The Magic E’s play melodic Rock ‘n’ Roll that delivers “Sounds of early Brit-Pop and Mod-Rock through building melodies and wonderfully textured sounds.” (Anthem Review).
Their influences range from bands such as The Who, The Clash and The Small Faces and 90’s Indie including The Stone Roses, Ride and The Charlatans whilst comparisons have often been made to Bruce Springsteen, Teenage Fanclub, The Gaslight Anthem and The Jam.
Since forming in 2014 Pete Thompson (vocals/guitar), Jasper Stainthorpe (Bass) and Stuart Catchpole (drums) have released a string of singles and gained worldwide radio play and critical acclaim for their debut album, ‘It Goes On’.
New Jersey-based Henry Lipput, music blogger and reviewer for numerous publications, made it his favorite album of 2017 and went as far as to say that the band was “The best British Rock ‘n’ Roll band since the heyday of the Gallagher brothers”.
The band completed their first UK tour in 2018 and won over an army of new fans as a result. 2019 sees the band release their second album alongside a number of live shows across the country in support of their new music.
‘Into The Fading Light’ is the first single to be taken from the new album and it’s definitely a nod to all of the above, a real feel good, balls out, Rock ‘n’ Roll, tune.
LINKS:
http://wearemagic.uk
https://facebook.com/wearemagicuk
https://twitter.com/wearemagicuk
https://soundcloud.com/the-magic-es
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ReMission International Releases TOS2020 (Trentemøller Remix) (The Week in #Indie Segment)
ReMission International has just shed light on Trentemøller’s take on the multinational COVID-19 relief track titled ‘TOS2020’. Trentemøller gives an obvious departure from both the original track from The Mission as well as the first collaboration released last month. More subdued and introverted while containing the obvious Trentemøller style, this remix is an introversion-conversion meant for personal reflection and as a valve for the emotions in this isolation that we all face and desperately feel.
The ‘Tower of Strength’ begins with the power of music.
Check out our other features with TOS2020 HERE.
Check out our other features with Trentemøller HERE.
Check out our other features with Wayne Hussey HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT TOS2020 & TRENTEMØLLER REMIX
TOS2020 – the remake of The Mission’s anthemic hit ‘Tower Of Strength’ released to raise money for COVID-related charities worldwide – is out now, along with two new videos – for the Trentemøller remix and a new lyric video featuring many of the artists involved. All proceeds to charities personally chosen by each contributor.
From #TOS2020 creator Wayne Hussey: “This new video for the beautiful Trentemøller remix of ‘Tower Of Strength 2020’ was directed by James Sharples. The live footage is taken from a Mission video and shows us setting up before a gig, and it deliberately ends on a hopeful note to remind us that in the not too distant future we can all get together to make and enjoy loud music in a room again.”
“At the moment the money raised by TOS2020 is close to £100k, which is fantastic. It won’t stop once it’s out and will continue to raise money as long as orders are placed and streaming and publishing revenues come in. The funds will continue to accumulate, which is exactly what we wanted…. I want to keep thanking everyone for their support – it’s a hard time financially for people and there’s a long road ahead. The digital bundle contains 5 awesome tracks for just £2.99, it all helps those that need it most and the proceeds will be divided and distributed equally among all the beneficiaries. Thank you.”
The full version video, directed and edited by Savannah Perry, offers insight into the TOS2020 ‘Beholden To The Front-Line Workers Of The World mix’, revealing who sings which lines, who plays which guitar solo, drums, etc. throughout the song. Earlier, Vincente Cordero / Industrialism Films presented another video for the TOS2020 single.
Collaborators include: Andy Rourke, Billy Duffy, Budgie, Evi Vine, Gary Numan, James Alexander Graham, Jay Aston, Julianne Regan, Kevin Haskins, Kirk Brandon, Lol Tolhurst, Martin Gore, Michael Aston, Michael Ciravolo, Midge Ure, Miles Hunt, Rachel Goswell, Richard Fortus, Robin Finck, Steve Clarke, Tim Palmer, Trentemøller
BACKGROUND FROM WAYNE HUSSEY:
“When Covid-19 hit I started receiving messages asking ‘why don’t you re-issue Tower Of Strength for the front line workers?’ The song had apparently been adopted as an anthem by some NHS workers, and it got me thinking that I would like to contribute something to the greater cause at this unprecedented time and the only thing I could really contribute is music. So in conjunction with my good friend Michael Ciravolo, I came up with the idea of recording a new version of Tower Of Strength for charity by enlisting the help of musician friends and acquaintances.”
Produced by Wayne Hussey and co-produced and mixed by Tim Palmer. Except * remix by Trentemøller and ** remix by Albie Mischenzingerzen.COLLABORATORS INCLUDE:
Andy Rourke, Billy Duffy, Budgie, Evi Vine, Gary Numan, James Alexander Graham, Jay Aston, Julianne Regan, Kevin Haskins, Kirk Brandon, Lol Tolhurst, Martin Gore, Michael Aston, Michael Ciravolo, Midge Ure, Miles Hunt, Rachel Goswell, Richard Fortus, Robin Finck, Steve Clarke, Tim Palmer, Trentemøller.
From TOS2020 collaborators:
“Being given the chance to do some good to raise money for people and animals struggling in these frightening times by singing one of the best songs ever written was such an easy thing to say yes to. An absolute honour to be involved.”
– Gary Numan“Today as we face an unprecedented crisis with COVID 19, we have to be united in purpose to help humanity and especially the disenfranchised and impoverished among us, survive. Music can be a powerful way to join us all together and help those that need it most now.”
– Lol Tolhurst“I’ve seen and heard Tower of Strength played often and I’ve experienced its effect and the impact it has on others. It’s an anthemic song of hope, comfort and joy, with a message that now seems more relevant than ever. I hope this project, in which I am privileged to be involved, brings a little light into the shade and allows us all to, albeit momentarily, focus on an ‘afterwards’.”
– Julianne Regan“You get a message from Wayne Hussey asking if you can put a vocal (alongside a great list of singers, musicians and friends) on a reworking of a massive track in the repertoire of The Mission to aid COVID-19 charities around the globe – you say yes and get it done as well as you can.”
– Kirk Brandon“I did it coz Wayne asked me to and I love Wayne.”
– Billy Duffy“Being asked to contribute to making a piece of music isn’t overly taxing for a musician. I’m just pleased Wayne didn’t ask me to perform brain surgery or fly a jumbo jet, something which takes some form of skill.”
– Midge Ure“My positive of the pandemic has been connecting to kindred spirits. Honoured to lend a hand.”
– Budgie“I would like it known that, if asked, I would do absolutely anything for Wayne Hussey. Tower Of Strength is utter perfection: it is daring in its intent and supremely executed in both its original recording and every single time I have seen it performed live. To be asked to contribute to this new version was a very emotional experience for me. So many intense memories came flooding back as I sang, there were tears, I can assure you of that.”
– Miles Hunt“Direct Relief is an organisation that helps people in times of emergency like natural disasters or in times of poverty by getting medical equipment and supplies to where they are needed most. At the moment they are obviously heavily focused on Covid-19.”
– Martin Gore (on Direct Relief, his nominated charity)“Love and gratitude.”
– Robin Finck“I jumped at the opportunity to be a part of this project – I always loved this song and asked Wayne if I could take a crack at John Paul Jones’ string arrangement, which I have always admired. Hopefully, my take on it does it justice.”
– Richard Fortus“The power we have collectively is transformative … I love and admire Wayne and the band and the warmth and intention behind this release. I know the power of this song and I feel so honoured to have been invited to join so many celebrated artists, this is a beautiful star in the darkest of times and I know the difference it will make.”
– Evi Vine“To be amongst these amazing artists that I’m a huge fan of and have so much respect for is a true honour, especially for such an important cause. The sacrifice that all the amazing NHS staff and key workers have made is truly humbling and inspiring. To be part of an incredible group of people that want to give something back and show their gratitude is something I’m extremely proud of.”
– James Alexander Graham“When I was asked by Wayne to be part of this fantastic charity project, I immediately said yes! If I could contribute to supporting the hard work fighting COVID-19 by making a remix of Tower Of Strength, that was a way for me to make a small difference. I’m very honoured to be a part of this.”
– Trentemøller“I signed on for this project because I felt that it would be a great way to raise a lot of funds for those in need at this time. When I heard all the names of artists who were collaborating, I knew that it would turn out very special. I’m very grateful to be given the opportunity to contribute to this marvellous project.”
– Kevin Haskins“When Wayne emailed me with the idea of contributing vocals to this project I jumped at the chance. Tower of Strength is such an anthemic song it’s only fitting that this has been done to support the various charities. It’s an honour for me to be a small part of the process and what a stellar line up of people involved.”
– Rachel Goswell“Not every day do you get the chance to play on one of your favourite songs with some of your favourite artists, and to have it be for all the right reasons and for an amazing cause.”
– Michael Ciravolo“So honoured to be part of this wonderful project. It’s also interesting that three of the original performers on our – Gene Loves Jezebel – very first recording, ‘Shaving My Neck’ are reunited by chance some 37 years later: Julianne Regan, J.P, and myself. Hats off to Wayne and the Mission for giving this rendition for charity during this pandemic.”
– Michael Aston“Absolutely buzzed and honestly flattered to be asked to not only add my voice to this wonderful recording but also give something back to our much loved and beleaguered NHS. The perfect song for these difficult and challenging days.”
– Jay AstonTOS2020 nominated charities currently include:
NHS UK
St. Jude’s Children’s Hospital, Memphis
Music Venue Trust UK
Covenant House, New Orleans
Disasters Emergency Committee
MusiCares
Plan International
Direct Relief
Alzheimer’s Scotland
Liberty Hill Foundation
The Shrewsbury Ark
Memorial Sloan Kettering Center, NYC
Prostate Cancer UK
The Teddy Bear Clinic
Red Rover
Help Musicians UK
Crew Nation
Venice Family Clinic
The Anthony Walker Foundation
Projeto Cáo Communitário
The City Of San Francisco Covid-19 FundLINKS:
http://www.themissionukband.com
https://www.facebook.com/themissionuk
https://twitter.com/the_mission_uk
https://www.instagram.com/p/CDjpRLuH8jv
https://www.beautyinchaosmusic.com/tos2020 -
Nature of Wires Drop First Light (Mesh Remix) + ‘First Light’ Video Premiere (The Week in #Indie Segment)
This is one of those rare moments in which we get to show you two versions of the same song, one included in a video premiere. This is Nature of Light’s Mesh Remix version of their track ‘First Light’, as well as their new video for the original version of the track.
While the original track may seem at the start to be a more danceable track, that is not so. The Mesh Remix starts off a little more ethereal in the beginning but the fact that it kicks in with a different danceable ambiance than the original makes it more of a reinterpretation than a remix, in my opinion. Both tracks have their individual strengths, with the original maintaining a more consistent beat while the Mesh Remix gives a more emotional take on this brilliant track.
‘Modus’, the new album from Nature of Wires, is set to drop on August 16th via Analogue Trash and can be pre-ordered via the band’s official Bandcamp.
About Nature of Wires
British synthpop stalwarts Nature of Wires have announced their new double album ‘Modus’, to be released on August 16 via Manchester’s Analogue Trash label. Comprising 18 tracks, this is 80s-influenced synthpop with a dark edge. The album had its genesis in the late 80s and early 90s when the band was in the middle of a creative hot streak.Ahead of the album’s release, Nature of Wires are whetting our appetites with the 2-track single ‘Madame Serena’, featuring a remix by electronic body music and electro-industrial artist Leaether Strip, and two additional tracks: ‘Every Single Sun’ and the remix of ‘First Light’ by European electronic giants Mesh.
Nature of Wires was formed in 1986 in Herefordshire. The original line-up was Gary Watts (synths & programming) and Andrew Stirling-Brown (vocals). The band went on hiatus in 1994 until reforming in 2015. In 2016, they released ‘Cyber Rendezvous’ with California’s CountessM on lead vocals, their first album since 1993’s ‘Modus Operandi’. The band’s live shows were enhanced by the addition of Tim Powell-Tuck on electronic drums, with a UK tour and BBC appearances.
“Modus has been 33 years in the making and includes songs written between 1986 and 1993, recreated using 21st-century technology. We want to look back on this album in 20 years’ time and be satisfied that it is as good as possible,” says Gary Watts.
“So we’ve involved some top producers – namely Steve Whitfield (The Cure, The Mission, Shed Seven, Terrorvision, Jah Wobble) and Mike Marsh (Calvin Harris, OMD, Human League, Chemical Brothers, Moby, Shamen, Massive Attack, Erasure, 808 State, The Prodigy, Depeche Mode). The artwork is by the super-talented Vlad McNeally. This is our final farewell to our younger years, representatives of the sound we created back then”.
CD1 features 8 original tracks, forged during a time of personal and musical change, and with striking clarity in this music and lyrics. But now, with access to top of the line music technology, Nature of Wires have refined and reinterpreted the inner soul and meaning of each song to create something that reflects an exciting time in the history of electronica and dance music, while also holding its own in the modern synthpop scene.
On CD2, Nature of Wires curated re-imaginings of tracks on CD1, offered by alternative electronic heavyweights Leaether Strip and Mesh, UK post-punk buzz band Klammer, and label-mates Room 1985, The Cowls and AtomZero. Applying their own vision whilst being faithful to the spirit of the originals, they’ve each re-interpreted the tracks in their own impeccable styles, adding to the sense of history that underpins ‘Modus’.
There’s a sense of finality to ‘Modus’, as well as a statement of intent for the rebirth of Nature of Wires, coming to terms with the past in a glorious and positive fashion, and preparing for an exciting future.
“CD1 presents the retro-electro, ‘lighter’ side of our writing, influenced by the synth-pop of the 80’s & 90s scenes. A ‘definitive’ version of the material we had back then, but with a modern edge. It brings together the core of our older fan-favorites and the very first song we wrote and one left unfinished in 1993, finally completed over 20 years later! We envisioned CD2 not just as a collection of remixes, but a deliberate companion or twin to ‘Modus’. This is not a double album; it’s a dual album,” says Andrew Stirling-Brown.
Nature of Wires has appeared with many great electronic artists, including Empathy Test, Leaether Strip, Aesthetic Perfection, Lord of the Lost, The Frixion, Rodney Cromwell and Vieon. They also created remixes for the likes of Massive Ego, Leaether Strip, Sigue Sigue Sputnik Electronic, !distain, Precog, Advance, Freakangel, Machine Rox and Vogon Poetry.
SOURCE: Official Bio
LINKS:
http://www.natureofwires.com
https://www.facebook.com/natureofwires
https://natureofwires.bandcamp.com
https://twitter.com/natureofwires
https://www.youtube.com/user/natureofwires
https://www.instagram.com/natureofwires
https://open.spotify.com/artist/3UbV4twUaN8yLN3MYKgmMi
https://www.songkick.com/artists/8722719-nature-of-wires -
An Interview with CREEM Magazine’s CEO John Martin
Jammerzine has an exclusive interview with CREEM CEO John Martin. To say that this is something I am proud of would be an understatement. My family grew up with CREEM. All the way out in Indiana we got CREEM. To say it was the Bible for music would be a misnomer, though. It was that whose who of people we may not have heard of but need to listen to. It was that directory of cool and suave and companion that let us know there was true music out there. While I was a little boy at the time and was relegated to Boy’s Life and could only read my cousin’s issues, I learned through CREEM that there were whole other lives out there in music and that, in more ways than one, that CREEM truly was ‘America’s only Rock N’ Roll magazine’.
In today’s interview, we talk with one of the minds behind the resurrection and continuation of an iconic story for music’s sake, John Martin. As CREEM’s CEO, John gives us a first hand account at how CREEM has come back to us as well as where CREEM is headed, and much, much more.
About CREEM Magazine
One of the most unlikely and successful media launches of the year, CREEM debuted its first magazine issue since 1989 in September, along with the CREEM Archive featuring every issue from the magazine’s original 20 year run. Vanity Fair revealed the first print cover for the new oversized subscription-only premium quarterly, featuring original art by the legendary Raymond Pettibon (responsible for Sonic Youth’s Goo album cover & others), along with stories on The Who, Terry Allen, Special Interest &KeiyaA, a reassessment of The Osmonds’ metal album and revival of their Stars Cars column with Slash. Also in September, CREEM produced a limited run of David Bowie special edition magazines to celebrate the release of Brett Morgen’s Moonage Daydream in partnership with NEON.
Founded in 1969 Detroit, CREEM grew from underground paper to national powerhouse – an essential source of music journalism for twenty years. It reflected and shaped the culture, cultivating some of the most legendary writing talent of the era: Lester Bangs, Cameron Crowe, Patti Smith, Robert Christgau and Jaan Uhelszki, who now returns as editor. The magazine’s original rise and fall is chronicled in the critically-acclaimed 2020 documentary CREEM: America’s Only Rock ‘n’ Roll Magazine, which earned praise everywhere from The New York Times to CBS This Morning.
Today, CREEM Entertainment is led by former VICE publisher John Martin as CEO, alongside Chairman JJ Kramer (son of original CREEM co-founder & publisher Barry Kramer). In addition to Uhelszki, the new CREEM editorial staff includes VP of Content Fred Pessaro formerly of VICE’s Noisey, Executive Editor Dan Morrissey from Entertainment Weekly, and Senior Editor Maria Sherman, following her work at NPR, Rolling Stone, BuzzFeed, Jezebel, Netflix, ELLE and her critically acclaimed book, LARGER THAN LIFE: A History of Boy Bands. Editorial Director Dave Carnie has worked with Jackass, ESPN, Big Brother, and Penthouse. Grace Scott joins as Associate Editor after her work with VICE & The Toronto Star, and Zachary Lipez as Editor at Large, following his work with Pitchfork, The Washington Post and others. This fall, CREEM welcomed Stephanie Augello as Photo Editor. Augello is an entertainment photographer and editor who has worked with Live Nation, Shutterstock Editorial, and ABC.
CREEM Entertainment is the modern-day reincarnation of Detroit’s legendaryCREEM Magazine. During its initial twenty-year run, CREEM launched the careers of countless iconic music journalists and bands, while never hesitating to lampoon those who took themselves too seriously. Today’s CREEM, powered by the next generation of cage-rattling truth tellers and provocateurs, delivers the best content, merchandise, and experiences to rock ‘n’ roll fans of all ages. Boy Howdy!
Featured image by Margarida Malarkey.
LINKS:
https://creemmag.com
https://www.twitter.com/creemmag
https://www.facebook.com/creemmag
https://www.instagram.com/creemmag