The short, sweet to the point background of Sarah and how she was discovered from her Manager/Producer and Songwriter …Dj Mbj ” I had written the music before I met Sarah, believe it or not, she was working at a Sephora near my home and I saw here, loved her look and just walked up to her and asked her if she can sing, she said yes, the rest is history..”Her love of music comes from her father who was a very accomplished pianist, Sarah takes enjoyment in a plethora of musical genres. However, Sarah is really drawn to and has a passion for the ’80s from music to personal style. Her music has that retro sound that is surging, the old is new again musical inclination that scends the scene!
LINK:
https://www.instagram.com/sarahsundaymusic
https://twitter.com/sarahsundaymus2
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The World I Knew – Piecefull
Cincinnati-based The World I Knew bring a distinct and unapologetic vibe to the metalcore scene. Fusing together elements of electro, hip-hop and chest-pounding breakdowns, the quintet has released their latest single and music video “Piecefull.”
“‘Piecefull’ is about pretenders,” says vocalist Wesley Merritt. “Those that will pretend to be there for you and have your back as long as things are going well for them, and what happens to them once they’ve been exposed. We take loyalty very seriously, loyalty is everything.”
“Piecefull” starts with Merritt acting as his own hype man before launching into a full-on lyrical beatdown. The video was directed by Josh Emerick and Ross Thiesen, shot in a Columbus, OH at The Continent.
The World I Knew has been striving to create music without boundaries or limitations since their formation in 2014 and the release of their debut single “Fuck a 9-5.” The group’s uncanny ability to seamlessly engage with audiences across the punk/metal/rap/rock scene makes them an attractive group to follow in 2019.
LINKS:
https://www.facebook.com/TheWorldIKnewOfficial
https://www.instagram.com/theworldiknewofficial -
R Seiliog – Obsidian
Welsh producer R.Seiliog aka Robin Edwards returns with his new LP ‘Megadoze’ a subtle shift from the sonic palette of critically acclaimed ‘In Hz’ and 2016’s ’Shedhead EP’. R.Seiliog creates a gentle stir from darkness, coaxing ambisonic visions of the void with synth-driven tides. ‘Megadoze’ refined prologue surges through visceral tapestries of static and haze merging ambient techno, musique concrète and field recordings.
Astounding lead track ‘Opal Drift’ with its enveloping structures builds through ambient textures and a bricolage of half-remembered techno and synth waves, it’s like the evocative sound of flowing water softly sculpting the rocks of the Black mountains. Second track ‘DC Offset’ weaves intricate sci-fi soundtrack layers bubbles, babbles and skitters with otherworldly presence echoing homage to the finest work of Brian Eno, its followed by the incredible ‘Obsidian’ its deep-glitch woven journey unfurls into an awe-inspiring interlude of sonic revelry in its final portion. Meanwh,ile the ambient hauntings and glacial washes of ‘Vitamin Filter’ are a masterclass in the melding of field recordings and motorik electronic beats, it’s equally the soundtrack to chilling-in, or going out.
‘Zemlya’ resonates and chimes with harmonics that conjure echoes of the percussive music of different continents from India to Africa, underscored by contrasting hues of sub-bass driven beats, crunchy granular glitch with instrumental swathes. The ambient drops of ‘Nectar Phase’with its viscous swells and fluxing breakbeat possess a timelessness. The glacial ‘Chalk Fields’ mirrors the sound of a rising sun casting cosmic beams onto your face as you lie in a dew-speckled field, samples of birds chirruping, streams flowing, a distant voice and stunning ambient textures arise into a moment of unified clarity.
Sonically daring and sewn with intricate genre-blurring levels of detail, each cut remains connected to the heart of nature in its elemental force, ‘Megadoze’ is perhaps R.Seiliog’s finest record yet.R.Seiliog emerged from the pine coned hills of Peniel, North Wales. Releasing the warm analog psychedelia of 2012’s ‘Shuffles EP’, and his debut long player 2013’s ‘Doppler’ which was a wide-eyed homage to Krautrock. Manic Street Preachers were so inspired by his debut album Doppler that the band entrusted Edwards to remix Manic Street Preachers’ single ‘Futurology’.
In 2014 the release of his critically acclaimed second album ‘In Hz’ a masterful work of convoluted drone and electronics. Which led Thump to herald it as “So good it hurts” and Mojo Magazine to say “R.Seiliog presides over a subtle, imaginative record that transcends many genres.” R. Seiliog’s work has received airplay from the likes of Huw Stephens, 6 Music – Mary Anne Hobbs, Radcliffe and Maconie and Lauren Laverne.
LINKS:
https://www.facebook.com/r.seiliog
http://www.turnstilemusic.net/rseiliog-1 -
Dragon Welding – The Builders
Andrew Golding, the founding member of C86 pioneers The Wolfhounds, presents his debut solo album under the moniker (a.k.a. anagram) Dragon Welding. Ahead of this, he previewed the lead track ‘The Builders’. The timing for this release is perfect, with The Wolfhounds set to return to record new material somewhat soon.
‘Dragon Welding’ is Golding’s first solo album and a remarkable effort, covering different genres, including alternative pop rock and indie-folk. As guitarist, writer, and multi-instrumentalist, Andrew Golding has been a part of Wolfhounds since 1984 and has written, played and sung on every Wolfhounds album.
‘The Builders’ is an epic six-minute hypnotic journey à la Moonshake. It is about the gentrification of our cities. Andrew Golding himself also animated the accompanying video for this song.
Musically, Dragon Welding features a rich blend of influences, the most obvious being The Wolfhounds and Moonshake, with nods to Neu! and Stereolab drone, particularly on ‘The Builders’. Other tracks like ‘The Dumb’ or the driving ‘These Are Dangerous Times’ offer an eclectic mix of acoustic guitars and analog synths, reminiscent of German cult band The Notwist.
The ‘Dragon Welding’ LP was largely written, recorded, mixed and edited on mobile devices whilst commuting between Essex, Hammersmith, and Los Angeles. Final mastering was supervised by Ant Chapman (Collapsed Lung and Arndales).
This debut LP features contributions from Alice Golding (The Othyrs and Wolfhounds backing vocals) and son James Golding. The album’s cover artwork was conceived and painted by his wife Helen.
As of March 15, this album can be found everywhere digitally via A Turntable Friend Records with distribution worldwide by SRD (London, UK). The download comes with a digital booklet including lyrics. It will also be available as a limited-edition 11-track gatefold CD via Bandcamp and Limited Run.
LINKS:
http://aturntablefriendrecords.limitedrun.com/products/635026-dragon-welding-dragon-welding
https://www.facebook.com/dragonweldingmusic
https://dragonwelding.bandcamp.com
https://www.facebook.com/TheWolfhounds
https://twitter.com/TheWolfhounds