Wolfhounds drop their new video for the track titled ‘Can’t See The Light’. Trippy and psychedelic in all the right places, ‘Can’t See The Light’ gives the guitars a chance to fight each other over a steady/strong bassline and thumpy percussion, while the vocals act as the ringleader in this psycho-circus of music. Let the video act as a Rorschach test for your musical preferences.
‘Can’t See The Light’ is available everywhere, including Apple Music, Spotify, and Bandcamp.
Check out the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.
ABOUT WOLFHOUNDS
London-based C86 legends Wolfhounds have announced their new album ‘Electric Music’, set for release on July 3 via A Turntable Friend Records. Ahead of this, they present a lead single ‘Can’t See the Light’, a powerful track that opens fire on side one of the forthcoming record with captivating video by David Janes.
“Musically, ‘Can’t See The Light’ has a discordant guitar line – perhaps carrying echoes of John Barry’s The Persuaders theme – until it reaches a desperate crescendo; this feeling is captured brilliantly by David Janes’ claustrophobic and darkly psychedelic video,” says Wolfhounds’ frontman David Callahan.
A spitball of melancholy fury, this is an explosive tune about how anger turns inward after the low expectations of a country’s myriad self-defined gatekeepers have crippled the ambitions of those who want change for the better. With a bass-heavy rush, ‘Can’t See The Light’ builds desperately to a semi-tonal release of noise, sounding simultaneously claustrophobic and liberating.
“All tunnels eventually emerge into the sun (as David Janes’ accompanying paranoid and sick-a-delic video shows) but while you’re underground it can seem like darkness is perpetual and inevitable,” says Callahan.
Always ahead of the times, The Wolfhounds have never nailed the spirit of now more succinctly and devastatingly than on this new single and other songs on the new album.
Originally formed as teenagers in 1984, The Wolfhounds released four critically acclaimed LPs before initially disbanding in 1990. By that time, they released music on the legendary and influential C86 cassette via NME, recorded three John Peel sessions for BBC Radio One, and toured the UK and Europe extensively as headliners and as support for My Bloody Valentine, The House of Love and The Wedding Present. The band’s acknowledged and audible influence stretches from Nirvana to the Manic Street Preachers, and all the way to Fontaines DC – but musically they remain ahead of all.
The band reformed in 2006 at the request of St Etienne’s Bob Stanley to celebrate 20 years since the release of C86, and inflicted a severe guitar noisefest on an unsuspecting indiepop crowd at London’s ICA. Since 2012, they have been recording and releasing new material, including ‘Middle Aged Freaks’ (2015) and ‘Untied Kingdom or (How to Come to Terms With Your Culture)’ (2017), repeatedly showing that they can still blow any act half their age offstage. In 2018, Wolfhounds released ‘Hands in the Till – The complete John Peel sessions’, a 12-track album released via A Turntable Friend Records.
The Wolfhounds are back and better than ever with their new ‘Electric Music’ LP – probably their greatest album yet. The band has become truly (hyper-)active again, performing at several pop fests (including Berlin and New York) and stand-up comedian Stewart Lee’s All Tomorrow’s Parties, as well as regular club dates in the UK and Europe. Stewart Lee also wrote the extensive sleevenotes for the record.
The band continues to be more relevant and adventurous than ever and, despite their indie roots, have more in common with the likes of Richard Dawson and Sleaford Mods than their old jangly peers. Electric Music grabs their home country’s woes by the horns and gives them the kicking they deserve!
CREDITS
Recorded, engineered and mixed at Cosmic Audio, Epping, by Ant Chapman
Additional home and phone recordings by Andy Golding and David Callahan
Mastered by Rory Attwell
Formulated and promulgated in Essex and London
Produced by the Meerkats
David Callahan – vocals, guitar, samples
Andy Golding – vocals, guitar, banjolele, bulbul tarang, keyboards
Richard Golding – bass guitar
Pete Wilkins – drums
Rhodri Marsden of Scritti Politti plays the bassoon
Extra vocals from Katherine Mountain Whitaker.
Sleeve by Andy Royston
Sleeve notes by Stewart Lee
Videos by David Janes www.brtlby.com
LINKS:
https://thewolfhounds.bandcamp.com
https://www.facebook.com/TheWolfhounds
https://twitter.com/TheWolfhounds
https://open.spotify.com/artist/0Fxh7lSWIVOt1oX0A10ifB
https://music.apple.com/us/artist/wolfhounds/202918429
-
Jammerzine’s The Week in #Indie for 8/2/2016
This week’s episode includes the latest from The Goood Things, 50 Foot Wave, Caesaria, Hands Off Gretel, Kolumbus, The Crosiers, and the Blue Soap Music Blue Soap Box Top 10 in independent tracks.
-
The Veldt Release ‘The Shocking Fuzz of Your Electric Fur’
Schoolkids Records have released The Veldt’s wonderfully titled ‘The Shocking Fuzz of Your Electric Fur’ Mixtape EP worldwide. The band is also presenting a new video for ‘One Day Out of Life’ (Andrew Prinz/ Mahogany Remix) to accompany this release.
This EP comes on the tail of their successful Record Store Day 7” single ‘Symmetry / Slow Grind’.
The album is a solid, fully loaded weapon in the shoegaze arsenal. I say this knowing how much of an oxymoronic phrase that is, given the very nature of shoegaze itself, but this is true. ‘The Shocking Fuzz of Your Electric Fur’ is a pure sonic adventure that grabs you by the ears and penetrates your mind for days afterwards. Each track is layered in multitudes of well-placed instrumentation over soothing and crooning vocals in such a way that some artists may want to rethink the way they are doing things. To make such a varied album without compromising what makes the group what it is is a sign of true musicianship.
“The Veldt could never be pigeonholed, no matter how hard the world tried to put the African-American brothers and their bandmates into a box… with songs that should have been massive hits… anthems that demand to be heard.”
– Pitchfork“Their passion is infectious, their commitment to the unique sounds and rhythms in their perfectly calibrated guitar tones do the awesome work of elevating beyond stereotypes. In so doing, they are crafting both a loud and a quiet revolution. It is really hard to not fall in love with this band.”
– Huffington Post“With Danny’s enveloping hooks, Daniel’s swooning falsetto… the new songs invite paradoxical praise: serenely assaultive, vertiginously soothing.”
– The Guardian“Atmospheric sounds… their presence in and of itself is historic.”
– Noisey / VICE“The Veldt are a unique and singular, musical proposition – authentic American soul music, without post-modern irony, without cliché. They are Kane’s kissing kousins.”
– Rudy Tambala (A.R. Kane)“Awesome wobbly psychy guitar music and from-the-heart soulful vocals…myself and Robin Guthrie are just 2 screaming fans.”
– Creation Records’ Founder Joe Foster“For black artists, doing anything outside of the bubble, beyond what’s derivative of what white kids are doing, being able to express yourself honestly, is not celebrated at all.” So when I heard these guys, it gave me confidence.”
– Doc McKinney (The Weeknd, Drake, Estherio)LINKS:
http://www.facebook.com/The-Veldt-154526351270221
http://twitter.com/veldtthe
http://www.reverbnation.com/theveldt
http://theveldtmusic.bandcamp.com -
Jammerzine’s The Week in #Indie for 9/23/2019
Jammerzine’s The Week in #Indie for the week of September 23rd, 2019 includes exclusive interviews with Holy Wars frontwoman Kat Leon, 50FOOTWAVE and Kristin Hersh drummer Rob Ahlers, musician, Ragdoll guitarist, and YouTuber Leon Todd, Dalton Dexchain from Dalton Deschain & the Traveling Show, and Diamond Shake. Also are premieres from Cellista, Nigel Thomas, Tony Volker, and Sebastian Straw.
About Kat Leon
Holy Wars is a band that is as diverse as it is determined. That is ever more evident in this exclusive interview with Holy Wars’ frontwoman Kat Leon. Kat survives by thriving from her life and putting into her craft. That is a talent I wish everyone had. We would be in a much better world, I think.
And what we learn in this interview is how the music of Holy Wars, as well as Kat’s solo work, are part of an anthology of life. Some of it is dark, some of it light, but all of it real. And what we get in the end is a life in progress. We are all in our own personal holy war, whatever that may be, and what we get through Kat’s voice and the music of her and collaborator Nicolas Perez is a reflection of progression through originality and creativity. This is the very definition of what music is, or at least what it is at its best.
LINKS:
https://www.holywarsmusic.com
https://www.facebook.com/HolyWarsMusic
https://holywars.bigcartel.com
https://open.spotify.com/artist/2dTOWcCL0cYviin0Uz1lj4?si=g4oe1jMzQA67awHSFaBa6Q
https://music.apple.com/us/artist/holy-wars/987826411
https://instagram.com/holywarsmusic
https://twitter.com/holywarsmusic
https://www.youtube.com/channel/UCKpgMRG6ocgGYRS750lo0LA
https://www.iamkatleon.com
https://www.instagram.com/iamkatleon
https://www.facebook.com/iamkatleon
https://twitter.com/iamkatleon
https://soundcloud.com/iamkatleonAbout Rob Ahlers
Currently, on tour as part of Kristin Hersh’s Electric Trio, we got a rare glimpse of 50FOOTWAVE drummer Rob Ahlers, who actually talked with us from the road. In the middle of the current tour featuring himself, Kristin, and multi-instrumentalist Fred Abong, Rob was gracious enough to call us and give us the latest information on the current tour with Kristin, his beginnings in the music industry, and how he manages to juggle the life of a touring musician as well as husband and father. Consider this interview a life lesson and guide for all of you musicians out there thinking of making the transition into fulltime.
LINKS:
http://www.kristinhersh.com/
http://www.facebook.com/50footwave/
http://www.facebook.com/strangeangels
http://50footwave.cashmusic.org/
http://twitter.com/kristinhersh
http://www.youtube.com/user/throwingmusic/videosAbout Leon Todd
Leon Todd is more than a musician in my opinion. He’s a mentor, a tutor, a reviewer, and a magician of sorts. Also, he’s a Youtuber. And a pretty stellar one at that. He has taken his passion for music and found roughly 5,610,970 (as of 9/12/2019) views from people looking to better their guitar playing or looking for new gear to better their sound. And among those 5 million+ is me. He has introduced me to so many different types of gear and, not just that, ways to experiment with my tone and setup as to make me sound better. To me, this is the very essence of Youtube. To all of you who think it’s a website to find all the funny little things that cats do can go over to Instagram and see what everyone’s having for lunch.
Leon is a full time working musician with his band Ragdoll as well as a teacher of music who has literally taken the career he loves and has made a Youtube channel dedicated to helping those guitarists out there who wish to better their tone and playing. And he does this in such an entertaining way as to not only NOT make you feel stupid (believe me I have felt stupid enough in this life 😉 ) but in a way that makes it entertaining. All good teachers teach their students in a way that is best for them and that way usually is done with a combination of information, determination, and with interest and enthusiasm.
LINKS:
https://www.youtube.com/user/kingcrimsonscourt
https://www.facebook.com/Leontoddmusic
https://instagram.com/leon_ragdoll
https://www.facebook.com/ragdollrock
https://ragdollrock.bandcamp.comAbout Dalton Deschain
Dalton Deschain is someone who I hold in high regard when it comes to #indie music. And now, after discovering said music in 2015, I finally get to speak with him. He is a very unique multi-talent, to say the least. In addition to his band, Dalton Deschain & the Traveling Show, he also has a comic book series titled MONOCUL, which has a unique and dark blend of pulp stylings in Dalton’s now-signature appearance.
Dalton and his band also bring that blend and influence, which they describe as ‘pulp-punk’. That style is never more evident in their new single titled ‘Man/Thing’ above. In this interview, we talk about the new single as well as the upcoming album titled ‘Casey’ and the connection between their previous EPs, ‘Casey’, and their future album slated for release. With Dalton and the band, you get a continuation within the music, as you will learn in this interview, which can create a lasting relationship between band and fans.
LINKS:
http://www.daltondeschain.com
https://www.facebook.com/daltondeschainmusic
https://instagram.com/daltondeschain
https://itunes.apple.com/us/album/the-collateral-vignettes-ep/id934670609
https://soundcloud.com/daltondeschain
https://patreon.com/monoculAbout Diamond Shake
In this Jammerzine Exclusive is about survival. Not only survival but coming out the other side a better person. That person is Diamond Shake, aka Matthew Hitchens. Matthew has that enviable ability to take the bad aspects of life and make them work for you. You will hear about that in this interview, and it is something you want to listen to because Matthew is sharing his life lesson. And the result is his project Diamond Shake.
His new album titled ‘From Method to Madness ‘ drops November 15 and his new single/video ‘Let it Die’ drops tomorrow. That being said, this is a perfect time to get to know the wizard behind the curtain and learn about him as a person as well as a musician. After that listen, you will be a new fan of both Diamond Shake and Matthew Hitchens.
LINKS:
http://www.diamondshake.com
https://www.instagram.com/thediamondshake
https://www.youtube.com/channel/UCUT0cqzCanrCsAlqgaZRqhQ
http://www.soundcloud.com/diamond-shakeAbout Cellista
Cellista brings the listener into her dark, almost cinematic musical universe with her new single titled ‘Confessions’. Starting almost like somewhat of a proclamation, Cellista brings forth her lyrically lucid, musically ethereal and haunting score with a poetically dissonant yet beautiful musical piece that says as much with the music as it does with the words. ‘Confessions’ may be indescribably dark, but the more you listen to it, you begin to see a faint light, and that light brings new meaning to the lyrics, which can be a revelation in the form of a confession.
The album, ‘Transfigurations’, is available now on limited edition CD and at shows and comes with a full-length book and download code. It can be found everywhere digitally, including Bandcamp, where the book is downloadable as a PDF for anyone purchasing the album there. The book is also being released separately via online retail sites like Amazon.
LINKS:
http://www.cellista.net
https://www.facebook.com/cellista.music
https://twitter.com/xcellistax
https://www.instagram.com/xcellistax
https://www.soundcloud.com/xcellistax
https://cellista.bandcamp.com
https://www.youtube.com/user/xcellistax/videos
https://open.spotify.com/artist/3sZ132TtThqqirlRB9BjFpAbout Nigel Thomas
Nigel Thomas is back and better than ever with his new album titled ‘Well Well’. Ever since our interview with him back in 2015 I’ve thought that Nigel is one of those rare talents that not only continuously grow musically, but is not afraid to grow. That is actually not all that common in the music industry. An artist might have some major success with a single or an album and finds it difficult to move forward stylistically because of fear of losing that audience. But Nigel embraces the change with 10 tracks of hook-filled original tracks that are as diverse within the album as the album is diverse within Nigel’s catalog.
One constant that I found in ‘Well Well’ is the ‘go left when I thought it would go right’ twists and turns musically that I found pleasantly unexpecting. Right down to the chord changes there are bits and pieces that I would have never expected but they are there and they fit perfectly. Not only outside of the box but, at times, all around it.
LINKS:
https://www.nigelsongs.com
https://www.facebook.com/nigelsongs
https://twitter.com/nigelsongs
https://play.spotify.com/album/1gsC7y3s98eAg4CKk0STFb
https://soundcloud.com/nigelthomas
https://itunes.apple.com/gb/album/travelling-man/id1078458895About Tony Volker
Tony Volker gives another stellar performance with his new album titled ‘Where The Light Gets In’. His stylings have always been a bit eclectic, which is something I love, but his pop and hook writing skills really shine on this latest outing. I compare him somewhat to Michael Penn because of that unique blend of endearing quirkiness, originality, and use of instruments from, not only different stylings but different cultures. And they blend so well.
‘Where The Light Gets In’ is out now on all digital platforms.
LINKS:
https://www.tonyvolker.co.uk
https://www.facebook.com/musictonyv
https://twitter.com/tony_volker
https://soundcloud.com/tonyvolkerAbout Sebastian Straw
Sebastian Straw proves that he is a consummate songwriter with his new video for the track titled ‘My Friend’. The song starts off with a brilliant hook that captivates with its beautiful acoustic guitar and vocal melody but then reality kicks in with an out-of-left-field chorus in the style of Radiohead that really takes the song to a different level than expected. Added brilliance with the cello accompaniment and the walking bassline that chugs along and keeps the song anchored.
The album ‘Welcome Yesterday’ will be released on October 18 and will be available across digital stores and streaming platforms.
LINKS:
https://www.facebook.com/sebastianstrawofficial
https://soundcloud.com/sebastianstraw
https://www.youtube.com/channel/UCZgElWHFjCG9gCjXBCQcFbA
https://www.instagram.com/sebastianstrawofficial
https://twitter.com/SebastianStrawPoster photo by Heather Koepp Photography.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.LINK:
https://jammerzine.com