From Venus has released the new single titled ‘Unconditional’. From Venus is a unique project from Abi Crista D’Arcy. And Abi has that unique ability to combine varied instruments and come up with an original track that shines of her personality and has just enough quirkiness to be endearing.
Out August 28, ‘Unconditional’ is a simplistic arrangement comprising of From Venus’ signature vocals together with ukulele, soft synths, and electronic beats. Sonically squeezing your soul to let you know that everything’s going to be alright, the song is a message of love to lift your heart.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.
LINKS:
https://www.facebook.com/musicfromvenus
https://twitter.com/fromvenusmusic
https://open.spotify.com/artist/5CkdMjGdKbULi7XKQJSski?si=hSh8floYSoCh7hhKNFvuPQ
https://www.instagram.com/fromvenusmusic
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Brim Liski Premieres ‘A Different View’ (The Week in #Indie Segment)
It has been seven years since their latest album, their previous one being ‘The Repetitions’ album in 2012. They released their eponymous ‘Brim Liski’ album in 2009.
Brim Liski presents a blend of electro, goth and future pop that is slightly gazey. This is a mixture of the diverse sounds both artists bring to the table, becoming something a bit different than the typical electroclash that is currently out there.
Their music is inspired by epic sounds you might imagine occurring in the cosmos. This is dark, limitless night music perfect for driving down an endless moon drenched highway.
“Like the EP as a whole, ‘A Different View’, is about the challenge of acceptance to new unexplored territories in our lives. Making big changes. Accepting things aren’t working and to move on. I personally had many issues blocking me from being who I wanted and needed to be,” says Ryan Policky.
“I had been falling victim to acceptance to things I should be pushing away, and once those things were fully pushed out of the picture, things became that much clearer. Just like the discoveries of new galaxies, formations on other planets, and other unknowns, the focus is becoming more apparent as technology and time move on.”
Brim Liski may have formed in 2008, but they sound more closely resembles a band from 2024. Their music is about as cosmic and dreamy as Saturn’s Hexagon, which also features on the cover art of their new EP.
Today Brim Liski is a duo comprised of experimental multi-versed digital artist Cacheflowe (aka Justin Gitlin) and Ryan Policky, who is vocalist and producer for renowned prog-gazers A Shoreline Dream.
“I had been working with Justin at an ad agency – working on games for a bunch of entertainment projects for Sony and the like. I found out his passion for music production and we instantly hit it off. He had been working on material and setting up PR for his project, Cacheflowe, and I was working super hard on getting A Shoreline Dream up and going,” says Policky.
“We exchanged ideas and eventually started working on remixes, eventually leading to Brim Liski, which was a side project for both of us, but an important one. One of my dearest girlfriends Michelle Brim had just passed away, and I was torn apart. Brim Liski, named in her memory, became that passion project to get those emotions out, and I was lucky enough to have Justin’s talent help bring it to life.”
With strong initial support from XLR8R and Filter Magazine, it was clear that Brim Liski’s videos feel more like a blurred out dream being torn apart by technology. Their unique and dramatic live shows blend the art of dynamic installations and vivid colors.
LINKS:
http://www.brimliski.com
https://www.facebook.com/pg/Brim-Liski-589032774456227
https://twitter.com/brimliski
https://twitter.com/latenightwn
https://www.instagram.com/brimliski
https://brimliski.bandcamp.com/album/duels
https://itunes.apple.com/us/artist/brim-liski/334774461
https://open.spotify.com/artist/2D1djVg5W8mSqKuZiMvajn?si=NFlh7qSLQZCmgUl28h9EkA -
The Veldt Release ‘The Shocking Fuzz of Your Electric Fur’
Schoolkids Records have released The Veldt’s wonderfully titled ‘The Shocking Fuzz of Your Electric Fur’ Mixtape EP worldwide. The band is also presenting a new video for ‘One Day Out of Life’ (Andrew Prinz/ Mahogany Remix) to accompany this release.
This EP comes on the tail of their successful Record Store Day 7” single ‘Symmetry / Slow Grind’.
The album is a solid, fully loaded weapon in the shoegaze arsenal. I say this knowing how much of an oxymoronic phrase that is, given the very nature of shoegaze itself, but this is true. ‘The Shocking Fuzz of Your Electric Fur’ is a pure sonic adventure that grabs you by the ears and penetrates your mind for days afterwards. Each track is layered in multitudes of well-placed instrumentation over soothing and crooning vocals in such a way that some artists may want to rethink the way they are doing things. To make such a varied album without compromising what makes the group what it is is a sign of true musicianship.
“The Veldt could never be pigeonholed, no matter how hard the world tried to put the African-American brothers and their bandmates into a box… with songs that should have been massive hits… anthems that demand to be heard.”
– Pitchfork“Their passion is infectious, their commitment to the unique sounds and rhythms in their perfectly calibrated guitar tones do the awesome work of elevating beyond stereotypes. In so doing, they are crafting both a loud and a quiet revolution. It is really hard to not fall in love with this band.”
– Huffington Post“With Danny’s enveloping hooks, Daniel’s swooning falsetto… the new songs invite paradoxical praise: serenely assaultive, vertiginously soothing.”
– The Guardian“Atmospheric sounds… their presence in and of itself is historic.”
– Noisey / VICE“The Veldt are a unique and singular, musical proposition – authentic American soul music, without post-modern irony, without cliché. They are Kane’s kissing kousins.”
– Rudy Tambala (A.R. Kane)“Awesome wobbly psychy guitar music and from-the-heart soulful vocals…myself and Robin Guthrie are just 2 screaming fans.”
– Creation Records’ Founder Joe Foster“For black artists, doing anything outside of the bubble, beyond what’s derivative of what white kids are doing, being able to express yourself honestly, is not celebrated at all.” So when I heard these guys, it gave me confidence.”
– Doc McKinney (The Weeknd, Drake, Estherio)LINKS:
http://www.facebook.com/The-Veldt-154526351270221
http://twitter.com/veldtthe
http://www.reverbnation.com/theveldt
http://theveldtmusic.bandcamp.com -
Earnhardt Release Eponymous Album (The Week in #Indie Segment)
Earnhardt delivers a solidly consistent set of tracks in their eponymously titled sophomore effort. Written and recorded more like a set of songs meant to travel with you down that highway of open land and whithering mountains, Earnhardt’s songs flow from one to the next like a memorable conversation with an old friend steeped in Americana. Simply beautiful.
As of June 14, 2019, The ‘Earnhardt’ LP is available on vinyl. Already now it can be downloaded from digital stores and the band’s own Bandcamp site and is streaming on Spotify.
About Earnhardt
Americana rock outfit Earnhardt presents their debut eponymous album. This collection is comprised of 9 tracks, built to stand as a showcase of the band’s diversity and a culmination of their labors. It will be released on vinyl on June 14 as a limited edition of 250 copies.The ‘Earnhardt’ LP is the band’s third release to date, following up their ‘Live at 100’ EP, released in 2017. In the meantime, the band has been busy touring, writing new material and recording.
Based in Brooklyn, Earnhardt is songwriter Adam Gerard (guitar and vocals), Grant Anderson (drums and vocals), John MacDonald (lead guitar), Steve ‘Sunshine’ Stapleton (bass), and Veronica Davila (vocals).
“This record is a collection of rock songs about that universal human struggle, that broken heart. They’re all true and meant to listen to loud, ideally a couple of drinks deep, heavy-hearted or not. I think I tried to write a bunch of country songs and they ended up sounding more like 90’s FM rock radio. I love the hook of a song. It’s got to sound good. We embrace the hook…the pop element of it,” says frontman Adam Gerard.
Earnhardt is alt-country for people who like The Verve, heartland rock ‘n’ roll for people who like The Smiths, and Americana for people who hate the word ‘Americana’. These are songs for saddling up to the bar with when you could use one or several drinks.
These songs are about getting hurt, feeling it, and doing what you need to do to feel better. They’re about having a drink on it, for better or worse. As Cobain said, they’re about “missing the comfort in being sad.”
For two tequila-fueled weeks in late summer 2016, the band lived and breathed these songs, refining the sound under the supervision of engineer and co-producer Ben Brodin (Conor Oberst, First Aid Kit, Savages, Pete Yorn), who handled recording and mixing at Another Recording Company Studios in Omaha, Nebraska, in addition to contributing piano, keyboards and guitar.
“As bandmates, we really know each other. There’s a collective instinct that we share when it comes to what something ought to sound like. This record has been a long time coming and we’re grateful to be able to share it,” says Adam Gerard.
Earnhardt also received mastering support by none other than Alex DeTurk (Taylor Swift, David Bowie, Kamasi Washington, David Lynch, Blonde Redhead).
This album involves a guest appearance by Mike Mogis (Julian Casablancas, TrashCan Sinatras, She & Him, Jenny Lewis), also known for composing the soundtrack to ‘A Fault in Our Stars’. He contributes pedal steel on ‘Women Without Whiskey’, where Earnhardt offers their own rendition of the classic Drive-By Truckers track. Former bandmate Dominique Otto also contributed vocals throughout the record.
“We’re so excited to finally have these recordings see the light of day, so now we can start looking ahead to the next record,” says Steve ‘Sunshine’ Stapleton.
Earnhardt’s music is inspired by the likes of The War on Drugs, Steve Earle, Counting Crows, Tom Petty & the Heartbreakers, Fleetwood Mac, Emmylou Harris, Kurt Vile, and The Replacements.
Adam Gerard and Grant Anderson previously performed as part of Young Lords, later forming the band Red Horse, releasing material with Steve Stapleton on bass. John MacDonald was also busy around this time as a member of Brooklyn-based The Archive. After a few years of sharing stages at shows around Brooklyn, Earnhardt began playing with MacDonald to round out the band’s unique sound. Veronica Davila, also of the Brooklyn-based group Low Roller, adds vocal harmonies.
LINKS:
https://www.facebook.com/earnhardtband
https://earnhardt.bandcamp.com
https://open.spotify.com/artist/3odiQ5REAR4J4enVjqkbdk?si=AgSTp2ziQGqMejUft8STyw
https://twitter.com/earnhardtband
https://soundcloud.com/earnhardt
https://vimeo.com/earnhardtband
https://www.youtube.com/channel/UCLAd0-lM4QnUZExaozkHsSA/videos
https://itunes.apple.com/us/artist/earnhardt/284681134