Shot in a pseudo-50s sitcom style really fits the video for the new track by Dar.Ra titled ‘Diamonds N The Shadows’. The video gives a stylistic way to tell a story in a campy comedic way. The track is five minutes twelve seconds of sonic bliss that never lets up and is comprised of an almost continuous hook. ‘Diamonds N The Shadows’ is a track that really needs to be put on a loop. It’s that melodic and tasty.
About Dar.Ra
Born in Dublin, Ireland, Darragh J Brady – AKA Dar.Ra has been in the music industry for a while with hits in the UK and Australia, signed to EMI, Festival and various dance labels over the years, remixing Frankie Goes to Hollywood, Tears 4 Fears, Savage Garden, and writing for Rachel Brown (Faithless, Groove Armada) plus having music on various Hollywood films like ‘Snakes on Planes’ films starring Hilary Duff on ABC TV, Match Of Day (BBC TV) and US Documentary City Of Hope.
He grew up in Brighton and London and his first solo album Soul Hours was released in 2010 made the album of the week of Spain’s Heart FM, as well as receiving support from BBC Radio, playing to over 1 million people on air within one live show.
Also an author, Dar.Ra has a book available called ‘Road Tales’ which has been getting brilliant reviews and is based on people Dar.Ra met while being the road from the late 1990s to 2008.
LINKS:
https://facebook.com/Dar.Ra7
https://youtube.com/kushadeep7
https://twitter.com/kushadeepmusic
https://instagram.com/dar.ra.brady
-
Bentley Jones Premieres ‘I Could Be Your Girl’ Video (The Week in #Indie Segment)
Bentley Jones has just dropped his new video titled ‘I Could Be Your Girl’. Bentley is one of those artists that, when he releases something, I quietly think to myself ‘About time…’. I say this because he is a constantly and truly evolving artist. Each release is somewhat of a reinvention of both the artist and the music. This is just as true with ‘I Could Be Your Girl’.
The video is at times hypnotic and captivating yet gives that sense of solace and yearning. A dark longing for love and romantic closeness in a time of social distancing lending to that certain something we all feel at times, especially these times, in that we all need someone. I hear the words ‘Beauty is in the eyes of the beholder’ when I first watched this video and now those words have a meaning to me. This is a message to the world that beauty is more than sexual and sultry; it’s something we all have, and by knowing that you can get the deeper meaning of the music.
to me, Bentley is an artist who deserves everything he’s worked for and worked very hard for. Now entering his tenth year as an artist, he is just as fresh and new as ever and it shows.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.ABOUT BENTLEY JONES
Bentley is continuing his reign as an independent pop pioneer by wrapping up his 10th anniversary before launching a brand new 2020 album. He has single-handedly amassed over 40 million sales and gathered remix credits for the likes of Madonna, Britney Spears, Kygo & Whitney Houston, Demi Lovato, Ariana Grande, Taylor Swift, Justin Bieber and Lady Gaga (who also follows him on Twitter).
If that wasn’t enough, he’s contributed scores to some of the world’s best-known franchises like “The X-Files”, “Tekken”, “Sonic the Hedgehog”, “Gradius”, “Titan Wars” and “QQ Dance”. With a taste of international success as a producer Ben looked further afield to make his debut as a recording artist before planting his roots – unintentionally – as far away from home as possible.
After taking a risk signing the first-ever British artist to release a Japanese album on a major label, EMI-Universal tested audiences with the debut single “Sunaoninaretara FINAL NIGHT”. Without any promotion or radio play, Bentley sold over 30,000 copies placing the song in the top 5 of Japan’s International Chart and cemented his stature as an international breakthrough artist.
Bentley continued his success in Japan with various projects including the 2012 album “UPGRADE 1.0” which saw him collaborate and perform with native artists for the first time including May J. She was enamored by Ben’s sound and called on him to write and produce for her next album. Ben’s work also caught the attention of May J.’s record label AVEX who signed him to their management arm as he became the first-ever foreign writer and first-ever foreign producer to join Japan’s biggest music company. Ironic that it was also the same management label of Ayumi Hamasaki who offered her personal approval of Bentley’s debut at the start of his Japanese career.
His first independent English EP “So Much More…” including the title track which was featured in the number 1 selling video-game “SEGA All-stars Racing”. It also featured 1 of 3 songs that received a staggering 1.1million streams in just 5 days after a promotion with the US social network Gaia Online. The sequel album “TRANS//LATION 2” made Bentley the 19th most viewed musician on YouTube the week of its release and his adaptation of the theme from “Devil May Cry 4” has accumulated 1.7 million streams.
Realizing he could continue his success as a fully independent artist, Bentley unleashed 2015’s “The Rebellion” to critical acclaim; “Articulate, brilliant and haunting.” (BuzzJack) “The must-listen-to album of 2015.” (Muzikman) “Let this album be an inspiration to us all.” (J-Wave’s 25 Best Indie Albums of 2015). 2017’s “Unravelling” was also a smash with critics being described as “powerful and meaningful… Bentley has bounced back better than ever!” (Essentially Pop) and became his highest-earning independent album at the time with over 310,000 sales.
Bentley’s 10th anniversary has been the colossal celebration we’ve come to expect from such a reputable artist. Proceedings kicked off at the end of 2018 with a live performance on Japan’s prestigious music show “Nodojiman THE WORLD!” (12.1 million viewers) which coincided with the release of his Japanese single “Lay Down on My Heart”. The song was premiered in the UK by BBC Radio and was the first-ever J-pop song broadcast by BBC Introducing leading to Bentley being awarded the “Sound of 2019” (BBC).
His 10th-anniversary album “Translated” – a celebration of his Japan debut – gained 270,000 sales during its summer release resulting in his decision to reside in Japan where he headlined at the Tokyo Summer Bon Festival. He’s even found time to compose music for the upcoming “Titan Wars” video-game, the theme song for From Aqua Mineral Water commercial, the main theme of the AVEX Influencer Academy as well as continue working with Asian artists such as Carrie Lai and DJ KOO (TRF).
ABOUT ‘I COULD BE YOUR GIRL’
His bold new image – an enticing amalgamation of muscles, stilettos, lace, and skin that celebrates his fluidity, sexuality, and defiance – is a telling statement of the difficult journey he’s been on to get here. Following acclaim from Billboard Japan (“a must-listen-to artist”), BBC Radio (“incredible”, Sound of 2019) and Miami Beach Pride (“an LGBTQ+ icon”), independent pop juggernaut Bentley Jones is finally delighting fans with lead single “I Could Be Your Girl” (out now) – a delicious slice of sultry, sexy pop R&B that (according to Jones) “was composed almost entirely in a dream.”
Bentley has enjoyed a considerable amount of success in Japan, which is why last year he turned his entire life upside down and moved to Tokyo. At first, he flourished; performing on the prestigious TV show “Nodojiman THE WORLD!” to 12.1 million viewers and headlining the Tokyo Bon Summer Festival.
However, the company promising to sponsor his visa – as well as provide promotion and touring for a new album – suddenly about-turned and began pulling their support from a contract they had been negotiating for months. As Bentley explains in a video blog, the company said he was “too controversial” and became “worried about what people will think”.
Ben made the heart-breaking decision to walk away from the contract and return home to the UK.
“After working so hard and risking everything, it was soul-destroying,” Ben expresses. “But this album and these songs are fundamental to who I am and what I stand for. It feels amazing to finally start releasing them exactly the way I intended.”
Last month Ben helped raise over $14,000 for community aid performing at Pride Collective – a virtual festival formed by the several US Prides. Miami Beach Pride was so impressed they selected Bentley to represent them at Global Pride on June 27th where he will make the first-ever live performance of “Girl” alongside such legends as Adam Lambert, Kesha, Todrick Hall and more.
“I Could Be Your Girl” is out everywhere now, with the music video following on June 19th.
LINKS:
http://www.bentleyjones.com
http://www.facebook.com/BentleyJonesMusic
http://twitter.com/Bentley_Jones
http://www.youtube.com/BentleyJonesMusic
http://www.soundcloud.com/BentleyJones -
Caesaria Premiere Wavin’ Goodbye
Caesaria draws its origins from the new English-rock wave. Armed with their punchy electro-pop music, the band had already raised interest in 2015 with its first EP Sparks of visions.
Caesaria’s music is a playground for dancing and dynamic experimentations, they mix the vocal harmonies of a devilishly efficient pop-music with more recent electronic sounds brilliantly.
Powerful guitar riffs add the cherry on top to this savant mixture: the crowd wants more.
Fiery and simply mind-blowing, the four French « kids », led by the label from Strasbourg Try & Dye Records, continue to play in festivals, for musical springboards and as prime parts, attracting after each gig new enthusiasts that are caught by an unstoppable need to dance their hips off.
Caesaria’s burning and contagious energy on stage is illustrated by their victories in many musical springboards (RTL2 in 2015, Music on Stage and Printemps des grandes écoles in 2016).
It has led the inexhaustible band to play on several big stages such as doing Naive New Beaters’ first part (La Laiterie – Strasbourg), Printemps de Bourges’s festival or les Eurockeennes de Belfort, pursuing the universal and timeless goal : to make bodies shake.
On Wavin’ Goodbye, the band said:
“This song is a story about a dying person who stands back on his life. He puts in perspective what he did, look at the others in the way they act and realize that they do not enjoy life as they should. It’s a pretty sad song but the message is to celebrate life as long as you can. The music video spreads this message by focusing on a transsexual. We wanted to give another perspective to this message and show that some people start a new life in their lifetime, such as transsexuals”.
LINKS:
https://www.facebook.com/wearecaesaria
https://twitter.com/WEARECAESARIA
https://www.instagram.com/wearecaesaria
https://soundcloud.com/caesaria
http://www.tryanddyerecords.com/caesaria
http://www.caesaria.fr -
Space Summit Premieres ‘I’m Electric’ Video (The Week in #Indie Segment)
Space Summit has officially premiered their new video for the track titled ‘I’m Electric’, from the upcoming album ‘Life This Way’, releasing September 10th. Remembering our review of the single, its easy to get a feel of an assumption to what the video may be. That assumption is nearly shattered. What we get with the video is a film. An artistic take on the feel of the song. A combination of a dark journey and stunning visuals by a film level director.
We get life, this way, to steal from the title of the album that bears ‘I’m Electric’. The marriage of different artists from different fields, genres, lives, and molded together in chaotic harmony that invokes as much as it inspires. Watch with open interpretation and let that feed your inspiration. You will know the meaning of art.
‘Life This Way’ releases September 10th.
LINKS:
https://spacesummitband.com
https://www.facebook.com/spacesummit
https://www.instagram.com/spacesummitbandClick HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.