Royals have released their new single and video titled ‘Jaded’. Those first few notes make it obvious that Royals are master songwriters. The hook is strong and the song is solid. But there’s a message behind the music, and it is solid. The song is a lesson and a guide in this trying time of isolation and COVID. We are all there, whether we are still trying to figure out our new lives or we are resigned. ‘Jaded’ sings that we are not alone, and that change is here. We can all make our strength that strength of adapting, and learn that we are not alone, even if we are jaded.
Watch the full episode HERE.
LINKS:
https://www.royalsofficialuk.com
https://www.facebook.com/RoyalsOfficialUK
https://www.twitter.com/royalsbanduk
https://www.instagram.com/royalsofficialuk
https://www.youtube.com/channel/UCdxK48ctaYPF-IPdGaKJNzg
Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.
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An Interview with The Church
Jammerzine has an exclusive interview with The Church’s Steve Kilbey. With today being the release of the Church’s new concept ‘prog’ album titled ‘The Hypnogogue’, Steve gives up the ghosts and gives us a glimpse of the process that became ‘The Hypnogogue’ in this vivid and candid conversation.
‘The Hypnogogue’
For those of you that think you know The Church, think again. this is as much a continuation as it is a reimage. ‘The Hypnogogue’ is a loose concept. An album inside a story idea. Past that, it’s left to interpretation.
You cannot help but ask yourself if you are not hearing that transition within each song. The first thing I notice as I write this, having just come off the interview and talking about this being The Church’s 26th album is that The Church still manage to remain relevant with their 26th album. As someone who has been in music as long as I have, as well as being a writer, I can be the first to tell you about writer’s block.
Having said that; I can’t also help but notice those little signatures that tell you it’s The Church. But we also hear the new elements. Or is it a newfound inspiration. Or just the consistent love for music. And, while the experimentation element is there, it’s there sparingly. Not done for anything other than spreading the wings. Not doing it for the sake of saying it was done. And, while I can honestly say I have had a fondness for all of The Church’s albums, I can now count ‘The Hypnogogue’ among those albums.
About The Church & ‘The Hypnogogue’
“The Hypnogogue is the most prog rock thing we have ever done. ‘We’ve also never had a concept album before,” says Steve Kilbey. “It is the most ‘teamwork record’ we have ever had. Everyone in the band is so justifiably proud of this record and everyone helped to make sure it was as good as it could be.
Personally, I think it’s in our top three records.” Entering their fourth decade of making music and playing live shows with all the fierce creative energy of their early years, The Church have announced a North American tour that kicks off on March 11 th in Los Angeles and circles the States, concluding on April 8th in Pelham, TN.
Starting out in 1980, The Church have continued to expand their highly cinematic and atmospheric blend of indie rock, shimmering post-punk, icy dreampop and psychedelic post-rock without any retread. Their expansive music career yielded a string of hit songs including “Under the Milky Way,” “Reptile,” “The Unguarded Moment” and “Almost With You” amongst others and their equally stellar live shows have been deemed “spectacular” by MAGNET Magazine, citing their “dreamy psychedelia that will daub your evening with shades of paisley.”
Their most recent U.S. performance at 2022’s Cruel World Festival alongside Blondie, Bauhaus and Morrissey was heralded as “a subtle delight… that captivated the late afternoon audience” (Orange County Register), “providing the perfect soundtrack” (Rock Cellar Magazine).
The 2022 epic five-piece line-up is bassist, vocalist and founder Steve Kilbey; with long-time collaborator Tim Powles, drummer and producer across 17 albums since ’94; guitarist Ian Haug formerly of Australian rock icons Powderfinger, who joined the band in 2013 and Jeffrey Cain (Remy Zero), touring multi-instrumentalist who is now a full-time member of The Church since the departure of Peter Koppes in early 2020. The band have also recruited Ashley Naylor, long-time member of Paul Kelly’s touring band and one of Australia’s finest and most respected guitarists (Even, The Grapes, The Stems).
Featured image by Hugh Stewart.
LINKS:
https://www.thechurchband.net
https://linktr.ee/thechurchband
https://www.facebook.com/thechurchband
https://twitter.com/thechurchband
https://www.youtube.com/channel/UCE4pG8VtygweNYuwXjJVpiA
https://www.instagram.com/thechurch_band -
Brim Liski Premieres ‘A Different View’ (The Week in #Indie Segment)
It has been seven years since their latest album, their previous one being ‘The Repetitions’ album in 2012. They released their eponymous ‘Brim Liski’ album in 2009.
Brim Liski presents a blend of electro, goth and future pop that is slightly gazey. This is a mixture of the diverse sounds both artists bring to the table, becoming something a bit different than the typical electroclash that is currently out there.
Their music is inspired by epic sounds you might imagine occurring in the cosmos. This is dark, limitless night music perfect for driving down an endless moon drenched highway.
“Like the EP as a whole, ‘A Different View’, is about the challenge of acceptance to new unexplored territories in our lives. Making big changes. Accepting things aren’t working and to move on. I personally had many issues blocking me from being who I wanted and needed to be,” says Ryan Policky.
“I had been falling victim to acceptance to things I should be pushing away, and once those things were fully pushed out of the picture, things became that much clearer. Just like the discoveries of new galaxies, formations on other planets, and other unknowns, the focus is becoming more apparent as technology and time move on.”
Brim Liski may have formed in 2008, but they sound more closely resembles a band from 2024. Their music is about as cosmic and dreamy as Saturn’s Hexagon, which also features on the cover art of their new EP.
Today Brim Liski is a duo comprised of experimental multi-versed digital artist Cacheflowe (aka Justin Gitlin) and Ryan Policky, who is vocalist and producer for renowned prog-gazers A Shoreline Dream.
“I had been working with Justin at an ad agency – working on games for a bunch of entertainment projects for Sony and the like. I found out his passion for music production and we instantly hit it off. He had been working on material and setting up PR for his project, Cacheflowe, and I was working super hard on getting A Shoreline Dream up and going,” says Policky.
“We exchanged ideas and eventually started working on remixes, eventually leading to Brim Liski, which was a side project for both of us, but an important one. One of my dearest girlfriends Michelle Brim had just passed away, and I was torn apart. Brim Liski, named in her memory, became that passion project to get those emotions out, and I was lucky enough to have Justin’s talent help bring it to life.”
With strong initial support from XLR8R and Filter Magazine, it was clear that Brim Liski’s videos feel more like a blurred out dream being torn apart by technology. Their unique and dramatic live shows blend the art of dynamic installations and vivid colors.
LINKS:
http://www.brimliski.com
https://www.facebook.com/pg/Brim-Liski-589032774456227
https://twitter.com/brimliski
https://twitter.com/latenightwn
https://www.instagram.com/brimliski
https://brimliski.bandcamp.com/album/duels
https://itunes.apple.com/us/artist/brim-liski/334774461
https://open.spotify.com/artist/2D1djVg5W8mSqKuZiMvajn?si=NFlh7qSLQZCmgUl28h9EkA -
An Interview with The Slow Readers Club
Jammerzine has an exclusive interview with Aaron Starkie from The Slow Readers Club. With today’s release of their new album ‘Knowledge Freedom Power’ (listen below), we get an ever-surprising evolution that is the musical revolution of The Slow Readers Club.
And, in today’s interview, we talk with Aaron about ‘Knowledge Freedom Power’ as well as the music scene post-COVID and what lies in store for the Slow Readers Club.
About The Slow Readers Club & ‘Knowledge Freedom Power’
‘Knowledge Freedom Power’ cover. As forecast by recent singles and emerging fan favorites ‘Modernise’, ‘Lay Your Troubles On Me’ and the title track, the album sees the band moving beyond their dark-hued post-punk roots to embrace luminous synths and anthemic alt-rock that can also appeal to fans of early Bloc Party, Muse and White Lies. And while its themes are still informed by scathing social commentary, ‘Knowledge Freedom Power’ consistently exudes the power of the collective human spirit to counteract the growing dystopia around us.
As vocalist Aaron Starkie explains, “The world had become so bleak it felt a little indulgent to paint apocalyptic pictures when they were playing out in the real world. I thought people would probably want to hear more uplifting things, it was my intention to be a bit more positive. There’s still a lot of melodrama in there and it’s still dystopian in places but there’s more positive shades in this record.”
Beyond the singles, those uplifting moments emerge both lyrically and sonically. ‘Sacred Song’ plays up both elements, its sparkling guitar motif and imagination of a beacon of hope in the shape of a saviour goddess elevating the mood. ‘What Might Have Been’ is thematically more sorrowful, but otherwise beams just as brightly, placing a Balearic twist on an indie-rock heart in a similar way to Foals but with a yearning ‘80s undercurrent. The record closes on a hopeful strand, with ‘No You Never’. It finds Aaron reflecting on his childhood growing up on a council estate, where he felt limited by social and financial concerns. Despite those challenges, his ability to express himself via music demonstrates that there can be opportunities beyond what might immediately be apparent.
‘Knowledge Freedom Power’ is launched alongside a new video for the moody, hooky synth-pop break-up song ‘Forget About Me’. It was the final song to be written for the record and remained in development as the band entered the studio. Its writing was completed in an experimental style, with the band based in the studio while Aaron contributed via WhatsApp as he remained at home with Covid.
Completed by Aaron’s brother Kurtis Starkie (guitar), James Ryan (bass) and David Whitworth (drums), The Slow Readers Club recorded the album with producer Joe Cross (Louis Tomlinson, The Courteeners, Hurts).
The Slow Readers Club recently announced details of a special ‘Knowledge Freedom Power’ album launch event on February 28th. Held at Manchester’s Band on the Wall, the intimate event will feature a live edition of #TimsTwitterListeningParty, which will also run concurrently on Twitter. The band will then take to the stage to perform acoustic versions of some of the new album tracks, as well as hosting a raffle in which fans can win rare memorabilia, merchandise and guestlist places for upcoming shows. The event is already sold-out.
The event follows their recent ‘Knowledge Freedom Power’ preview event, where they were joined by a local legend in the shape of the Mayor of Manchester, Andy Burnham.
‘Knowledge Freedom Power’ is available to stream or buy HERE. The band’s official store also offers limited edition vinyl, CD, cassettes and t-shirts which feature alternate black artwork.
Next month will see The Slow Readers Club take ‘Knowledge Freedom Power’ on the road with a UK and European headline tour, interspersed with a show as special guests to Pixies. Several gigs are already sold-out, with many more to follow imminently. Any remaining tickets are available HERE.
LINKS:
https://www.theslowreadersclub.co.uk
https://www.facebook.com/theslowreadersclub
https://twitter.com/slowreadersclub
https://www.instagram.com/theslowreadersclub/