is completely different and original each in its own right. That is an accomplishment in and of itself. On many levels. Originality is the key to diversity in all aspects of life.
Today, we talk with Ryan about the process of writing for and collaborating with Brim Liski as well as finding that unique sound that is Brim Liski as well as their new EP titled ‘Duels‘.
About Brim Liski
Brim Liski presents a blend of electro, goth and future pop that is slightly gazey. This is a mixture of the diverse sounds both artists bring to the table, becoming something a bit different than the typical electroclash that is currently out there.Their music is inspired by epic sounds you might imagine occurring in the cosmos. This is dark, limitless night music perfect for driving down an endless moon drenched highway.
“Like the EP as a whole, ‘A Different View’, is about the challenge of acceptance to new unexplored territories in our lives. Making big changes. Accepting things aren’t working and to move on. I personally had many issues blocking me from being who I wanted and needed to be,” says Ryan Policky.
“I had been falling victim to acceptance to things I should be pushing away, and once those things were fully pushed out of the picture, things became that much clearer. Just like the discoveries of new galaxies, formations on other planets, and other unknowns, the focus is becoming more apparent as technology and time move on.”
Brim Liski may have formed in 2008, but they sound more closely resembles a band from 2024. Their music is about as cosmic and dreamy as Saturn’s Hexagon, which also features on the cover art of their new EP.
Today Brim Liski is a duo comprised of experimental multi-versed digital artist Cacheflowe (aka Justin Gitlin) and Ryan Policky, who is vocalist and producer for renowned prog-gazers A Shoreline Dream.
“I had been working with Justin at an ad agency – working on games for a bunch of entertainment projects for Sony and the like. I found out his passion for music production and we instantly hit it off. He had been working on material and setting up PR for his project, Cacheflowe, and I was working super hard on getting A Shoreline Dream up and going,” says Policky.
“We exchanged ideas and eventually started working on remixes, eventually leading to Brim Liski, which was a side project for both of us, but an important one. One of my dearest girlfriends Michelle Brim had just passed away, and I was torn apart. Brim Liski, named in her memory, became that passion project to get those emotions out, and I was lucky enough to have Justin’s talent help bring it to life.”
With strong initial support from XLR8R and Filter Magazine, it was clear that Brim Liski’s videos feel more like a blurred out dream being torn apart by technology. Their unique and dramatic live shows blend the art of dynamic installations and vivid colors.
LINKS:
http://www.brimliski.com
https://www.facebook.com/pg/Brim-Liski-589032774456227
https://twitter.com/brimliski
https://twitter.com/latenightwn
https://www.instagram.com/brimliski
https://brimliski.bandcamp.com/album/duels
https://itunes.apple.com/us/artist/brim-liski/334774461
https://open.spotify.com/artist/2D1djVg5W8mSqKuZiMvajn?si=NFlh7qSLQZCmgUl28h9EkA -
Jammerzine’s The Week in #Indie for 9/21/2020
In this episode of The Week in #Indie we feature exclusive interviews with an amazing #indie band called Miss Cantaloupe as well as the dynamic duo known as Pls Pls Me. Also featured are premieres and new music from MOAT featuring Marty Willson-Piper, Mt. Doubt, Tómas Welding, Arms Of Kismet, John Dhali, Marsela, and Outwave.
About Miss Cantaloupe
Jammerzine has an exclusive interview with Miss Cantaloupe front-woman Christina Klaproth, aka Princess. What I love, because I was pleasantly surprised, about this interview is the sheer and vivid imagination behind this band of visual virtuosos is the lush and clear world created around the music of Miss Cantaloupe. It’s, how should I say, Cantaloupian.
And, with that said, you too can get a glimpse of this and the music with this exclusive interview with Christina where she discusses the minds behind the music, the vision, the new and upcoming music, and how it all comes together.
We also get a first look at Miss Cantaloupe’s new video for the track titled ‘Sunshine Daydream’. Filmed before the lockdown, ‘Sunshine Daydream’ shows how things will be again with a bright and beautiful travelogue that fits the gorgeous and wonderfully personal video that captures that easygoing and forward-reaching music that is Miss Cantaloupe with a broad array of musical instruments underlying and surrounding that angelic vocal track that is signature.
LINKS:
https://www.misscantaloupe.com
https://www.facebook.com/misscantal0upe
https://misscantaloupe.bandcamp.com
https://www.instagram.com/miss.cantaloupe
https://open.spotify.com/artist/0486orRywpjPccZxolwhav?si=1GAKpla3TU2s-TVkZwRgXAAbout Pls Pls Me
Jammerzine has an exclusive interview with the dynamic duo of electro-pop known as Pls Pls Me. I am so glad we caught this interview on video as well because Jimi Fish and Jessie Torrisi (the minds behind the music) is such a good collaboration that it shows on the video. They have bonded creatively in ways I wish more artists would. Think Ying meeting Yang. You will learn that and more in this interview for sure.
We also get to listen to their new single titled ‘Too Late’ (Spotify below) which is the evidence of what I said above. The track is a slow melodic burn through a marvelous hook that melts the current isolation and hits you in all of the right places in such a good mix that it feels like the music surrounds you. This is a representation of what a new decade can bring.
LINKS:
https://plsplsme.nyc
https://www.facebook.com/PlsPlsMeNYC
https://open.spotify.com/artist/2GFPThWEgRKDMICtF5Nb85?si=JMN8DTqgQOKENVw2O1tY1g
https://www.instagram.com/plspls.me
https://www.twitter.com/PlsPlsMeNYC
https://www.soundcloud.com/plsplsme
https://www.youtube.com/user/YouPleasePleaseMeAbout MOAT
MOAT has just released their new single titled ‘Gone By Noon’. Comprised of Marty Willson-Piper and Niko Röhlcke, MOAT is a lush and brooding preview of things to come with their upcoming album ‘Poison Stream’, to be released in 2021.
Dark in a signature kind of way, ‘Gone By Noon’, for lack of a better analogy, is a song constructed like a film. I can feel the concept from start to finish and, as do all art with it’s own signature, subtly moves me and conveys emotion with the nuance as much as the music.
The background instrumentation hides in the background yet lend just as much to the ear as do the vocals. And, while everything played in the song has its place, there is enough space left over to fill with your experiences in order to make this song a part of you, and to make this part of the soundtrack that is your life. Listen and hear for yourself.
LINKS:
https://www.facebook.com/MOATband
https://soundcloud.com/moatbandAbout Mt. Doubt
Mt. Doubt has released their new single titled ‘Headless’, from their new album ‘Doubtlands’. A beautiful collage of soundscapes and vocal harmonies, ‘Headless’ is a solid track that veers in wild directions while standing still. By that, I mean that the track has a wide range of lush sounds while staying true to its form. Somber and succulent in one take, ‘Headless’ gives that certain something found in only the best tracks that are hard to pin into a genre.
Comprised of a glistening steady guitar-driven chord progression, the song comes to an artful climax with a gritty saxophone and concludes with the listener wanting more.
LINKS:
https://www.facebook.com/MtDoubt
https://www.bandcamp.com/mtdoubt
https://twitter.com/mtdoubt
https://soundcloud.com/mtdoubt
https://www.instagram.com/mt.doubtAbout Tómas Welding
Tómas Welding is set to drop his upcoming single titled ‘Arcade’ from his upcoming album releasing on November 6. Starting off solid and continuing that original hook throughout, Tómas Welding shows himself to be the consummate songwriter and accomplished artist in ‘Arcade’.
Smooth and with an even flow, ‘Arcade’ will definitely add to the already 5 million streams his music as already garnered and further solidify his name into the new music scene.
LINKS:
https://www.facebook.com/Tomas.Welding
https://twitter.com/tomaswelding
https://www.instagram.com/tomasweldingAbout Arms Of Kismet
Arms of Kismet have today premiered their new video and single titled ‘Dreamland’. As if written by a dream the track gives that earnest feels from a group of honest songwriters with a solid hook and ‘glide like’ nature within the chorus that gives that feelgood sound that summer really needed at this moment.
The visuals within the video are both nostalgic and artful without distracting from the song. They had me at the intro! Who could not remember Wolfenstein 3D from 1993!!!! The combination of kaleidoscope and vivid artwork really matches the song not only in rhythm but in reason.
LINKS:
https://armsofkismet.com
https://www.facebook.com/armsofkismet
https://twitter.com/armsofkismet
https://instagram.com/armsofkismetAbout John Dhali
John Dhali releases his new video for the track titled ‘In Time’. an upbeat video in a downtrodden time, John Dhali lightens the mood with a beacon of hope and harmony with his new song ‘In Time’. Visually, what I get at first look is that a mask can’t hide the heart and a pandemic can’t suppress the soul. And that soul sings with the glee of the moment and the movement of the momentum created by the drive of a musician representing this new decade of individual beauty.
LINKS:
https://linktr.ee/john_dhali
https://www.facebook.com/JohnDhaliOfficial
https://twitter.com/john_dhali
https://www.instagram.com/john_dhali
https://www.youtube.com/channel/UCM3WH0QJHznYmf4sjLSnTNQAbout Marsela
Marsela has released the new video for her single titled ‘Who Knows Where The Love Goes?’. With an amazing soulful voice and powerful yet subtle beginning, Marsela gives a performance fit for the times with a heart-on-the-sleeve style that captivates all who listen and mesmerizes all who watch.
‘Who Knows Where The Love Goes?’ shows that healing begins with the self through recognition and reflection in such a lush aural landscape that one no longer feels alone and isolated from those with the same experiences. This song is a testament.
LINKS:
https://www.facebook.com/marselamusic
https://linktr.ee/marselamusic
https://soundcloud.com/marselamusic
https://instagram.com/MarselamusicAbout Outwave
Outwave has released their new video for the track titled ‘Moving Tangle’. The song was written to be played live, as that is no more evident in the video. The lock-down hasn’t slowed Outwave down one bit as they outreach to the masses with a better time to come in the form of a solid rock guitar-driven track with a marvelous hook and rock angst in all of the right places.
LINKS:
https://www.facebook.com/Outwaveband
https://www.instagram.com/outwaveband
https://soundcloud.com/outwaveband
https://twitter.com/BandOutwave
https://www.youtube.com/channel/UCW6-Hii578VYIvGJTubjztQ
https://open.spotify.com/artist/7sYUk11SPQEnRqHDtJm1BG
https://music.apple.com/us/artist/outwave/266775214Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.