José Junior has premiered his new video for the track titled ‘Forever’. Think R.E.M. with a fresh creative streak and you have a proper hint as to what José Junior is made of in this video and track. That 80’s music swing with chimey bell-toned guitars and vocals with a subtle angst. What you also have is just a damn good song with a classic MTV styled video to take us back while looking ahead. This is what music is supposed to be.
Watch the full episode HERE.
LINKS:
https://linktr.ee/josejuniormusic
https://www.facebook.com/josejuniormusic
https://josejunior.bandcamp.com
https://www.instagram.com/josejuniormusic
https://twitter.com/josejuniormusic
https://www.youtube.com/channel/UChRpqJ02LH5nyht7KbjOd2Q
https://soundcloud.com/josejuniormusic
Click HERE to watch Season 7 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 6 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.
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Dark Matters (JammerStream One)
Dark Matters was a talk show featuring independent artists of all calibers. It ran from 2013 to 2014 on JammerStream One.
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An Interview with January Jane
Jammerzine has an exclusive interview with Mitch C. Mitchell and Pat Via from BMG artists January Jane. I’ll start this off with a simple truth. These are the types of artists I love to interview. Not only are they living their dream as major label artists. They made it happen on their own terms. And not only that, they seem to be a tight knit family that deserves to be where they are. Mitch and Pat are totally cool. Fame has not phased them whatsoever. I get the feeling they have the same friends and dreams they had when they first started out. Those aren’t always the types of artists who make it big, but they are almost always the ones that stay big. They are the ones their fans love not only for the music but for their character. And that’s where ‘love’ turns into ‘in love’.
And today we get to talk with Mitch and Pat about their new EP ‘Your Drug’ (review below) as well as their thoughts on music, their music, and where they are taking it. This is more of a good conversation than an interview, and that’s how you get to know good people. Enjoy!
About January Jane
“The story of January Jane is so absurd – but then, everything about being in the music business is absurd,” says January Jane guitarist Mitch C. Mitchell with a laugh.
He’s correct: January Jane has taken an unusual path so far – but this strategy seems to have worked, because BMG is set to release the band’s much-anticipated EP, Your Drug, on September 17, 2021. Every track is ridiculously catchy, overflowing with melodies that are at once smooth yet highly textured, seamlessly blended with unapologetically emotional lyrics.
It’s an exhilarating moment for the band as they take a brief pause for reflection as they prepare for the whirlwind ahead. As lead vocalist and lyricist Pat Via says, “We feel like we’re at this jumping off point right now. We’re ready: we hope that we’ll soon be overwhelmed!” he says with a laugh.
Via writes the lyrics because he’s the one who has to deliver them in a way that will connect with fans, both in the recorded versions and in a live setting. Mitchell doesn’t mind handing over that particular duty: “If it’s a very cool lyric but it’s not from Pat’s heart, the audience will know it,” he says. Besides, Mitch, along with Peter Scialla, who joined the duo in 2014 on keyboard and piano, are busy writing the band’s music.
It’s an equitable and agreeable division of labor, and it was that way from the moment this band formed. Via and Mitchell met by chance at an art gallery opening in New York. Meeting up the next day to try to write together, they clicked so well that they had an outline for their first song sketched out in a mere 10 minutes.
This type of instant creative chemistry is extremely rare, so they immediately knew they were onto something special. In fact, January Jane has been such a revelation for both Via and Mitchell that they decline to discuss anything that came before it in their musical careers. “I don’t feel like anything that happened before this band matters,” Via says. “I’d rather talk about the story we’re writing now.”
Then, another New York City night cast its spell and delivered yet another surprise, when after wrapping up a show they were invited to a private gathering at a loft in the Meatpacking District: as they walked through the door they heard the sound of a piano rising from the center of a crowd that had gathered in a circle around the source of the music. They were immediately drawn in, and pushed their way past the pack to the grand piano in the center of the room, where they saw Peter Scialla manning the keys from within the eye of the hurricane. Peter seemed to sense their presence and looked up briefly from his keyboard, waving them over, before returning his gaze to the black and white keys in front of him. As the night progressed and they made their way through another bottle, singing and playing together to the impromptu crowd, they all realized they had found the missing piece, and Peter became part of January Jane.
With their epic songs, January Jane quickly gained a loyal fan base. One of their earliest supporters was Matt Pinfield, the DJ, journalist, television host, and all-around music industry legend. Pinfield has proven instrumental for the band: he took them under his wing and produced some of their early recordings (under the auspices of his own label, Whiskey Vinyl). Those songs, in turn, brought them to the attention of BMG, who quickly signed them. As always, when the opportunity came, January Jane’s members were prepared to grab it with both hands. As Via puts it, “It’s about staying ready for when the big lights get turned on.”
Being backed by BMG’s world-reaching might is exactly what January Jane’s members want, at this point. As Scialla explains, “We’ve put so much into this band – now we absolutely want to get it out there in a very big way.” Via agrees: “What band doesn’t want to be the biggest band in the world? When you have a label like BMG behind you, you get the opportunity to do that. Why walk when you can ride?”
“Taking this time to write and record has given us the chance to really explore creatively and find our unique sound,” says Mitchell. Also, the members understand that this type of band launch takes a long time to get ready, so they don’t mind waiting until everything is right for it.
As a primer for the music of January Jane, Your Drug is the perfect taster for what’s in store. From the cover of the Hall & Oates “I Can’t Go for That (No Can Do)” which updates the ‘80s hit by adding a modern cinematic swirl, to the epic soar of the title track “Your Drug” whose pulsating keyboards leads you right into an escalating chorus reaching anthemic heights, the EP carries a sneaky familiarity that is immediate and enduring. The lead single “Versions of You” with its fluid melodies and hooks sinks deep, cementing their indelible and transcendent mark on the contemporary pop rock genre.
Now, with their new EP finally in sight, January Jane say they’re especially excited to support the album with a tour, because live shows have long been a strength for this band. They’ve routinely sold out shows at larger theater venues like the Gramercy Theater in New York, as well as appearing at prestigious festivals such as SXSW multiple times.
January Jane have often performed charity concerts, benefitting the Akron Children’s Hospital and The Dream Foundation, among other causes. Their most unusual benefit show, in 2018, found them headlining the October Ball, held at the Cathedral of St. John the Divine in New York City, with proceeds going to the Bigs & Littles NYC Mentoring program.
This desire to spread love is at the heart of what January Jane has been about from the start. In fact, it is this pure love – for the music itself, and all the good it can do – that seems to ensure that January Jane’s future will stay bright. “We’ll never run out of ideas, because we love making music more than anything – every step of the way is fun,” Mitchell says. And there’s no reason to think their luck will change: “That chance meeting that Mitch and I had has somehow gotten us this far,” Via says, “and wandering into Pete’s studio in the time that followed was pure luck. We’ll just keep riding on those chances. It’s serendipitous.”
LINKS:
https://www.januaryjane.com
https://facebook.com/JanuaryJane
https://twitter.com/januaryjane
https://www.instagram.com/januaryjane
https://www.youtube.com/channel/UCkM7uWL6oc9-d_vj0XB_fUw
https://tiktok.com/@januaryjane
https://open.spotify.com/artist/6ODcblM0A3Z5emvZK3H7R6 -
Jammerzine’s The Week in #Indie for 10/7/2019
Jammerzine’s The Week in #Indie for the week of October 7th, 2019 includes exclusive interviews with David J, Trentemøller, and Martin Metcalfe as well as premieres from A Permanent Shadow, Callow Youth, Firewoodisland, Gaunt Story, Sløtface, and Ummagma.
About David J
With the release date of his upcoming album ‘Missive To An Angel From The Halls Of Infamy And Allure’ right around the corner (October 18th, 2019) and his upcoming shows with his original band Bauhaus, David J is a man who obviously has his plate full. And that plate has been full for a while now. With cofounding credits to both Bauhaus and Love and Rockets, among other things, David has a more than ample solo career spanning three decades and fourteen albums (including singles compilations) and the soon-to-be fifteenth aforementioned ‘Missive’ album.
In today’s Jammerzine Exclusive interview, we get to talk with David about the new album as well as his frequent collaborations and his signature musical style. We also get a glimpse as to where he is taking his solo career (you will be surprised!) and other things you do not want to miss.
Check out our review of David J’s single ‘Migena And The Frozen Roses’ HERE.
Check out our review of David J’s video ‘The Auteur (Redux/The Starlet’s Cut)’ featuring Rose McGowan HERE.
LINKS:
http://www.davidjonline.com
https://www.facebook.com/mcnightshade
https://twitter.com/davidjhaskins
https://www.instagram.com/davidjhaskins
https://davidjofficial.bandcamp.com
https://www.youtube.com/user/aviddj1919/videos
https://www.patreon.com/davidj
https://open.spotify.com/artist/2EftfRcBC3whzGDBGOwIVG
https://itunes.apple.com/us/artist/david-j/3032724About Trentemøller
Danish indie/electronic music Trentemøller may be one of the most diverse people in the music industry. With a career spanning over two decades and literally hundreds of credits cross-hopping between albums of many different genres as well as scoring and production work, to say hee is established at this point would be an understatement.
And now we get the next evolution of his revolution in the form of his new album titled ‘Obverse’, which drops today (September 27, 2019). Featuring guest spots by such as Rachel Goswell, Lina Tullgrin, Lisbet Fritze, and Jennylee, ‘Obverse’ is an electronic dreamscape in which each track has its own signature stamp within the collection yet everything seems to fall into place further cementing Trentemøller’s place as a music legend.
And today we get to speak with that legend and get his incite on the music industry as a whole as well as ‘Obverse’ and the magic contained within.
LINKS:
https://www.trentemoller.com
https://www.facebook.com/trentemoller
https://soundcloud.com/trentemusic
https://www.instagram.com/trentemoeller
https://twitter.com/trentemoeller
https://www.youtube.com/user/trentemollerTV
https://open.spotify.com/artist/4O71i7ke5iIBX6RNSFoZbS
https://geo.itunes.apple.com/us/artist/trentem%C3%B8ller/42067251?mt=1&app=music&itscg=30200&itsct=afftoolset_1About Martin Metcalfe
Goodbye Mr MacKenzie achieved notoriety in what I call that magical time in underground music. Before grunge when alternative wasn’t the mainstream and MTV told us exactly how many minutes we were allowed to watch that post-modern independent chic in the form of 120 Minutes.
Through it all Goodbye Mr MacKenzie frontman Martin Metcalfe has seen those stylistic changes in music and has both kept his creative integrity as well as evolved to the beat of his own drum. And while those styles continue to change, Martin continues to reinvent himself with both solo work as well as The Filthy Tongues, among other things.
In this interview, we talk with Martin about his beginnings in Scotland and the rise of Goodbye Mr MacKenzie as well as the release of their inceptual album ‘Good Deeds and Dirty Rags’ and reunion shows and much, much more.
Check out our review of ‘The Rattler’ from ‘Good Deeds and Dirty Rags’ reissue HERE.
LINKS:
http://www.goodbyemrmackenzie.com
https://blokshok.bigcartel.com/category/goodbye-mr-mackenzie
https://www.facebook.com/GoodbyeMrMackenzie
https://twitter.com/gbmrmackenzie
https://www.instagram.com/thefilthytongues
https://www.youtube.com/user/filthytongues/videosAbout A Permanent Shadow
This pretty much sums up Songs of Loss, the debut album by A Permanent Shadow, out as of September 20th, 2019. The ten songs on the album take us on a musical journey through the life of its creator. Lyrically the record portrays the lives of personalities that have inspired the author, some of them very close, some of the family, others fictitious. Happy-go-lucky it isn’t, though there are glimpses of hope, such as in the “carpe diem song” Now, the album’s third single after Empty and Fool, released on October 25th, 2019.
LINKS:
https://facebook.com/apermanentshadow
https://twitter.com/apermanentshad1
https://instagram.com/apermanentshadow
https://apermanentshadow.com
https://www.youtube.com/channel/UChlysN5Tngezi3uF-sZ57_gAbout Callow Youth
Callow Youth dropped their new single titled ‘Red Leather’ along with a stellar remix courtesy of Dave Pemberton. To me, this is a continuation of that remarkable sound that is Callow Youth, with a vivid post-punk alt-rock vibe with catchy choruses that seamlessly blend between raunchy hooks. What we also get is a vividly different take on the song via Mr. Pemberton that give me fond memories in the style of vintage Jesus Jones and even Ned’s Atomic Dustbin but all Callow in nature and execution showing that the band has a vivid penchant for incorporating what they love while retaining who they are. That is the sign of a band that makes lasting music.
Check out our feature on Callow Youth’s previous single titled ‘Did It Really Matter’ on our tv show The Week in #Indie HERE.
LINKS:
https://www.facebook.com/callowyouth.band
https://twitter.com/Callow_Youth
https://distrokid.com/hyperfollow/callowyouth/dmpyAbout Firewoodisland
Firewoodisland have seen support from the likes of Atwood Magazine, Earmilk, The 405, Q Magazine, Clash Mag, and Noctis Mag, as well as radio support from BBC Radio 6’s Radcliffe & Maconie and Tom Robinson, BBC Radio’s Introducing In The West, BBC Radio Devon’s The Sunday Request Show, Introducing Music From Stoke and Norway’s NRK P3. Their track ‘Storm’ was added to Spotify’s Most Beautiful Songs in the World playlist, Lush and Atmospheric, and Lost in the Woods playlist, and has racked up over half a million Spotify plays since March, shooting their total plays up to over 5.3 million, and seeing ‘One With The Mountain’ added to Norway’s New Music Fridays playlist. They boast features on popular Youtube channels such as Wave of Good Noise, Alex Rain Bird Music, La Belle Musique, Indie Folk Central, and BalconyTV.
LINKS:
https://www.firewoodisland.com
https://www.facebook.com/firewoodisland
https://www.twitter.com/firewoodisland
https://soundcloud.com/firewoodisland
https://www.youtube.com/firewoodisland
https://www.instagram.com/firewoodisland
https://open.spotify.com/artist/4ueLGSUjr5bROoGkeZU4cW?si=5EWpzRA5TpCuEWiAfO_xlQAbout Gaunt Story
Gaunt Story, aka Rob Ashworth, has a unique sound which is evident in his new single titled ‘Scattered Solace’. As the title suggests, this is a song hard to place into a genre. It’s definitely all indie, but there is much more going on. The guitars, to me, really stand out as there is a wonderful combination of acoustic strum and electric ‘noodling’ going on in a way I would have never guessed but perfectly fits. Rob’s vocals are another standout as he sings with an original blend of melancholy and experience.
LINKS:
https://www.facebook.com/gauntstory
https://open.spotify.com/artist/2NiGRQkYmIfrFDU7zVhVr6?si=BxIu2lelRTCshNeG1TlLMA
https://gauntstory.bandcamp.com
https://soundcloud.com/gauntstoryAbout Sløtface
Sløtface has officially dropped their lyric video for the track titled ‘Sink or Swim’. Addressing the very real issue of climate change in such a way puts a face on the issue that needs to be recognized. Music is the perfect way to do that because it puts the issue in the subconscious in a way that only music can do. Sløtface does this in a way that is filled with class and lacking in self-promotion with a lush song filling out the meaningful lyrics amid disturbing visuals of the toll we’ve given our home planet and have yet to pay ourselves, making this video a wake-up call.
LINKS:
https://www.slotface.no
https://www.instagram.com/slotfaceofficial
https://www.facebook.com/slotfaceofficial
https://twitter.com/slotfacebandAbout Ummagma
Ummagma gives a perfect example of visual beauty combined with audio tranquility with their new video for the track titled ‘High Day’ Ummagma have that brilliant combination of pop sensibility with songwriting ingenuity and, with that combination, make a brilliant and diverse album in the form of their first album in seven years titled ‘Compass’.
‘High Day’ gives that emotional yet brief score that is designed to encapsulate that perfect moment as if it already happened with a rich harmonic vocal over a gorgeous soundtrack.
As of July 26, ‘Compass’ is on CD, on vinyl or digitally via Bandcamp. In the UK, Leonard Skully Records on vinyl, which will also be carried by Norman Records. It went live via iTunes, Amazon, and Spotify as of August 1.
LINKS:
https://www.facebook.com/ummagma
https://ummagma.bandcamp.com
https://twitter.com/ummagma
https://www.youtube.com/ummagma
https://www.instagram.com/ummagma
https://www.soundcloud.com/ummagma
https://open.spotify.com/artist/7mbi8eO2rFY8UK11Jc6iWB
https://itunes.apple.com/ca/artist/ummagma/739253870Click HERE to watch Season 5 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 4 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 3 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 2 of Jammerzine’s ‘The Week in #Indie’.
Click HERE to watch Season 1 of Jammerzine’s ‘The Week in #Indie’.