From Venus has released the new single titled ‘Unconditional’. From Venus is a unique project from Abi Crista D’Arcy. And Abi has that unique ability to combine varied instruments and come up with an original track that shines of her personality and has just enough quirkiness to be endearing.
Out August 28, ‘Unconditional’ is a simplistic arrangement comprising of From Venus’ signature vocals together with ukulele, soft synths, and electronic beats. Sonically squeezing your soul to let you know that everything’s going to be alright, the song is a message of love to lift your heart.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.
LINKS:
https://www.facebook.com/musicfromvenus
https://twitter.com/fromvenusmusic
https://open.spotify.com/artist/5CkdMjGdKbULi7XKQJSski?si=hSh8floYSoCh7hhKNFvuPQ
https://www.instagram.com/fromvenusmusic
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The Academy of Sun Release ‘The Parts That Need Replacing’ Video (The Week in #Indie Segment)
The Academy of Sun has just dropped their new video for the track titled ‘The Parts That Need Replacing’. As we said in our original review of the single, ‘…delivers sustenance within that creative void’. The video adds to that in the fact that the visuals are timed and beautifully representative of the music that is the single. Almost an art-house accompaniment, the video adds that visual something that lends more of a creative touch as a separate stand-alone and not so much of a bonus to the song. Music for the senses.
‘The Parts That Need Replacing’ is out now, available across online stores and streaming platforms such as Spotify. The full album ‘The Quiet Earth’ will be released in the summer of 2020 on CD, as well as digitally.
Check out our exclusive interview with The Academy of Sun’s Nick Hudson HERE.
Watch the full episode of The Week in #Indie HERE.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT THE ACADEMY OF SUN
Formed in Brighton nine years ago, The Academy of Sun is a four-piece comprised of Nick Hudson (piano, synths, Hammond organ, harmonium, vocals, percussion, synths), Kianna Blue (bass, synths), Guy Brice (guitars) and Ash Babb (drums).
Together, they present dystopian fantastic creations that combine the deeply personal and the poetically arcane. Dark yet buoyant, this is a controlled explosion of psychedelic and dark power pop with atmospheres couched in vast and expansive landscapes and cinematic arrangements.
The video for this single was directed and edited by Nick Hudson with cinematography by Samuel Horn. It features Wolfgang Storm with dinner guests Mark Walter, Gillian Rodgers and TAOS frontman Nick Hudson in what seems to be a red-brushed-culinary spread of grisly delight held in a gothic lair.
“The Parts That Need Replacing’ was written to sate my desire to ‘reconsecrate’ 16th Century Hungarian countess and noblewoman Elisabeth Bathory, whose reputed cannibalism and serial murders were most likely reputation-staining fantasies dreamed up by the church out of institutional jealousy. How could a woman possess such vast wealth and estates AND resist conformity with the church’s ways of being. Same tarring-brush as used on Jeanne D’Arc and Gilles de Rais. Usually, Bathory is immortalized in doom and black metal, so I wanted this reconsecration to take place by feeding these myths, scenarios, and allegations of bloodbaths, black magic, and eternal life into the medium of a hyper-catchy, high-energy pop song,” says Nick Hudson.
“The video, just as the song, alludes to various parts of the Elisabeth Bathory mythos – the alleged bathing in blood to replenish her youth, the cannibalism, the occult, and gnostic preoccupations, the aristocratic sensibilities, etc., whilst also ‘queering’ Bathory by having her played by the 23-year-old musician and artist Wolfgang Storm. The local butchers are getting fairly accustomed to my infrequent but memorable extra-curricular requests for off-cuts. As the song states “the best special effects are those you cannot see”… we shot it in one, fevered, orgiastic and insanely fun day. The dinner sequence was as deranged to shoot as it looks to be in the resultant video.”
Following 2017’s ‘Codex Novena’ LP, a hypnotic, doomy opus that found its way onto both Dangerous Minds and Sweeping The Nation end-of-year lists, ‘The Quiet Earth’ offers a colossal meditation on dystopia, irradiated landscapes and extreme states of human emotion. This 15-track collection of post-punk, chamber ballads and darkly prog studio epos was recorded at Church Road Studios with Paul Pascoe, whose work includes the last 2 albums by Barry Adamson (Magazine / Nick Cave and the Bad Seeds).
Nick Hudson’s musical juggernaut has been active in various incarnations since 2012, always transcending expectations. The Academy Of Sun has collaborated with Massive Attack’s Shara Nelson, members of NYC’s Kayo Dot, David Tibet of Current 93, Asva and Matthew Seligman (Bowie, Tori Amos, Morrissey). Hudson has also collaborated with Wayne Hussey of The Mission, as well as Canadian queercore icon GB Jones.
Known for explosive and psychedelic live shows, The Academy Of Sun has performed in a medieval castle in Italy, a boat on the Thames, an abandoned railway carriage in Offenbach, colossal churches, The London College of Fashion, The Old Market theatre in Brighton, the MS Stubnitz in Hamburg, Brighton Dome, and a string of L.A. shows in 2019. Having toured 3 continents, highlights include appearances with Mogwai, Toby Driver and Keith Abrams from Kayo Dot, and Timba Harris (Mr. Bungle, Amanda Palmer).
LINKS:
https://www.facebook.com/TheAcademyOfSun
https://nickhudsonindustries.bandcamp.com
https://www.twitter.com/theacademyofsun
https://www.instagram.com/The_Academy_Of_Sun
https://www.youtube.com/user/NickHudsonMusic
https://open.spotify.com/artist/5CxsNgEPz9v8iBgO52VUUd -
Jammerzine’s The Week in #Indie for 4/27/2020
Jammerzine’s The Week in #Indie returns for Season 6 with exclusive coverage of Jammer Direct’s first episode of their new live concert series titled ‘Jammer Direct’s Live @Home’. Also, exclusive interviews with Justin Payne and Nick Cove as well as new music and videos by Ender Bender, Felixity, Follow The Lion, Magnus, The Academy of Sun, and Tyraid.
About Jammer Direct’s Live @Home
Live @Home is a new chapter in discovering music, with artists performing straight from their homes into fans Homes new and old. Going through Jammer Direct’s multiple streaming platforms via PC/Mac, Mobile, Tablet, Radio, and Television in true HD and Dolby Digital surround sound that reaches a worldwide audience.
With concerts, events, festivals, and concerts effectively canceled for the near future, even after things get back to somewhat normality people will be slow to get back out there. Musicians need a way to reach out with their music, LIVE @HOME is that game-changer that will let recording artists of all genres and levels reach out to fans along with gaining new ones.
Watch Episode 1 HERE.
About Justin Payne
Justin Payne has just released his new single titled ‘Empty Page’. And, in addition to premiering it for all of you today, we get to talk to the man behind the mayhem; Justin himself!
In this interview, we get to talk with Justin about his beginnings in music and how personal tragedy and hardship have shaped not only his music and the directions he is taking it but also him as a person and human being and how love and loss can shape you in positive ways if you have the right person with you and how you can shape your perceptions in positive ways. This is as much a life lesson as it is an in-depth interview with a positive artist.
LINKS:
https://justinpayneandco.com
https://instagram.com/justinpayneandco
https://facebook.com/justinpayneandco
https://justinpayneandco.bandcamp.com
https://open.spotify.com/artist/3IsJ3F2D4nD1RkA4wp93raAbout Nick Cove
Nick Cove & The Wandering have officially released their new single titled ‘This Is Where I Hide’ off of their upcoming album titled ‘Harbinger’. And, in addition to bringing it to all of you readers, we have an exclusive interview with the man behind the music himself, Nick Cove.
Nick is one of those musicians who wears his heart on his sleeve and lets his music tell the tales of his life in a way that is not only original and creative in the ‘end product’, but in the recording and execution of each track. The album as a whole is a continuous string of stories varied in styles and woven together like a book that you can’t put down. We get a taste of that in this interview.
‘This Is Where I Hide’ is but a preview of things to come from Nick and his Wandering. The song is a lush and vivid soundscape of beautifully toned guitars and avid vocals mixed with a solid rhythm section.
LINKS:
https://www.facebook.com/nickcoveandthewandering
https://nickcoveandthewandering.bandcamp.com
https://www.instagram.com/nickcoveandthewanderingAbout Ender Bender
Ender Bender, a newcomer in the indie-pop world, presents his debut single ‘Star Killer’. This is the first single from his forthcoming ‘EQ’ EP, to be released in spring 2020. This song explores the ups and downs, the angels, and the demons of life in Los Angeles.
Ender Bender is the solo project of Eddie Olguin, a multi-instrumentalist producer, guided by a unique mission of making perfect modern pop-rock. Creating music and spreading bliss in the face of the realization that nothing in life is perfect, the pursuit of this perfect sound is what fuels the Ender Bender fire.
LINKS:
http://www.enderbender.com
https://www.facebook.com/enderbendersonicdrug
https://soundcloud.com/iamenderbender
https://twitter.com/iamEnderBender
https://www.instagram.com/iamenderbenderAbout Felixity
‘You&Me’ is a hyper-real and joyful gem that shines in an auto-tuned pop landscape. Equally street-smart-urban and classic chanteuse, her remarkable voice and effortless range make an impactful introduction.
Felixity’s cool, hauntingly beautiful tone is fused with a world-class dynamic production; washes of orchestral uplift and wonderful musicianship weaving soulfully funky, R&B vibes. The deep groove, broad sonic palette, and positive message should resonate with all generations of music lovers.
The Oberkon Remix was created by a trio of heavy hitters: Andy Spaceland (a.k.a. Andy Jenks), part of Alpha and 5 Billion in Diamonds, together with Butch Vig; Jay Reynolds, notable mixer for the likes of Dua Lipa, Liam Gallagher, MIST, Fred Again, Gabrielle, Paloma Faith, and Pixie Lott; and producer David Francolini.
“I often write about things that have hurt me, music is the easiest place I can put the things in my head because I find it simpler to sing about things than say them. I’ve opened up a lot about myself in these songs so I hope someone out there hears them and feels a little bit less alone,” says Felixity.
LINKS:
https://www.facebook.com/Felixityx
https://twitter.com/felixity_x
http://www.iinstagram.com/felixity_x
https://www.youtube.com/channel/UCtqvgVRDF_xKKzWNNYnRVmA
https://music.apple.com/gb/artist/felixity/1497518825
https://open.spotify.com/artist/0rrpwcxiKQNAtpsU3e4q7VAbout Follow The Lion
Follow The Lion officially drop their new single titled ‘H.O.P.E. (Hold On Pain Ends)’. A lear progression from their previous work, Follow The Lion gives a solid mix and master with a stunning lead vocal and lush set of guitars pinning beautiful harmonies. This song is thought out but done in such a way as to capture the moment that was being conveyed during the writing process.
Epic in scope and vivid in execution, ‘H.O.P.E.’ counted on faith and delivered originality. This is brilliant.
LINKS:
https://www.facebook.com/followthelionmusic
https://instagram.com/ftlionbandAbout Magnus
Sydney band Magnus formed in 2012 to bring their urgency, fearlessness in experimentation, and healthy disregard for genres to Australian music. Their name, derived from “Magn-hus” and translating as “powerhouse” in Old Norse, is a testament to their live performances. A casual open mic at Melbourne’s world-famous Cherry Bar landed them a residency there and eventually nomination for the Best live band of the year award by invite of owner James Young Himself.
Their debut album, “I”, received critical acclaim by both online and print media with The Sydney Morning Herald states: “The band clearly likes to tease and with terrific self-confidence, in their undoubted abilities the approach does create a lively anxiousness within their music.”.
LINKS:
https://www.entermagnus.com
https://open.spotify.com/artist/7nh8fJMJ1lLweOkBLJkUtS?si=6tJlDg9lRI-obMMJiwAocQ
https://entermagnus.bandcamp.com
https://itunes.apple.com/au/artist/magnus/1452892942
https://www.facebook.com/entermagnus
https://instagram.com/entermagnus
https://www.youtube.com/playlist?list=PLmRwaCZMSRE6smrseUT2ies5wBAeboVr5
https://soundcloud.com/entermagnusAbout The Academy of Sun
The Academy of Sun has just dropped their new video for the track titled ‘The Parts That Need Replacing’. As we said in our original review of the single, ‘…delivers sustenance within that creative void’. The video adds to that in the fact that the visuals are timed and beautifully representative of the music that is the single. Almost an art-house accompaniment, the video adds that visual something that lends more of a creative touch as a separate stand-alone and not so much of a bonus to the song. Music for the senses.
‘The Parts That Need Replacing’ is out now, available across online stores and streaming platforms such as Spotify. The full album ‘The Quiet Earth’ will be released in the summer of 2020 on CD, as well as digitally.
Check out our exclusive interview with The Academy of Sun’s Nick Hudson HERE.
LINKS:
https://www.facebook.com/TheAcademyOfSun
https://nickhudsonindustries.bandcamp.com
https://www.twitter.com/theacademyofsun
https://www.instagram.com/The_Academy_Of_Sun
https://www.youtube.com/user/NickHudsonMusic
https://open.spotify.com/artist/5CxsNgEPz9v8iBgO52VUUdAbout Tyraid
TYRAID officially releases his new video for the single titled ‘Rectified’. Set in the near-dystopian future, TYRAID teams up with producer DJ Green Lantern to give a cinematic view of what could be with an almost genre-hopping take with a classical interlude that leads to the notion that we are indeed in uncertain times, and that we need to be certain as to where we want to be and where we want to go.
In a time where the haves have more and the have nots have less, it’s good to know that there are still artists out there who know what they want and aren’t afraid to get it.
LINKS:
https://TheCultureIsBack.com
https://instagram.com/RoQyTyRaiD
https://twitter.com/RoQyTyRaiD
https://soundcloud.com/RoQyTyRaiD
https://RoQyTyRaiD.Bandcamp.com
https://facebook.com/TheCultureIsBackClick HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’. -
An Interview with We Are Scientists
Jammerzine has an exclusive interview with Keith Murray, frontman for the multi-faceted rock juggernaut known as We Are Scientists. And, on this day (which I call year 1 Anno Dominance) we have the release of their latest outing ‘Lobes‘.
To listen to ‘Lobes’ is to listen to an experience. That timestamp in your mind that just let you know you listened to something meaningful. Dashes of snark and feelings of fucking awesome mixed with moments of clarity.
How else can you describe ‘Lobes’? Or We Are Scientists, for that matter? How can I even say that this is where ‘Huffy‘ left off? I can’t because, well, it isn’t. Does this band live in linear time? You get that original W.A.S. sound, of course. But you get that personality. Everyone involved is mentally represented. And the result? We get subtle rebels of raucous dropping ten tracks of immersive attitude done in such a way that, after you read that last part, you wonder if they could tour with Pantera, but no. Not all rebellion is done with the guitar. Sometimes it’s done with personality and feeling. Just know this; when We Are Scientists give you the musical finger with that charm-boy smile, remember to smell that finger to find out where it’s been.
And, in today’s interview, we get a hint at where that’s been with this fun conversation/interview with Keith as we talk about ‘Lobes’, We Are Scientists, where it came from, where it’s been, and where it’s going.
Check out our other features with We Are Scientists HERE.
About We Are Scientists & ‘Lobes’
American rock band We Are Scientists debuted in the early aughts with the angular post-punk edge of With Love and Squalor, later evolving to incorporate polished synths and expanded atmospherics on efforts like 2016’s Helter Seltzer, 2018’s Megaplex, and 2021’s Huffy. Although modestly popular in America, they were a hit in the U.K., where the group’s sound — part post-punk revival and part indie rock with a touch of ’80s synth pop — drew parallels to contemporaries like Editors, Franz Ferdinand, Interpol, and the Killers.
Formed on the West Coast by three California-based college students, We Are Scientists officially took flight after frontman and guitar Keith Murray, bass player Chris Cain, and drummer Michael Tapper (who replaced founding drummer/vocalist Scott Lamb) relocated to Brooklyn and began building a small but devoted following. After releasing three EPs and one independent album — Safety, Fun, and Learning (In That Order) — the group signed with Virgin Records and released their major-label debut, With Love and Squalor, in early 2006. The effort peaked at ten on the Billboard Heatseekers chart and eventually was certified gold in the U.K.
In 2008, We Are Scientists — reduced to a duo comprising Cain and Murray after Tapper parted ways with the group — put out their second full-length album, Brain Thrust Mastery. Produced by Ariel Rechtshaid, the set included the singles “After Hours” and “Chick Lit.” As before, the record found popularity in the U.K., where it debuted at number 11 on the albums chart. The band toured heavily in support, playing a number of European festivals and opening shows in America for Kings of Leon. As We Are Scientists prepared to record a third album, former Razorlight drummer Andy Burrows joined the lineup, and the revised band unveiled itself with the release of 2010’s Barbara. That year, founding members Cain and Murray also appeared in their own series of comedy shorts, Steve Wants His Money, which aired on the Internet and ran in segments on MTV.
In late 2012, the band entered the studio in New York with producer Chris Coady (Beach House, Gang Gang Dance, Blonde Redhead) to record sessions for their fourth record. Burrows relocated to the city from England while he worked with Murray and Cain to write and record tracks for the album. Titled TV en Français, it arrived in early 2014 on 100%/Dine Alone Records and featured appearances by Rose Elinor Dougall (Mark Ronson) and Tim Wheeler (Ash).
In 2016, We Are Scientists returned with their fifth studio album, Helter Seltzer, produced by Max Hart (of Katy Perry’s band). The effort charted in the Top 50 of the U.K. and Scottish charts. Two years later, they delivered their sixth effort, the polished Megaplex, also produced by Hart. The album featured the singles “Heart Is a Weapon,” “Not Another Word,” and “Your Light Has Changed.”
Following the 2020 launch of their own Dumpster Dive podcast, the group returned with the full-length Huffy in 2021. Although 2021’s Huffy returned to a guitar-driven sound, forthcoming Lobes, the band’s eighth studio album (out January 20th), is their synthiest, electronic beatiest collection yet. So, really, who even is We Are Scientists?
Founding We Are Scientists members Keith Murray (guitar) and Chris Cain (bass) have played with guys like Adam, Michael, Andy, Danny, Chris, Matt, and Gary on drums, but for over five years now have had Keith Carne, who looks like he isn’t going anywhere.
The band’s previous singles “After Hours,” “Nobody Move, Nobody Get Hurt,” “The Great Escape,” “It’s a Hit” and “Chick Lit” all have charted in the US/UK and the band have appeared on US late night talk shows, The Late Show with David Letterman, Conan and Carson Daly and performed at Coachella, Sasquatch, and All Points West festivals. In the UK, the band played the Reading and Leeds main stage and Glastonbury Festivals among other world-wide touring.
The release of Lobes will be celebrated with a very special hometown show at Brooklyn Made on January 20, 2023, followed by touring in the U.K. and Europe beginning in February.
LINKS:
https://wearescientists.com
https://twitter.com/wearescientists
https://www.facebook.com/wearescientists
https://www.instagram.com/wearescientists